| 1 | A New Patheon: Artificial intelligence and "Her" (10.32873/uno.dc.jrf.22.02.05) | Abstract References ORCID License | 127.88 | 18 |
| 2 | Problematizing the Human-Technology Relationship through Tec… (10.32873/uno.dc.jrf.20.01.21) | Abstract References ORCID License | 120.41 | 15 |
| 3 | Armageddon at the Millennial Dawn (10.32873/uno.dc.jrf.04.01.04) | Abstract References ORCID License | 95.42 | 8 |
| 4 | ‘I am That Very Witch’: On The Witch, Feminism, and Not Surv… (10.32873/uno.dc.jrf.22.03.06) | Abstract References ORCID License | 77.82 | 5 |
| 5 | Shinto Perspectives in Miyazaki's Anime Film "Spirited Away" (10.32873/uno.dc.jrf.08.03.04) | Abstract References ORCID License | 69.90 | 4 |
| 6 | From Navy Seals to The Siege: Getting to Know the Muslim Ter… (10.32873/uno.dc.jrf.09.02.06) | Abstract References ORCID License | 69.90 | 4 |
| 7 | Archetypes on Screen: Odysseus, St. Paul, Christ and the Ame… (10.32873/uno.dc.jrf.09.01.01) | Abstract References ORCID License | 60.21 | 3 |
| 8 | Islam in Turkish Cinema (10.32873/uno.dc.jrf.18.02.08) | Abstract References ORCID License | 60.21 | 3 |
| 9 | Films and Religion: An analysis of Aamir Khan’s PK (10.32873/uno.dc.jrf.20.01.09) | Abstract References ORCID License | 60.21 | 3 |
| 10 | Visions of the End: Secular Apocalypse in Recent Hollywood F… (10.32873/uno.dc.jrf.02.01.04) | Abstract References ORCID License | 47.71 | 2 |
| 11 | Transgressing Goodness in Breaking the Waves (10.32873/uno.dc.jrf.02.01.05) | Abstract References ORCID License | 47.71 | 2 |
| 12 | The Sanctification of Fear: Images of the Religious in Horro… (10.32873/uno.dc.jrf.05.02.07) | Abstract References ORCID License | 47.71 | 2 |
| 13 | A Community of Characters – the Narrative Self in the Films… (10.32873/uno.dc.jrf.09.02.03) | Abstract References ORCID License | 47.71 | 2 |
| 14 | Millions (10.32873/uno.dc.jrf.10.01.13) | Abstract References ORCID License | 47.71 | 2 |
| 15 | Cloud Atlas’ Queer Tiki Kitsch: Polynesians, Settler Colonia… (10.32873/uno.dc.jrf.18.02.05) | Abstract References ORCID License | 47.71 | 2 |
| 16 | Hot Jesus, Black Messiah, Suffering Son of God: How Jesus Fi… (10.32873/uno.dc.jrf.21.01.33) | Abstract References ORCID License | 47.71 | 2 |
| 17 | Fixing Ground Zero: Race and Religion in Francis Lawrence’s… (10.32873/uno.dc.jrf.21.02.13) | Abstract References ORCID License | 47.71 | 2 |
| 18 | A Journey into the Heart of God: Darren Aronofsky’s Noah (20… (10.32873/uno.dc.jrf.22.03.05) | Abstract References ORCID License | 47.71 | 2 |
| 19 | Love-Jihad’ and Bollywood: Constructing Muslims as ‘Other’ (10.32873/uno.dc.jrf.22.03.08) | Abstract References ORCID License | 47.71 | 2 |
| 20 | Revelations (10.32873/uno.dc.jrf.25.01.051) | Abstract References ORCID License | 47.71 | 2 |
| 21 | Viewing Terrence Malick’s A Hidden Life as Political Theolog… (10.32873/uno.dc.jrf.27.02.02) | Abstract References ORCID License | 47.71 | 2 |
| 22 | Consuming Bollywood (10.32873/uno.dc.jrf.24.2.004) | References ORCID License | 35.78 | 2 |
| 23 | Religion and Film: Representation, Experience, Meaning (10.32873/uno.dc.jrf.26.01.56) | References ORCID License | 35.78 | 2 |
| 24 | Scripture on the Silver Screen (10.32873/uno.dc.jrf.03.01.03) | Abstract References ORCID License | 30.10 | 1 |
| 25 | Fargo: A Biblical Morality Play (10.32873/uno.dc.jrf.04.02.03) | Abstract References ORCID License | 30.10 | 1 |
| 26 | Bess the Christ Figure?: Theological Interpretations of Brea… (10.32873/uno.dc.jrf.05.01.04) | Abstract References ORCID License | 30.10 | 1 |
| 27 | The Catholic Imagination in Martin Scorsese's The Last Waltz (10.32873/uno.dc.jrf.05.02.02) | Abstract References ORCID License | 30.10 | 1 |
| 28 | Reassessing The Matrix/Reloaded (10.32873/uno.dc.jrf.07.02.06) | Abstract References ORCID License | 30.10 | 1 |
| 29 | Robot Heavens and Robot Dreams: Ultimate Reality in A.I. and… (10.32873/uno.dc.jrf.07.02.07) | Abstract References ORCID License | 30.10 | 1 |
| 30 | History, Hollywood, and the Bible: Some Thoughts on Gibson's… (10.32873/uno.dc.jrf.08.01.12) | Abstract References ORCID License | 30.10 | 1 |
| 31 | Land of the Dead (10.32873/uno.dc.jrf.09.02.10) | Abstract References ORCID License | 30.10 | 1 |
| 32 | The Construction of a Christ-figure within the 1956 and 1923… (10.32873/uno.dc.jrf.10.01.02) | Abstract References ORCID License | 30.10 | 1 |
| 33 | Diary of a Country Priest: The Transcendent on Film (10.32873/uno.dc.jrf.10.02.01) | Abstract References ORCID License | 30.10 | 1 |
| 34 | Star Wars' Saving Return (10.32873/uno.dc.jrf.13.01.06) | Abstract References ORCID License | 30.10 | 1 |
| 35 | A Serious Man (10.32873/uno.dc.jrf.13.02.15) | Abstract References ORCID License | 30.10 | 1 |
| 36 | Legion (10.32873/uno.dc.jrf.14.01.24) | Abstract References ORCID License | 30.10 | 1 |
| 37 | The (Un)Christian Road Warrior: The Crisis of Religious Repr… (10.32873/uno.dc.jrf.15.01.01) | Abstract References ORCID License | 30.10 | 1 |
| 38 | Job of Suburbia? A Serious Man and Viewer Perceptions of the… (10.32873/uno.dc.jrf.15.02.07) | Abstract References ORCID License | 30.10 | 1 |
| 39 | Scapegoats and Redemption on Shutter Island (10.32873/uno.dc.jrf.16.01.02) | Abstract References ORCID License | 30.10 | 1 |
| 40 | The Magdalene Sisters: How to Solve the Problem of ‘Bad’ Gir… (10.32873/uno.dc.jrf.16.02.01) | Abstract References ORCID License | 30.10 | 1 |
| 41 | Cloud Atlas (10.32873/uno.dc.jrf.17.01.29) | Abstract References ORCID License | 30.10 | 1 |
| 42 | Holy Motors (10.32873/uno.dc.jrf.17.01.41) | Abstract References ORCID License | 30.10 | 1 |
| 43 | Woman Becomes Goddess in Bollywood: Justice, Violence, and t… (10.32873/uno.dc.jrf.17.02.01) | Abstract References ORCID License | 30.10 | 1 |
| 44 | Fire, Water and The Goddess: The Films of Deepa Mehta and Sa… (10.32873/uno.dc.jrf.17.02.03) | Abstract References ORCID License | 30.10 | 1 |
| 45 | With An Eye On A Set Of New Eyes: Beasts of the Southern Wil… (10.32873/uno.dc.jrf.17.02.06) | Abstract References ORCID License | 30.10 | 1 |
| 46 | Go with Peace Jamil - Affirmation and Challenge of the Image… (10.32873/uno.dc.jrf.17.02.08) | Abstract References ORCID License | 30.10 | 1 |
| 47 | Chasing Shakespeare (10.32873/uno.dc.jrf.17.02.11) | Abstract References ORCID License | 30.10 | 1 |
| 48 | Filming Reconciliation: Affect and Nostalgia in The Tree of… (10.32873/uno.dc.jrf.18.01.43) | Abstract References ORCID License | 30.10 | 1 |
| 49 | The Binding of Abraham: Inverting the Akedah in Fail-Safe an… (10.32873/uno.dc.jrf.19.01.37) | Abstract References ORCID License | 30.10 | 1 |
| 50 | Allegory and Ambiguity in the Films of Majid Majidi: A Theod… (10.32873/uno.dc.jrf.20.01.03) | Abstract References ORCID License | 30.10 | 1 |