1466-4615

Film-Philosophy

Edinburgh University Press

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Your prioritized action plan

Ordered by how many DOIs each fix touches — start here, not with every error at once.

1

Attach ORCID iDs across 999 articles

ORCID iDs strengthen author disambiguation and institutional reporting.

High impact999 DOIs
2

Add abstracts to 859 articles

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High impact859 DOIs
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Deposit reference lists for 473 records

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Medium impact473 DOIs

DOIs for this ISSN

Showing the top 5 of 1073 DOIs, ordered by correction priority.

# Title Missing Priority Citations
1 Post-Cinematic Affect: On Grace Jones,<i>Boarding Gate</i>an… (10.3366/film.2010.0001)
Abstract ORCID
82.17 43
2 The Life and Death of Superimposition (1946) (10.3366/film.2002.0001)
Abstract References ORCID
75.00 9
3 Haptic Aurality: Resonance, Listening and Michael Haneke (10.3366/film.2012.0002)
Abstract ORCID
69.01 23
4 Mortal Ethics: Reading Levinas with the Dardenne Brothers (10.3366/film.2007.0011)
Abstract ORCID
68.09 22
5 The ‘ABCs’ of B, Or: To Be and Not to Be B (10.3366/film.2010.0045)
Abstract ORCID
66.11 20
6 Will CinemaScope Save the Film Industry? (1953) (10.3366/film.2002.0002)
Abstract References ORCID
63.38 6
7 Alien Ways of Thinking, on Stephen Mulhall <i>On Film</i> (10.3366/film.2003.0024)
Abstract References ORCID
63.38 6
8 A Heideggerian Cinema? On Terrence Malick's <i>The Thin Red… (10.3366/film.2006.0027)
Abstract ORCID
62.76 17
9 Towards a Theory of Film Worlds (10.3366/film.2008.0017)
Abstract ORCID
62.76 17
10 I'm Glad I'm Not Me: Subjective Dissolution, Schizoanalysis… (10.3366/film.2013.0019)
Abstract ORCID
62.76 17
11 Imprisoned in Disgust: Roman Polanski's<i>Repulsion</i> (10.3366/film.2011.0024)
Abstract ORCID
58.80 14
12 Calm - On Terrence Malick's <i>The Thin Red Line</i> (10.3366/film.2002.0023)
Abstract References ORCID
58.36 5
13 Cinematic Ideas, on David Lynch's <i>Mulholland Drive</i> (10.3366/film.2005.0034)
Abstract References ORCID
58.36 5
14 Fragile Faces: Levinas and Lanzmann (10.3366/film.2007.0007)
Abstract ORCID
57.31 13
15 The Practice of Strangeness:<i>L'Intrus</i>— Claire Denis (2… (10.3366/film.2008.0004)
Abstract ORCID
55.70 12
16 Logistics of Perception 2.0: Multiple Screen Aesthetics in I… (10.3366/film.2010.0008)
Abstract ORCID
53.96 11
17 Thinking with Cinema: Deleuze and Film Theory (10.3366/film.1997.0008)
Abstract References ORCID
52.42 4
18 Brecht Today: Interview with Alexander Kluge (10.3366/film.2011.0012)
Abstract References ORCID
52.42 4
19 Open Wounds: Body and Image in Jean-Luc Nancy and Claire Den… (10.3366/film.2008.0003)
Abstract ORCID
52.07 10
20 Jean Baudrillard and Cinema: The Problems of Technology, Rea… (10.3366/film.2010.0041)
Abstract ORCID
52.07 10
21 Cavellian Meditations: How to do Things with Film and Philos… (10.3366/film.2014.0005)
Abstract ORCID
52.07 10
22 The Permeable Self: A Theory of Cinematic Quotation (10.3366/film.2015.0007)
Abstract ORCID
52.07 10
23 Introduction: Claire Denis and Jean-Luc Nancy (10.3366/film.2008.0001)
Abstract ORCID
47.71 8
24 Introduction: Film-Philosophy and a World of Cinemas (10.3366/film.2016.0002)
Abstract ORCID
47.71 8
25 Is Cinema Renewing Itself? (10.3366/film.2002.0015)
Abstract References ORCID
45.15 3
26 Ways of Thinking: A Response to Andersen and Baggini (10.3366/film.2003.0025)
Abstract References ORCID
45.15 3
27 A Response to Patrick ffrench and Peter Caws (10.3366/film.2005.0005)
Abstract References ORCID
45.15 3
28 Simulation, Simulacra and<i>Solaris</i> (10.3366/film.2010.0009)
Abstract ORCID
45.15 7
29 Bringing Bodies Back In: For a Phenomenological and Psychoan… (10.3366/film.2011.0001)
Abstract ORCID
45.15 7
30 Time, Affect, and the Brain: Deleuze's Cinematic Aesthetics:… (10.3366/film.2008.0008)
Abstract ORCID
42.25 6
31 The Return of the New Flesh: Body Memory in David Cronenberg… (10.3366/film.2011.0005)
Abstract ORCID
42.25 6
32 Toward a Poetics of Cinematic Disgust (10.3366/film.2011.0023)
Abstract ORCID
42.25 6
33 ‘How Can It Not Know What It Is?’: Self and Other in Ridley… (10.3366/film.2013.0002)
Abstract ORCID
42.25 6
34 Envisaging ‘Visualisation’: Some Challenges from the Interna… (10.3366/film.2006.0026)
Abstract ORCID
38.91 5
35 To be or not to be is not the question — On Beckett's <i>Fil… (10.3366/film.2007.0013)
Abstract ORCID
38.91 5
36 ‘The Epidermis of Reality’: Artaud, the Material Body and Dr… (10.3366/film.2013.0025)
Abstract ORCID
38.91 5
37 Being on the Outside: Cinematic Automatism in Stanley Cavell… (10.3366/film.2014.0009)
Abstract ORCID
38.91 5
38 Real Images Flow: Mullā Sadrā Meets Film-Philosophy (10.3366/film.2016.0003)
ORCID
36.93 29
39 A Humean Definition of Horror (10.3366/film.1997.0004)
Abstract References ORCID
35.78 2
40 The Senses and Memory in Intercultural Cinema (10.3366/film.2002.0034)
Abstract References ORCID
35.78 2
41 Is Film the Alien Other to Philosophy?, on Stephen Mulhall <… (10.3366/film.2003.0023)
Abstract References ORCID
35.78 2
42 Potential Not To Be: Bersani and Dutoit's <i>Forms of Being<… (10.3366/film.2005.0003)
Abstract References ORCID
35.78 2
43 If a Film Did Philosophy We Wouldn't Understand It: Rupert R… (10.3366/film.2007.0027)
Abstract References ORCID
35.78 2
44 Icon of Fury: Claire Denis's <i>Trouble Every Day</i> (10.3366/film.2008.0002)
Abstract References ORCID
35.78 2
45 A Rejoinder to Noèl Carrol's <i>The Philosophy of Motion Pic… (10.3366/film.2008.0021)
Abstract References ORCID
35.78 2
46 What is Film-Philosophy? (10.3366/film.2016.0001)
Abstract References ORCID
35.78 2
47 Reading the Dialectical Ontology of <i>The Life Aquatic with… (10.3366/film.2007.0001)
Abstract ORCID
34.95 4
48 What is the Gift of Grace?: On<i>Dogville</i> (10.3366/film.2007.0016)
Abstract ORCID
34.95 4
49 <i>Antiphusis</i>: Werner Herzog's <i>Grizzly Man</i> (10.3366/film.2007.0018)
Abstract ORCID
34.95 4
50 The Community According to Jean-Luc Nancy and Claire Denis (10.3366/film.2008.0005)
Abstract ORCID
34.95 4