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DOIs for this ISSN

Showing the top 5 of 1059 DOIs, ordered by correction priority.

#	Title	Missing	Priority	Citations
1	Continuous Transformations (10.30535/mto.10.3.3)	Abstract References ORCID License	146.24	28
2	Between Process and Product (10.30535/mto.7.2.1)	References ORCID License	145.46	86
3	Embodying Music (10.30535/mto.17.2.1)	Abstract ORCID License	138.84	70
4	Some Remarks on the Use of Riemann Transformations (10.30535/mto.0.9.1)	References ORCID License	131.69	56
5	Metaphor and Music Theory (10.30535/mto.4.1.1)	References ORCID License	122.51	42
6	Generalized Contextual Groups (10.30535/mto.11.3.1)	Abstract References ORCID License	120.41	15
7	Voice Leadings as Generalized Key Signatures (10.30535/mto.11.4.1)	Abstract References ORCID License	120.41	15
8	A Tetrahedral Graph of Tetrachordal Voice-Leading Space (10.30535/mto.9.4.1)	Abstract References ORCID License	117.61	14
9	Music Theory and the White Racial Frame (10.30535/mto.26.2.4)	ORCID License	110.07	158
10	Texture in Penderecki’s Sonoristic Style (10.30535/mto.6.1.4)	References ORCID License	108.54	27
11	On and On (10.30535/mto.11.4.2)	References ORCID License	104.85	24
12	On the Function of Function (10.30535/mto.1.3.2)	References ORCID License	95.91	18
13	The Bridges that Never Were (10.30535/mto.3.1.1)	References ORCID License	90.31	15
14	Toward a Post-Schoenbergian Grammar of Tonal and Pre-tonal H… (10.30535/mto.6.1.1)	References ORCID License	88.21	14
15	Making Sense of Rock’s Tonal Systems (10.30535/mto.10.4.2)	ORCID License	88.17	57
16	Turning the Beat Around (10.30535/mto.7.6.1)	References ORCID License	85.96	13
17	Klein-Bottle Tonnetze (10.30535/mto.9.3.1)	Abstract References ORCID License	84.51	6
18	Formal Functions of Metric Dissonance in Rock Music (10.30535/mto.20.2.1)	ORCID License	83.60	46
19	The Persona-Environment Relation in Recorded Song (10.30535/mto.11.4.3)	References ORCID License	83.55	12
20	Rhythmic Feel as Meter (10.30535/mto.16.4.4)	ORCID License	83.14	45
21	On the Metrical Techniques of Flow in Rap Music (10.30535/mto.15.5.1)	ORCID License	81.16	41
22	Common-tone Tonality in Italian Romantic Opera (10.30535/mto.14.1.3)	References ORCID License	80.94	11
23	Modes, the Height-Width Duality, and Handschin’s Tone Charac… (10.30535/mto.17.1.2)	ORCID License	78.99	37
24	A System for Describing Vocal Timbre in Popular Song (10.30535/mto.22.1.2)	ORCID License	78.99	37
25	Loud Rests and Other Strange Metric Phenomena (or, Meter as… (10.30535/mto.0.2.1)	References ORCID License	78.10	10
26	Augmented-Sixth Chords vs. Tritone Substitutes (10.30535/mto.14.2.2)	References ORCID License	78.10	10
27	Geometrical Methods in Recent Music Theory (10.30535/mto.16.1.7)	Abstract ORCID License	78.10	10
28	What is a Musical Feature? Forte’s Analysis of Brahms’s Opus… (10.30535/mto.7.4.1)	References ORCID License	78.10	10
29	Towards a Typology of Minimalist Tropes (10.30535/mto.8.4.1)	References ORCID License	78.10	10
30	Pat Martino’s <i>The Nature of the Guitar:</i> An Intersecti… (10.30535/mto.12.1.4)	Abstract References ORCID License	77.82	5
31	Aspects of the Music/Text Relationship in Rap (10.30535/mto.14.2.3)	ORCID License	77.82	35
32	Integration, Diversity, and Creativity (10.30535/mto.22.1.4)	Abstract References ORCID License	77.82	5
33	Square Dance Moves and Twelve-Tone Operators (10.30535/mto.9.4.2)	Abstract References ORCID License	77.82	5
34	The Power of Anacrusis (10.30535/mto.12.4.2)	ORCID License	76.57	33
35	The Cadential IV in Rock (10.30535/mto.17.1.8)	ORCID License	76.57	33
36	Timing and Meter in Mande Drumming from Mali (10.30535/mto.20.1.1)	ORCID License	76.57	33
37	Instruments of Music Theory (10.30535/mto.22.4.4)	ORCID License	75.93	32
38	Movement, Music, Feminism (10.30535/mto.23.2.6)	ORCID License	75.93	32
39	A Taxonomy of Orchestral Grouping Effects Derived from Princ… (10.30535/mto.28.3.6)	ORCID License	74.57	30
40	Fragile, Emergent, and Absent Tonics in Pop and Rock Songs (10.30535/mto.23.2.2)	ORCID License	73.12	28
41	Circles and Time (10.30535/mto.6.1.2)	ORCID License	73.12	28
42	Recasting K-nets (10.30535/mto.13.3.12)	Abstract ORCID License	71.57	8
43	Schema Theory as a Construction Grammar (10.30535/mto.21.2.3)	ORCID License	71.57	26
44	The Structure, Function, and Genesis of the Prechorus (10.30535/mto.17.3.2)	ORCID License	70.75	25
45	Guitar Voicing in Pop-Rock Music (10.30535/mto.17.3.5)	ORCID License	70.75	25
46	Tonal Ambiguity in Popular Music’s Axis Progressions (10.30535/mto.23.3.6)	ORCID License	70.75	25
47	The Cultural Significance of Timbre Analysis (10.30535/mto.26.3.3)	ORCID License	70.75	25
48	Songs for Hands (10.30535/mto.19.1.4)	ORCID License	69.01	23
49	Measuring a Measure (10.30535/mto.22.3.3)	ORCID License	69.01	23
50	We Gon’ Be Alright? The Ambiguities of Kendrick Lamar’s Prot… (10.30535/mto.25.1.9)	ORCID License	68.09	22