| 1 | What is Entrainment? Definition and applications in musical… (10.18061/1811/52979) | Abstract References ORCID License | 202.12 | 104 |
| 2 | Effects of Early Musical Experience on Auditory Sequence Mem… (10.18061/1811/35989) | Abstract References ORCID License | 177.09 | 58 |
| 3 | Negative Emotion in Music: What is the Attraction? A Qualita… (10.18061/1811/52950) | Abstract References ORCID License | 167.21 | 46 |
| 4 | Commentary on "The Perception and Cognition of Time in Balin… (10.18061/1811/31940) | Abstract References ORCID License | 160.21 | 39 |
| 5 | The Psychophysics of Harmony Perception: Harmony is a Three-… (10.18061/1811/24080) | Abstract References ORCID License | 156.82 | 36 |
| 6 | Time Series Analysis as a Method to Examine Acoustical Influ… (10.18061/1811/48550) | Abstract References ORCID License | 155.63 | 35 |
| 7 | The Contribution of Anthropometric Factors to Individual Dif… (10.18061/1811/24478) | Abstract References ORCID License | 154.41 | 34 |
| 8 | Seeing Music? What musicians need to know about vision (10.18061/1811/34098) | Abstract References ORCID License | 153.15 | 33 |
| 9 | Inter-group entrainment in Afro-Brazilian Congado ritual (10.18061/1811/51203) | Abstract References ORCID License | 151.85 | 32 |
| 10 | The Happy Xylophone: Acoustics Affordances Restrict An Emoti… (10.18061/1811/34103) | Abstract References ORCID License | 146.24 | 28 |
| 11 | Do Preferred Beat Rate and Entrainment to the Beat Have a Co… (10.18061/1811/24480) | Abstract References ORCID License | 141.50 | 25 |
| 12 | The Potential of the Internet for Music Perception Research:… (10.18061/1811/31692) | Abstract References ORCID License | 141.50 | 25 |
| 13 | Comparison of Word Intelligibility in Spoken and Sung Phrase… (10.18061/1811/34102) | Abstract References ORCID License | 141.50 | 25 |
| 14 | Western Classical Music in the Minor Mode Is Slower (Except… (10.18061/1811/36601) | Abstract References ORCID License | 136.17 | 22 |
| 15 | Three Things Linguists Need to Know About Rhythm and Time in… (10.18061/1811/52973) | Abstract References ORCID License | 136.17 | 22 |
| 16 | Influence of Pitch Height on the Perception of Submissivenes… (10.18061/1811/24068) | Abstract References ORCID License | 134.24 | 21 |
| 17 | Religious Ecstatics, "Deep Listeners," and Musical Emotion (10.18061/1811/37474) | Abstract References ORCID License | 132.22 | 20 |
| 18 | Entraining the Brain: Applications to Language Research and… (10.18061/1811/52980) | Abstract References ORCID License | 127.88 | 18 |
| 19 | Tactus ≠ Tempo: Some Dissociations Between Attentional Focus… (10.18061/1811/49761) | Abstract References ORCID License | 125.53 | 17 |
| 20 | A Comparison of Dynamics in Major- and Minor-key Works (10.18061/1811/31941) | Abstract References ORCID License | 123.04 | 16 |
| 21 | Web-based versus Lab-based Studies:A Response to Kendall (20… (10.18061/1811/31943) | Abstract References ORCID License | 123.04 | 16 |
| 22 | Looking for Rhythm in Speech (10.18061/1811/52976) | Abstract References ORCID License | 123.04 | 16 |
| 23 | On the Growing Role of Observation, Formalization and Experi… (10.18061/1811/21901) | Abstract References ORCID License | 120.41 | 15 |
| 24 | Using Automated Rhyme Detection to Characterize Rhyming Styl… (10.18061/1811/48548) | Abstract References ORCID License | 120.41 | 15 |
| 25 | Characterizing Idiomatic Organization in Music: A Theory and… (10.18061/1811/44531) | Abstract References ORCID License | 117.61 | 14 |
| 26 | Calculating Sensory Dissonance: Some Discrepancies Arising f… (10.18061/1811/24077) | Abstract References ORCID License | 114.61 | 13 |
| 27 | Comparative Analysis of Music Recordings from Western and No… (10.18061/1811/34105) | Abstract References ORCID License | 114.61 | 13 |
| 28 | The Edit Distance as a Measure of Perceived Rhythmic Similar… (10.18061/1811/52811) | Abstract References ORCID License | 111.39 | 12 |
| 29 | An Association between Breaking Voice and Grief-related Lyri… (10.18061/1811/46747) | Abstract References ORCID License | 107.92 | 11 |
| 30 | Extracting the Beat: An Experience-dependent Complex Integra… (10.18061/1811/36606) | Abstract References ORCID License | 104.14 | 10 |
| 31 | Facial Expression and Vocal Pitch Height: Evidence of an Int… (10.18061/1811/44530) | Abstract References ORCID License | 104.14 | 10 |
| 32 | Timbre as an Elusive Component of Imagery for Music (10.18061/1811/24476) | Abstract References ORCID License | 100.00 | 9 |
| 33 | The Role of Embodiment in the Perception of Music (10.18061/emr.v9i3-4.4498) | References ORCID | 100.00 | 99 |
| 34 | A Cognitive Approach to Medieval Mode: Evidence for an Histo… (10.18061/1811/24072) | Abstract References ORCID License | 95.42 | 8 |
| 35 | A Quantitative Study of Chromaticism: Changes Observed in Hi… (10.18061/1811/24822) | Abstract References ORCID License | 95.42 | 8 |
| 36 | The Effects of Musical Fit on Choice Between Competing Pairs… (10.18061/1811/44658) | Abstract References ORCID License | 95.42 | 8 |
| 37 | National Metrical Types in Nineteenth Century Art Song (10.18061/1811/44659) | Abstract References ORCID License | 95.42 | 8 |
| 38 | Music, Meaning and Culture (10.18061/1811/52985) | Abstract References ORCID License | 95.42 | 8 |
| 39 | Commentary on Cook & Fujisawa's "The Psychophysics of Ha… (10.18061/1811/24149) | Abstract References ORCID License | 90.31 | 7 |
| 40 | Modelling Perception of Structure and Affect in Music: Spect… (10.18061/1811/51217) | Abstract References ORCID License | 90.31 | 7 |
| 41 | An Empirical Method for Comparing Pitch Patterns in Spoken a… (10.18061/1811/24011) | Abstract References ORCID License | 84.51 | 6 |
| 42 | Melodic Accent as an Emergent Property of Tonal Motion (10.18061/1811/47559) | Abstract References ORCID License | 84.51 | 6 |
| 43 | Lure(d) into listening: The potential of cognition-based mus… (10.18061/1811/48549) | Abstract References ORCID License | 84.51 | 6 |
| 44 | Timbral Environments: An Ecological Approach to the Cognitio… (10.18061/1811/51213) | Abstract References ORCID License | 84.51 | 6 |
| 45 | Interval Size and Phrase Position: A Comparison between Germ… (10.18061/1811/52948) | Abstract References ORCID License | 84.51 | 6 |
| 46 | Musical Entrainment Subsumes Bodily Gestures – Its Definitio… (10.18061/1811/52981) | Abstract References ORCID License | 84.51 | 6 |
| 47 | Two Studies of Autonomous Sensory Meridian Response (ASMR):… (10.18061/emr.v13i1-2.6012) | References ORCID | 80.10 | 39 |
| 48 | Border Crossings: A Commentary on Henkjan Honing's "On the G… (10.18061/1811/24070) | Abstract References ORCID License | 77.82 | 5 |
| 49 | Commentary on "Effects of Early Musical Experience on Audito… (10.18061/1811/35991) | Abstract References ORCID License | 77.82 | 5 |
| 50 | Crossing Boundaries: An Introductory Essay (10.18061/1811/37470) | Abstract References ORCID License | 77.82 | 5 |