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Národní filmový archiv

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Your prioritized action plan

Ordered by how many DOIs each fix touches — start here, not with every error at once.

1

Add abstracts to 236 articles

Abstracts are what surface your work in Google Scholar, Dimensions, and OpenAlex.

High impact236 DOIs
2

Attach ORCID iDs across 201 articles

ORCID iDs strengthen author disambiguation and institutional reporting.

High impact201 DOIs
3

Deposit reference lists for 7 records

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Low impact7 DOIs

DOIs for this ISSN

Showing the top 5 of 236 DOIs, ordered by correction priority.

# Title Missing Priority Citations
1 The Digitization of Jan Kříženecký's Films (10.58193/ilu.1609)
Abstract References ORCID
63.38 6
2 The Peripheralization of East-Central European Film Cultures… (10.58193/ilu.1700)
Abstract ORCID
58.80 14
3 Curation of a Personalized Video on Demand Service. A Longit… (10.58193/ilu.1693)
Abstract ORCID
50.00 9
4 LGBTQ+ Representation in Video Games through the Eyes of the… (10.58193/ilu.1742)
Abstract ORCID
45.15 7
5 Eventization and Targeting in Czech Theatrical Distribution… (10.58193/ilu.1530)
Abstract ORCID
38.91 5
6 Thinking Through the Medium Itself. Audiovisual Essay as a R… (10.58193/ilu.1549)
Abstract ORCID
38.91 5
7 "Just for a Couple of Cinemas and Very Cheap". Feature Films… (10.58193/ilu.1500)
Abstract ORCID
34.95 4
8 Found Footage Effect. Digital Kříženecký and the Crack-up of… (10.58193/ilu.1621)
Abstract ORCID
34.95 4
9 Devastating Dreamjobs. Ambivalence, Emotions, and Creative L… (10.58193/ilu.1642)
Abstract ORCID
34.95 4
10 THE ARRIVAL FROM THE DARKNESS. Possibilities and Functions o… (10.58193/ilu.1517)
Abstract ORCID
30.10 3
11 Restructuring a Cinema That Didn't Exist. The Romanian Film… (10.58193/ilu.1528)
Abstract ORCID
30.10 3
12 Who, with Whom, about What, for Whom. The Genesis of the Tel… (10.58193/ilu.1662)
Abstract ORCID
30.10 3
13 A Popular Post-Yugoslav Cinema: Does it Exist and Why (Not)? (10.58193/ilu.1694)
Abstract ORCID
30.10 3
14 The Audiovisual Musique Concrète: Towards the Integrated Sou… (10.58193/ilu.1718)
Abstract ORCID
30.10 3
15 Framing pandemic news. Empirical research on Covid-19 repres… (10.58193/ilu.1752)
Abstract ORCID
30.10 3
16 Traditional and Convergent Domestic Audiences. Towards a Typ… (10.58193/ilu.1514)
Abstract ORCID
23.86 2
17 Czech Film Distribution 2007-2016. A Decade of Change (10.58193/ilu.1515)
Abstract ORCID
23.86 2
18 Charting Post-Underground Nostalgia. Anachronistic Practices… (10.58193/ilu.1531)
Abstract ORCID
23.86 2
19 Magical Films for People. On the Czechoslovak Film Undergrou… (10.58193/ilu.1538)
Abstract ORCID
23.86 2
20 Marta Kubišová: The Non-Actress with the Thalia Award. The 1… (10.58193/ilu.1564)
Abstract ORCID
23.86 2
21 Film Zlín. A Set of Oral-Historical Interviews in the NFA's… (10.58193/ilu.1581)
Abstract ORCID
23.86 2
22 The Reich, the Europe, the Protectorate, and the Cinema. Pra… (10.58193/ilu.1588)
Abstract ORCID
23.86 2
23 Satan's Best Ceremony: The Identification of Three Films by… (10.58193/ilu.1608)
Abstract ORCID
23.86 2
24 Moderate Diversity. Czech Documentary Film between Platforms (10.58193/ilu.1619)
Abstract ORCID
23.86 2
25 To Protect the Christian Idea against the Hanky-Panky of the… (10.58193/ilu.1654)
Abstract ORCID
23.86 2
26 Ivan Tatíček - from Amateur Film to Professional Video Produ… (10.58193/ilu.1656)
Abstract ORCID
23.86 2
27 Mystical-Type Experience at The Virtual Reality Interface. T… (10.58193/ilu.1666)
Abstract ORCID
23.86 2
28 Czech Cinema as a Regional Poetics. Questions of Continuity… (10.58193/ilu.1672)
Abstract ORCID
23.86 2
29 Goods Above All. Czechoslovak Animation and Advertising in t… (10.58193/ilu.1683)
Abstract ORCID
23.86 2
30 On One Archival Document and a Panic about the Introduction… (10.58193/ilu.1505)
Abstract References ORCID
22.58 1
31 Pandemic TelevisionTelevision Industries in the midst of COV… (10.58193/ilu.1754)
Abstract References ORCID
22.58 1
32 Screenwriting and The Main Administration of Press Supervisi… (10.58193/ilu.1501)
Abstract ORCID
15.05 1
33 Union of Czech Film Workers (1939) 1945-1946 (1951) (10.58193/ilu.1506)
Abstract ORCID
15.05 1
34 Financing of Czech Feature Films from the Perspective of Fil… (10.58193/ilu.1516)
Abstract ORCID
15.05 1
35 Digitally Curating Portals for Critical Editions and Towards… (10.58193/ilu.1568)
Abstract ORCID
15.05 1
36 Useful Genre of Detective Films. How Changes of Cultural Val… (10.58193/ilu.1574)
Abstract ORCID
15.05 1
37 The Digital Single Market Strategy as a Threat or an Opportu… (10.58193/ilu.1575)
Abstract ORCID
15.05 1
38 Tramps Wandering the "New Europe". The Reich's Film Politics… (10.58193/ilu.1587)
Abstract ORCID
15.05 1
39 German Film Stars as Cultural Agents in Occupied Belgium (19… (10.58193/ilu.1589)
Abstract ORCID
15.05 1
40 Professional vs. Fan Cultural Criticism. Qualitative Analysi… (10.58193/ilu.1601)
Abstract ORCID
15.05 1
41 Tracing Past Exchanges between European and South American C… (10.58193/ilu.1603)
Abstract ORCID
15.05 1
42 Sharing Knowledge between University and Cinémathèque. The A… (10.58193/ilu.1604)
Abstract ORCID
15.05 1
43 Between Dominance and Absence. Dance (with the Media) in Lat… (10.58193/ilu.1633)
Abstract ORCID
15.05 1
44 The Music History of Laterna Magika (10.58193/ilu.1634)
Abstract ORCID
15.05 1
45 Decline of Quality and Prestige? Czech Film Reviews in the D… (10.58193/ilu.1641)
Abstract ORCID
15.05 1
46 The History of Czechoslovak / Czech Film in the Mirror of it… (10.58193/ilu.1653)
Abstract ORCID
15.05 1
47 Elektafilm presents Vlasta Burian. Financing of Feature Film… (10.58193/ilu.1655)
Abstract ORCID
15.05 1
48 On Interfaces as Moving Image Configurations in Space (10.58193/ilu.1664)
Abstract ORCID
15.05 1
49 Netnographic Cinema as a Cultural Interface (10.58193/ilu.1665)
Abstract ORCID
15.05 1
50 Under the Protection of the Film Industry. Total Military De… (10.58193/ilu.1676)
Abstract ORCID
15.05 1