| 1 | Social Media and Platform Historiography: Challenges and Opp… (10.18146/tmg.434) | Abstract References ORCID License | 169.90 | 49 |
| 2 | On the prospect of writing cinema history from below (10.18146/tmg.550) | Abstract References ORCID License | 120.41 | 15 |
| 3 | The place of space in film historiography (10.18146/tmg.548) | Abstract References ORCID License | 111.39 | 12 |
| 4 | What to do with 2.000.000 Historical Press Photos? The Chall… (10.18146/tmg.815) | Abstract References ORCID License | 95.42 | 8 |
| 5 | Queering New Cinema History: Affective Methodologies for Com… (10.18146/tmg.588) | Abstract References ORCID License | 90.31 | 7 |
| 6 | From POPSTAT to RelPOP: A Methodological Journey in Investig… (10.18146/tmg.776) | Abstract References ORCID License | 77.82 | 5 |
| 7 | Comparative, Entangled, Parallel and ‘Other’ Cinema Historie… (10.18146/tmg.795) | Abstract References ORCID License | 77.82 | 5 |
| 8 | Common Ground: Comparative Histories of Cinema Audiences (10.18146/tmg.797) | Abstract References ORCID License | 77.82 | 5 |
| 9 | #stemfie: reconceptualising liveness in the era of social me… (10.18146/tmg.108) | Abstract References ORCID License | 69.90 | 4 |
| 10 | Het Taboe van de Nederlandse Filmcultuur: Neutraal in een ve… (10.18146/tmg.184) | Abstract References ORCID License | 69.90 | 4 |
| 11 | Headset Culture, Audile, Technique, and sound Space as Priva… (10.18146/tmg.232) | Abstract References ORCID License | 69.90 | 4 |
| 12 | Challenges to Comparative Oral Histories of Cinema Audiences (10.18146/tmg.586) | Abstract References ORCID License | 69.90 | 4 |
| 13 | Mapping Flat, Deep, and Slow: On the ‘Spirit of Place’ in Ne… (10.18146/tmg.789) | Abstract References ORCID License | 69.90 | 4 |
| 14 | Digital Humanities and Media History (10.18146/2213-7653.2017.277) | References ORCID | 57.31 | 13 |
| 15 | Understanding the Cinemagoing Experience in Cultural Life (10.18146/2213-7653.2018.337) | References License | 50.00 | 9 |
| 16 | Unmasking Biometrics’ Biases (10.18146/2213-7653.2018.368) | References ORCID | 50.00 | 9 |
| 17 | Crowdsourcing Television’s Past: The State of Knowledge in D… (10.18146/tmg.139) | Abstract References ORCID License | 47.71 | 2 |
| 18 | Klasse als factor in de Nederlandse filmgeschiedenis: Een ee… (10.18146/tmg.161) | Abstract References ORCID License | 47.71 | 2 |
| 19 | Media History in the Netherlands: Some Observations<sup&g… (10.18146/tmg.208) | Abstract References ORCID License | 47.71 | 2 |
| 20 | Vincenzo Neri: anatomy of a finding (10.18146/tmg.265) | Abstract References ORCID License | 47.71 | 2 |
| 21 | Web Archaeology: An Introduction (10.18146/tmg.433) | Abstract References ORCID License | 47.71 | 2 |
| 22 | Finding Traces in YouTube’s Living Archive: Exploring Inform… (10.18146/tmg.435) | Abstract References ORCID License | 47.71 | 2 |
| 23 | De ramp tussen werkelijkheid en constructie (10.18146/tmg.522) | Abstract References ORCID License | 47.71 | 2 |
| 24 | Burgemeesters aan het televisiefront. Het NOS-JOURNAAL en de… (10.18146/tmg.527) | Abstract References ORCID License | 47.71 | 2 |
| 25 | Drie mogelijke verklaringen voor de stagnerende ontwikkeling… (10.18146/tmg.577) | Abstract References ORCID License | 47.71 | 2 |
| 26 | Radio Wars and Revolution in the Caribbean, 1959 (10.18146/tmg.591) | Abstract References ORCID License | 47.71 | 2 |
| 27 | Questions of Intermediality: An Analysis of Radio Listings a… (10.18146/tmg.594) | Abstract References ORCID License | 47.71 | 2 |
| 28 | The Persistence of Society-Driven Engagement in Swedish Cine… (10.18146/tmg.601) | Abstract References ORCID License | 47.71 | 2 |
| 29 | The camera never lies: The partiality of photographic eviden… (10.18146/tmg.68) | Abstract References ORCID License | 47.71 | 2 |
| 30 | Encountering the ‘Other’ by Lifting the Iron Curtain: Americ… (10.18146/tmg.785) | Abstract References ORCID License | 47.71 | 2 |
| 31 | Moving Films: Visualising Film Flow in Three European Cities… (10.18146/tmg.790) | Abstract References ORCID License | 47.71 | 2 |
| 32 | Transcending Boundaries: Daily Express Correspondent Annie C… (10.18146/tmg.791) | Abstract References ORCID License | 47.71 | 2 |
| 33 | Transnational Journalism History: Expanding Boundaries (10.18146/tmg.808) | Abstract References ORCID License | 47.71 | 2 |
| 34 | Typefaces for Children's Reading (10.18146/2213-7653.2016.268) | References ORCID | 42.25 | 6 |
| 35 | Identifying Cinema Cultures and Audience Preferences (10.18146/2213-7653.2018.340) | References License | 38.91 | 5 |
| 36 | New Cinema History in the Low Countries and Beyond (10.18146/2213-7653.2018.347) | References ORCID License | 35.78 | 2 |
| 37 | Alison Powell on Data Walking (10.18146/2213-7653.2018.371) | References ORCID | 34.95 | 4 |
| 38 | The Database ‘Revolution’ (10.18146/2213-7653.2018.364) | References ORCID | 30.10 | 3 |
| 39 | Het archief als netwerk: Perspectieven op de studie van onli… (10.18146/tmg.134) | Abstract References ORCID License | 30.10 | 1 |
| 40 | Tussen droom en daad: De institutionele ontwikkeling van int… (10.18146/tmg.166) | Abstract References ORCID License | 30.10 | 1 |
| 41 | ‘Just the Facts, M’am?’: A short history of ambivalence towa… (10.18146/tmg.185) | Abstract References ORCID License | 30.10 | 1 |
| 42 | Redactioneel (10.18146/tmg.186) | Abstract References ORCID License | 30.10 | 1 |
| 43 | Of Sound Mind: Mental Distress and Sound in Twentieth-Centur… (10.18146/tmg.258) | Abstract References ORCID License | 30.10 | 1 |
| 44 | ‘The TV is talking to me!’: Simulating psychotic phenomena (10.18146/tmg.261) | Abstract References ORCID License | 30.10 | 1 |
| 45 | Conflict and Development in Iranian Film (10.18146/tmg.270) | Abstract References ORCID License | 30.10 | 1 |
| 46 | De Vara, de oorlog en de doofpot: Waarom de Van Imhoff-affai… (10.18146/tmg.30) | Abstract References ORCID License | 30.10 | 1 |
| 47 | Validating the Animated Film. toy stories, trade tattoos and… (10.18146/tmg.412) | Abstract References ORCID License | 30.10 | 1 |
| 48 | Het beeld, het woord en de algoritmen. Mogelijkheden en bepe… (10.18146/tmg.484) | Abstract References ORCID License | 30.10 | 1 |
| 49 | The moment of screening: what nonfiction films can do (10.18146/tmg.502) | Abstract References ORCID License | 30.10 | 1 |
| 50 | Ziek van de ramp of van het nieuws óver de ramp? (10.18146/tmg.526) | Abstract References ORCID License | 30.10 | 1 |