| 1 | “No Country for E-Lit?” – India and Electronic Literature (10.20415/hyp/016.e08) | Abstract References ORCID License | 100.00 | 9 |
| 2 | Code before Content? Brogrammer Culture in Games and Electro… (10.20415/hyp/017.e02) | Abstract References ORCID License | 90.31 | 7 |
| 3 | Border Memorial: Frontera de los Muertos (10.20415/hyp/012.am01) | Abstract References ORCID License | 69.90 | 4 |
| 4 | Radio Art: A (mass) Medium Becomes An (artistic) Medium (10.20415/hyp/017.e04) | Abstract References ORCID License | 69.90 | 4 |
| 5 | “Future Shock”: Manifestos in the Digital Age (10.20415/hyp/020.ex02) | Abstract References ORCID License | 69.90 | 4 |
| 6 | Media Fluid and Media Fluent, E-Literature in the Era of Exp… (10.20415/hyp/020.int03) | Abstract References ORCID License | 60.21 | 3 |
| 7 | Generative Visual Renku: Poetic Multimedia Semantics with th… (10.20415/hyp/006.e03) | Abstract References ORCID License | 47.71 | 2 |
| 8 | The Aesthetics of Generative Literature: Lessons from a Digi… (10.20415/hyp/006.e04) | Abstract References ORCID License | 47.71 | 2 |
| 9 | A Posthuman Cosmopolitanism and New Media Writing (10.20415/hyp/009.e01) | Abstract References ORCID License | 47.71 | 2 |
| 10 | Looking Back while Moving Forward: The Case of Concrete Poet… (10.20415/hyp/016.e07) | Abstract References ORCID License | 47.71 | 2 |
| 11 | The History & Origin of Cat Memes: From the 18th Century… (10.20415/hyp/021.m07) | Abstract References License | 35.78 | 2 |
| 12 | A Little Show of Hands (10.20415/hyp/004.g02) | Abstract References ORCID License | 30.10 | 1 |
| 13 | slippingglimpse (10.20415/hyp/004.g06) | Abstract References ORCID License | 30.10 | 1 |
| 14 | Seriously Writing SIRI (10.20415/hyp/011.e05) | Abstract References ORCID License | 30.10 | 1 |
| 15 | A Modern Moral Fairy Tale (10.20415/hyp/011.g05) | Abstract References ORCID License | 30.10 | 1 |
| 16 | 'Time Window Weimar': Students Map their Town's History thro… (10.20415/hyp/012.am02) | Abstract References ORCID License | 30.10 | 1 |
| 17 | Introduction: Mapping Culture Multimodally (10.20415/hyp/012.i01) | Abstract References ORCID License | 30.10 | 1 |
| 18 | Implementation (10.20415/hyp/012.me04) | Abstract References ORCID License | 30.10 | 1 |
| 19 | Introduction (10.20415/hyp/013.i01) | Abstract References ORCID License | 30.10 | 1 |
| 20 | Making Queer Love: A Kit of Odds and Ends (10.20415/hyp/013.m03) | Abstract References ORCID License | 30.10 | 1 |
| 21 | Performing Twitter Bots (10.20415/hyp/014.c03) | Abstract References ORCID License | 30.10 | 1 |
| 22 | Collapsing Generation and Reception: Holes as Electronic Lit… (10.20415/hyp/015.e01) | Abstract References ORCID License | 30.10 | 1 |
| 23 | A Case of Patent Theft: Copyright, 3D Printing, and the Futu… (10.20415/hyp/015.e02) | Abstract References ORCID License | 30.10 | 1 |
| 24 | E-Lit in Arabic Universities: Status Quo and Challenges (10.20415/hyp/016.e06) | Abstract References ORCID License | 30.10 | 1 |
| 25 | e-Lit Jazz (10.20415/hyp/017.g01) | Abstract References ORCID License | 30.10 | 1 |
| 26 | The Art of Machine Use Subversion in Digital Poetry (10.20415/hyp/020.net02) | Abstract References ORCID License | 30.10 | 1 |
| 27 | Go Rando (10.20415/hyp/021.bt02) | Abstract References ORCID License | 30.10 | 1 |
| 28 | A Thousand Pikachus: Capitalism and Transmedia (10.20415/hyp/021.let06) | Abstract References ORCID License | 30.10 | 1 |
| 29 | Narrative Potentials of the Loop (10.20415/hyp/022.e02) | References ORCID License | 22.58 | 1 |
| 30 | Looking Back to Move Forward: A Review of Literature to Iden… (10.20415/hyp/025.e01) | References ORCID License | 22.58 | 1 |
| 31 | Botification of the Twitterary Protest Poetry: @Protestitas’… (10.20415/hyp/022.r07) | References License | 15.05 | 1 |
| 32 | Talking Trash: The Rhetoric of Waste Bins (10.20415/hyp/024.e06) | References License | 15.05 | 1 |
| 33 | A Rhizomatic Wisdom Project (10.20415/hyp/001.g01) | Abstract References ORCID License | 0.00 | 0 |
| 34 | Antediluvian Fragments of Memories (10.20415/hyp/001.g02) | Abstract References ORCID License | 0.00 | 0 |
| 35 | F2F (10.20415/hyp/001.g03) | Abstract References ORCID License | 0.00 | 0 |
| 36 | Hermeticon (10.20415/hyp/001.g04) | Abstract References ORCID License | 0.00 | 0 |
| 37 | Zinhar (10.20415/hyp/001.g05) | Abstract References ORCID License | 0.00 | 0 |
| 38 | Introduction/Commentary (10.20415/hyp/001.i01) | Abstract References ORCID License | 0.00 | 0 |
| 39 | The Blog Report: Lack of Power in New Orleans (10.20415/hyp/001.r01) | Abstract References ORCID License | 0.00 | 0 |
| 40 | Four Films (10.20415/hyp/002.g01) | Abstract References ORCID License | 0.00 | 0 |
| 41 | Goo/The Lincolnshire Poacher (10.20415/hyp/002.g02) | Abstract References ORCID License | 0.00 | 0 |
| 42 | Loop/I Don't Fix A Word (10.20415/hyp/002.g03) | Abstract References ORCID License | 0.00 | 0 |
| 43 | Outside In: Schooling, Kit-Bashing, Quilting & Clowning… (10.20415/hyp/002.g04) | Abstract References ORCID License | 0.00 | 0 |
| 44 | Sampler 06 (10.20415/hyp/002.g05) | Abstract References ORCID License | 0.00 | 0 |
| 45 | Trans/mission (10.20415/hyp/002.g06) | Abstract References ORCID License | 0.00 | 0 |
| 46 | Introduction: Video Kill'd (10.20415/hyp/002.i01) | Abstract References ORCID License | 0.00 | 0 |
| 47 | Hijacking Documentary into Video Installation Art (10.20415/hyp/003.e01) | Abstract References ORCID License | 0.00 | 0 |
| 48 | Motion Tracking, Telepresence, and Collaboration (10.20415/hyp/003.e02) | Abstract References ORCID License | 0.00 | 0 |
| 49 | ePoetica (10.20415/hyp/003.f01) | Abstract References ORCID License | 0.00 | 0 |
| 50 | Codeswitching (10.20415/hyp/003.g01) | Abstract References ORCID License | 0.00 | 0 |