| 1 | Discours anti-immigration sur Twitter : discours sur l’Autre… (10.24193/cechinox.2019.36.11) | Abstract References ORCID License | 69.90 | 4 |
| 2 | Can Art (Re)build a Community? The Roşia Montană Case, betwe… (10.24193/cechinox.2017.32.13) | Abstract References ORCID License | 47.71 | 2 |
| 3 | Dystopian Community in Lois Lowry’s Novel The Giver (10.24193/cechinox.2017.32.18) | Abstract References ORCID License | 47.71 | 2 |
| 4 | The State of Play: Geektopia in Ready Player One (10.24193/cechinox.2017.32.20) | Abstract References ORCID License | 47.71 | 2 |
| 5 | “New Planets for Old”: A Posthumanist Ecocritical Approach t… (10.24193/cechinox.2018.34.11) | Abstract References ORCID License | 47.71 | 2 |
| 6 | Incendies et le « cinéma accentué » (10.24193/cechinox.2019.36.23) | Abstract References ORCID License | 47.71 | 2 |
| 7 | Reading In-Common: Configurations of the Incalculable and th… (10.24193/cechinox.2020.38.22) | References ORCID License | 35.78 | 2 |
| 8 | Lydie Salvayre et Kamel Daoud : « Ma nuit au musée ». S’iden… (10.24193/cechinox.2021.41.17) | References ORCID License | 35.78 | 2 |
| 9 | “We, the People!” Community, Populism and the Crisis of Poli… (10.24193/cechinox.2017.32.02) | Abstract References ORCID License | 30.10 | 1 |
| 10 | Deterritorialized cinema, dislocated spaces and disembodied… (10.24193/cechinox.2017.32.21) | Abstract References ORCID License | 30.10 | 1 |
| 11 | The Anecdote in The History of Romanian Literature from Its… (10.24193/cechinox.2017.33.05) | Abstract References ORCID License | 30.10 | 1 |
| 12 | Dilettantism as a Literary Moral Panic. Recovering a Forgott… (10.24193/cechinox.2017.33.13) | Abstract References ORCID License | 30.10 | 1 |
| 13 | Residual Nationalism. The Nineteenth-Century Hungarian Folk… (10.24193/cechinox.2017.33.25) | Abstract References ORCID License | 30.10 | 1 |
| 14 | Gli esordi dimenticati della stilistica: Leo Spitzer, censor… (10.24193/cechinox.2017.33.26) | Abstract References ORCID License | 30.10 | 1 |
| 15 | Authentes: a Shadow-Play or A Series of Observations in “Pos… (10.24193/cechinox.2018.34.02) | Abstract References ORCID License | 30.10 | 1 |
| 16 | Replicant Theologies of the Early Robocene or The Covenant o… (10.24193/cechinox.2018.34.10) | Abstract References ORCID License | 30.10 | 1 |
| 17 | Shortcut to Posthumanism: Decentring Elements of the Gaming… (10.24193/cechinox.2018.34.13) | Abstract References ORCID License | 30.10 | 1 |
| 18 | Archiva(b)l(e) Bodies and Cyber Afterlife in David Mitchell’… (10.24193/cechinox.2018.34.17) | Abstract References ORCID License | 30.10 | 1 |
| 19 | Antiutopies apocalyptiques et posthumaines (10.24193/cechinox.2018.34.19) | Abstract References ORCID License | 30.10 | 1 |
| 20 | The Canadian Tempest Margaret Atwood and Shakespeare Retold… (10.24193/cechinox.2018.34.23) | Abstract References ORCID License | 30.10 | 1 |
| 21 | Necessary Monsters. Monstrous Narratives. Haunted Images of… (10.24193/cechinox.2018.34.24) | Abstract References ORCID License | 30.10 | 1 |
| 22 | Crimson Peak: Gillermo del Toro’s Visual Tribute to Gothic L… (10.24193/cechinox.2018.35.07) | Abstract References ORCID License | 30.10 | 1 |
| 23 | Technological Modification of the Human Body in Neo-Gothic L… (10.24193/cechinox.2018.35.09) | Abstract References ORCID License | 30.10 | 1 |
| 24 | The Sense of Otherness in Kate’s Morton Novels (10.24193/cechinox.2018.35.16) | Abstract References ORCID License | 30.10 | 1 |
| 25 | Vintilă Ivănceanu: From Oneirism to the Neo-Gothic (10.24193/cechinox.2018.35.23) | Abstract References ORCID License | 30.10 | 1 |
| 26 | La monstruosité de l’Autre : Ionesco et la « jeune génératio… (10.24193/cechinox.2019.37.18) | Abstract References ORCID License | 30.10 | 1 |
| 27 | Hybrid Geographies of Global Genres: The Global Space in the… (10.24193/cechinox.2020.38.13) | References ORCID License | 22.58 | 1 |
| 28 | “A Boot Stamping on a Human Face – For Ever”: George Orwell,… (10.24193/cechinox.2020.39.13) | References ORCID License | 22.58 | 1 |
| 29 | Train de vie. Il miraggio proibito dell’Occidente nel teatro… (10.24193/cechinox.2020.39.19) | References ORCID License | 22.58 | 1 |
| 30 | « Et les gens qui ne voulaient pas aller jusqu’au bout ont é… (10.24193/cechinox.2020.39.20) | References ORCID License | 22.58 | 1 |
| 31 | Mythe et identité dans les idéologies politiques (10.24193/cechinox.2021.40.02) | References ORCID License | 22.58 | 1 |
| 32 | Le dualisme et la civilization post-moderne (10.24193/cechinox.2021.40.06) | References ORCID License | 22.58 | 1 |
| 33 | Revisiting Human Identity vis-à-vis AI Evolution (10.24193/cechinox.2021.40.26) | References ORCID License | 22.58 | 1 |
| 34 | Qui êtes-vous ? L’imaginaire du retrait dans la vieillesse (10.24193/cechinox.2021.41.10) | References ORCID License | 22.58 | 1 |
| 35 | Transiter du « féminin » au « masculin » avec Paul B. Precia… (10.24193/cechinox.2022.42.03) | References ORCID License | 22.58 | 1 |
| 36 | The Myth of Eternal Youth and Post-modern Civilisation. Andr… (10.24193/cechinox.2022.42.08) | References ORCID License | 22.58 | 1 |
| 37 | Le roman Le serpent de Mircea Eliade : rituel de récupératio… (10.24193/cechinox.2022.42.12) | References ORCID License | 22.58 | 1 |
| 38 | Exploring/Inventing East-European Noir. An Attempt to Modell… (10.24193/cechinox.2022.43.01) | References ORCID License | 22.58 | 1 |
| 39 | A Geocritical Reading of Diasporic Identity in the Prose of… (10.24193/cechinox.2023.45.03) | References ORCID License | 22.58 | 1 |
| 40 | Slavophile Elements in Andreï Makine’s Prose (10.24193/cechinox.2023.45.08) | References ORCID License | 22.58 | 1 |
| 41 | Literary Utopias: My Personal Journey (10.24193/cechinox.2024.46.01) | References ORCID License | 22.58 | 1 |
| 42 | J.M. Coetzee’s Jesus Trilogy as Meta-Utopia (10.24193/cechinox.2024.46.14) | References ORCID License | 22.58 | 1 |
| 43 | Some New Terms in Dystopian Studies (10.24193/cechinox.2024.46.21) | References ORCID License | 22.58 | 1 |
| 44 | Utopias and Dystopias in Last and First Men (1930) by Willia… (10.24193/cechinox.2024.46.25) | References ORCID License | 22.58 | 1 |
| 45 | Hermeneutics of “Auditioning”: Contemporizing Tensions Betwe… (10.24193/cechinox.2024.47.01) | References ORCID License | 22.58 | 1 |
| 46 | Face aux littératures des Premières Nations (10.24193/cechinox.2017.32.01) | Abstract References ORCID License | 0.00 | 0 |
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| 50 | Community and Togetherness after the Non-sharable (10.24193/cechinox.2017.32.06) | Abstract References ORCID License | 0.00 | 0 |