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High impact331 DOIs

DOIs for this ISSN

Showing the top 5 of 441 DOIs, ordered by correction priority.

#	Title	Missing	Priority	Citations
1	The affective turn in ethnomusicology (10.2298/muz1518035h)	References ORCID	77.20	34
2	Acoustic vessels as an expression of medieval music traditio… (10.2298/muz1722105d)	References ORCID	47.71	8
3	The Balzan Musicology Project towards a global history of mu… (10.2298/muz1927015s)	References ORCID	42.25	6
4	Roland Barthes' "Text" and aleatoric music: Is "The birth of… (10.2298/muz0202263j)	References ORCID	38.91	5
5	Vladan Radovanovic's "syntheѕic art" (10.2298/muz0303141j)	References ORCID	38.91	5
6	The politics of power, pleasure and prayer in the Eurovision… (10.2298/muz0707039b)	References ORCID	38.91	5
7	The dominant currents in the research of music in Serbia: An… (10.2298/muz1825049v)	References ORCID	38.91	5
8	From modernism to socialist realism in four years: Myaskovsk… (10.2298/muz0303199f)	References ORCID	34.95	4
9	Chromaticism: A theoretical construction or a practical tran… (10.2298/muz1111159k)	References ORCID	34.95	4
10	Traditional music of Prizren Gora in the shadow of the Ottom… (10.2298/muz1620101r)	References ORCID	34.95	4
11	Synthesis and analysis of sounds developed from the Bose-Ein… (10.2298/muz1824095n)	References ORCID	34.95	4
12	Stylistic directions in Stevan Hristic’s oratorio Vaskrsenje… (10.2298/muz0404025t)	References ORCID	30.10	3
13	Music in Serbian literary magazine and Yugoslav ideology (10.2298/muz0404039v)	References ORCID	30.10	3
14	Modernism and tradition and the traditions of modernism (10.2298/muz0606019k)	References ORCID	30.10	3
15	Music and collective identities (10.2298/muz0707119m)	References ORCID	30.10	3
16	Can music progress?: Reflections on the history of popular m… (10.2298/muz0707247f)	References ORCID	30.10	3
17	The ideology of moderated modernism in Serbian music and mus… (10.2298/muz0707279m)	ORCID	30.10	15
18	Institute of musicology, Serbian Academy of Sciences and Art… (10.2298/muz1010011p)	References ORCID	30.10	3
19	The politics оf spectacle: Italian music аnd Fascist propaga… (10.2298/muz120325010i)	References ORCID	30.10	3
20	Arhai’s Balkan folktronica: Serbian ethno music reimagined f… (10.2298/muz1416105m)	References ORCID	30.10	3
21	Consequences of the affective turn: Exploring music practice… (10.2298/muz1518057a)	References ORCID	30.10	3
22	A new interdisciplinary approach to the study of the origins… (10.2298/muz1518077j)	References ORCID	30.10	3
23	Singing with gusle accompaniment and the music industry: The… (10.2298/muz1620199l)	References ORCID	30.10	3
24	Years of sound living: Mikser festival in Savamala (2012-201… (10.2298/muz1722039m)	References ORCID	30.10	3
25	Official regulations and perceptual aspects of bell ringing (10.2298/muz1722059k)	References ORCID	30.10	3
26	How music affects soundscape: Musical preferences in Skadarl… (10.2298/muz1722075d)	References ORCID	30.10	3
27	The non-aligned humanism of Rudolf Bruci: The composer and t… (10.2298/muz1723083s)	References ORCID	30.10	3
28	Contemporary urban folk music in the Balkans: Possibilities… (10.2298/muz1825091d)	References ORCID	30.10	3
29	New data, new methods? Sources on ladies’ salon orchestras i… (10.2298/muz1926041k)	References ORCID	30.10	3
30	Reflections on music and identity in Ethnomusicology (10.2298/muz0707017r)	ORCID	28.65	13
31	On the orthodox church melos: A contribution to the typology… (10.2298/muz0303219p)	References ORCID	23.86	2
32	Roman Ingarden’s theory of intentional musical work (10.2298/muz0404155s)	References ORCID	23.86	2
33	Music critic Gustav Michel (10.2298/muz0404167v)	References ORCID	23.86	2
34	The traditional and modern in church music: A study in canon… (10.2298/muz0606233p)	References ORCID	23.86	2
35	From communism to capitalism via the wars: The landscape of… (10.2298/muz0808091m)	References ORCID	23.86	2
36	Lost in scales: Balkan folk music research and the ottoman l… (10.2298/muz0808127p)	ORCID	23.86	8
37	Experiences in adapting post-byzantine chant into foreign la… (10.2298/muz1111133o)	References ORCID	23.86	2
38	The reception of Soviet music in the west: A history of symp… (10.2298/muz120204015h)	References ORCID	23.86	2
39	Music as word: Film music - superlibretto? (10.2298/muz1315127c)	References ORCID	23.86	2
40	The state of research on church chant in medieval Serbia (10.2298/muz1416131p)	References ORCID	23.86	2
41	Musical shaping of the nation: Ethno-symbolism of Mokranjac’… (10.2298/muz1416211m)	References ORCID	23.86	2
42	Criteria of ‘authenticity’ in traditional Georgian musical p… (10.2298/muz1417021g)	References ORCID	23.86	2
43	The live album or many ways of representing performance (10.2298/muz1417069m)	References ORCID	23.86	2
44	The ethnomusicological endeavors of Danica and Ljubica Janko… (10.2298/muz1417245z)	References ORCID	23.86	2
45	Methodological disputes about interpretation of neum notatio… (10.2298/muz1518015p)	References ORCID	23.86	2
46	Globalisation and western music historiography (10.2298/muz1519009r)	References ORCID	23.86	2
47	Aram Khachaturian and socialist realism: A reconsideration (10.2298/muz1620087s)	References ORCID	23.86	2
48	Sonic memory interventions against politics of urban silenci… (10.2298/muz1722089h)	References ORCID	23.86	2
49	What, how, and why in Serbian music after the Second World W… (10.2298/muz1723015v)	References ORCID	23.86	2
50	On the chanting space and hymns that were sung in it. Search… (10.2298/muz1723145p)	References ORCID	23.86	2