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DOIs for this ISSN

Showing the top 5 of 220 DOIs, ordered by correction priority.

#	Title	Missing	Priority	Citations
1	The third chrysobull of Zica (10.2298/zog0731051s)	References ORCID	42.25	6
2	Bezirana kilisesi (Cappadoce). Un exceptionnel décor paléolo… (10.2298/zog1741107j)	References ORCID	42.25	6
3	The iconostasis in Decani: the original painted programme an… (10.2298/zog1236115t)	References ORCID	34.95	4
4	The chronology and the historical context of the constructio… (10.2298/zog1539047p)	References ORCID	34.95	4
5	New elements of the painted program in the narthex at Nerezi (10.2298/zog0329035b)	References ORCID	30.10	3
6	The stone synthronon and the frieze of fresco icons in the a… (10.2298/zog0329093r)	References ORCID	30.10	3
7	The wall painting in the outer narthex of Djurdjevi stupovi… (10.2298/zog0329161d)	References ORCID	30.10	3
8	The scene of the martyrdom of Saint Demetrios in post-Byzant… (10.2298/zog0731203k)	References ORCID	30.10	3
9	The horsemen of Karbala (10.2298/zog0933019j)	References ORCID	30.10	3
10	The cycle of the life of the Virgin in the Church of the Ann… (10.2298/zog0933075p)	References ORCID	30.10	3
11	The depiction of warrior saints in frescoes of 1380 at the c… (10.2298/zog0933121d)	References ORCID	30.10	3
12	The so-called "Athonite" type of church and two Shrines of t… (10.2298/zog1034003t)	References ORCID	30.10	3
13	A staurotheke of Serbian provenance in Pienza (10.2298/zog1236157p)	References ORCID	30.10	3
14	Praying with the senses: Examples of icon devotion and the s… (10.2298/zog1539057b)	References ORCID	30.10	3
15	Certains aspects du portrait laic Georgien du haut Moyen age (10.2298/zog1640035m)	Abstract References ORCID License	30.10	1
16	Churches and donors in the Treskavac chrysobulls of King Dus… (10.2298/zog1640073s)	Abstract References ORCID License	30.10	1
17	The saint of Kotor and the sculpture of the Decani Monastery (10.2298/zog1640085c)	Abstract References ORCID License	30.10	1
18	The post-Byzantine iconography of the individual punishments… (10.2298/zog1640141c)	Abstract References ORCID License	30.10	1
19	Beards that matter. Visual representations of Patriarch Igna… (10.2298/zog1741025k)	References ORCID	30.10	3
20	The Siena relic of St John the Baptist’s right arm (10.2298/zog1741077p)	References ORCID	30.10	3
21	Sopocani and Gradac: About the relation of funerary programm… (10.2298/zog0731059t)	References ORCID	23.86	2
22	When Job falls ill: Literary and iconographical study of a b… (10.2298/zog0933009d)	References ORCID	23.86	2
23	On the conceptual and thematic foundations of the fresco pai… (10.2298/zog0933093g)	References ORCID	23.86	2
24	The wall paintings of the church of Al-Adra in the monastery… (10.2298/zog1034037p)	References ORCID	23.86	2
25	The vision of Saint Peter of Alexandria, from the Church of… (10.2298/zog1236083c)	References ORCID	23.86	2
26	Gospel scenes in the narthex of the Mileseva church: A contr… (10.2298/zog1337107m)	References ORCID	23.86	2
27	To picture and to perform: The image of the Eucharistic Litu… (10.2298/zog1438123t)	References ORCID	23.86	2
28	The Deesis row from Piva: A contribution to the study of the… (10.2298/zog1438203v)	References ORCID	23.86	2
29	Physician and miracle worker. The cult of Saint Sampson the… (10.2298/zog1539025s)	References ORCID	23.86	2
30	The founder of the church of Saint George at Polosko (10.2298/zog1539107p)	References ORCID	23.86	2
31	On the beginnings of the Constantinopolitan School of embroi… (10.2298/zog1539161p)	References ORCID	23.86	2
32	The questions of the artistic influences of the Christian ea… (10.2298/zog1640045s)	References ORCID	23.86	2
33	The transfiguration at Shivta. Retracing early Byzantine ico… (10.2298/zog1741001m)	References ORCID	23.86	2
34	On the style of the Bachkovo Ossuary frescoes (10.2298/zog1842037o)	References ORCID	23.86	2
35	The inscription on the fresco “St. Nicholas takes basil from… (10.2298/zog1842107s)	References ORCID	23.86	2
36	An early version of the Novgorod iconography of Sophia the d… (10.2298/zog1943151c)	References ORCID	23.86	2
37	The murals in the church of the virgin Eleousa in Vljusa and… (10.2298/zog2044037z)	References ORCID	23.86	2
38	A stylistic tendency in ninth-century art of the Byzantine w… (10.2298/zog0329005o)	ORCID	19.45	5
39	Portraits of Serbian rulers in the Duljevo monastery (10.2298/zog0329143v)	ORCID	19.45	5
40	On the frescoes of the Bela crkva (white Church) of karan an… (10.2298/zog0731135v)	ORCID	19.45	5
41	On the donors' composition and the new dating of the fresco… (10.2298/zog0329181d)	References	15.05	3
42	Representation of the Five Martyrs of Sebaste in the Church… (10.2298/zog0329191g)	ORCID	15.05	3
43	Painting or relief: The ideal icon in iconophile writing in… (10.2298/zog0731007p)	References ORCID	15.05	1
44	Zur Restaurierungstätigkeit des Michael Dukas Glabas Tarchan… (10.2298/zog0731079e)	References ORCID	15.05	1
45	The portraits of Byzantine and Serbian rulers in the monaste… (10.2298/zog0731153c)	ORCID	15.05	3
46	Doljani-Zlatica, Podgorica: The remains of early Christian b… (10.2298/zog0933001k)	References ORCID	15.05	1
47	Cattolica in Stilo and its frescoes (10.2298/zog0933043z)	References ORCID	15.05	1
48	Between Southern Italy and Dalmatia Missal MR 166 of the Met… (10.2298/zog0933063e)	References ORCID	15.05	1
49	The cult of the Virgin Zoodochoz pege and its reflection in… (10.2298/zog0933101s)	ORCID	15.05	3
50	A post-Byzantine creation: The archangel Michael triumphant… (10.2298/zog0933143l)	References ORCID	15.05	1