| 1 | What is Interdisciplinary about Victorian History today? (10.16995/ntn.434) | Abstract References ORCID | 80.94 | 11 |
| 2 | When Was the Nineteenth Century Where? Whither Victorian Stu… (10.16995/ntn.444) | Abstract References ORCID | 78.10 | 10 |
| 3 | Arborealities: The Tactile Ecology of Hardy’s Woodlanders (10.16995/ntn.690) | Abstract References ORCID | 78.10 | 10 |
| 4 | ‘The subjective inside us can turn into the objective outsid… (10.16995/ntn.610) | Abstract References ORCID | 67.73 | 7 |
| 5 | Introduction: Victorian Ecology and the Anthropocene (10.16995/ntn.818) | Abstract References ORCID | 63.38 | 6 |
| 6 | Bibliography (10.16995/ntn.874) | Abstract References ORCID | 63.38 | 6 |
| 7 | The City of Others: Photographs from the City of London Asyl… (10.16995/ntn.625) | Abstract References ORCID | 58.36 | 5 |
| 8 | ‘May We Meet Again’: Rereading the Dickensian Serial in the… (10.16995/ntn.737) | Abstract References ORCID | 58.36 | 5 |
| 9 | Reading Victorian Sculpture (10.16995/ntn.776) | Abstract References ORCID | 58.36 | 5 |
| 10 | Putting Women in the Boat in The Idler (1892-1898) and TO-DA… (10.16995/ntn.438) | Abstract References ORCID | 52.42 | 4 |
| 11 | Species of Compassion: Aesthetics, Anaesthetics, and Pain in… (10.16995/ntn.628) | Abstract References ORCID | 52.42 | 4 |
| 12 | Thomas Edison’s Poetry Machine (10.16995/ntn.678) | Abstract References ORCID | 52.42 | 4 |
| 13 | Photographs, Mounts, and the Tactile Archive (10.16995/ntn.716) | Abstract References ORCID | 52.42 | 4 |
| 14 | Introduction: The Victorian Tactile Imagination (10.16995/ntn.723) | Abstract References ORCID | 52.42 | 4 |
| 15 | The Eventuality of the Digital (10.16995/ntn.742) | Abstract References ORCID | 52.42 | 4 |
| 16 | Animating <i>Sight and Song</i>: A Meditation on… (10.16995/ntn.754) | Abstract References ORCID | 52.42 | 4 |
| 17 | Storm-Clouds on the Horizon: John Ruskin and the Emergence o… (10.16995/ntn.802) | Abstract References ORCID | 52.42 | 4 |
| 18 | Maud Cruttwell and the Berensons: ‘A preliminary canter to a… (10.16995/ntn.821) | Abstract References ORCID | 52.42 | 4 |
| 19 | Lady Eastlake and the Characteristics of the Old Masters (10.16995/ntn.824) | Abstract References ORCID | 52.42 | 4 |
| 20 | ‘Such a pleasant little sketch […] of this irritable artist’… (10.16995/ntn.825) | Abstract References ORCID | 52.42 | 4 |
| 21 | Mary Berenson and <i>The Guide to the Italian Pictures… (10.16995/ntn.827) | Abstract References ORCID | 52.42 | 4 |
| 22 | George Eliot, Hegel, and <i>Middlemarch</i> (10.16995/ntn.1992) | Abstract References ORCID | 45.15 | 3 |
| 23 | Introduction: Crying Over Little Nell (10.16995/ntn.453) | Abstract References ORCID | 45.15 | 3 |
| 24 | Household Clearances in Victorian Fiction (10.16995/ntn.472) | Abstract References ORCID | 45.15 | 3 |
| 25 | On Stuff (10.16995/ntn.474) | Abstract References ORCID | 45.15 | 3 |
| 26 | 'The Lay of the Trilobite': Rereading May Kendall (10.16995/ntn.575) | Abstract References ORCID | 45.15 | 3 |
| 27 | Theories of Space and the Nineteenth-Century Novel (10.16995/ntn.671) | Abstract References ORCID | 45.15 | 3 |
| 28 | The Haptic Sublime and the ‘cold stony reality’ of Mountaine… (10.16995/ntn.697) | Abstract References ORCID | 45.15 | 3 |
| 29 | Doing the Novel in Different Voices: Reflections on a Dicken… (10.16995/ntn.736) | Abstract References ORCID | 45.15 | 3 |
| 30 | Being Bella: Adventures in the Dickensian ‘Twittersphere’ (10.16995/ntn.748) | Abstract References ORCID | 45.15 | 3 |
| 31 | Reading the Body-Object: Nineteenth-Century Taxidermy Manual… (10.16995/ntn.779) | Abstract References ORCID | 45.15 | 3 |
| 32 | Edward Carpenter’s Queer Ecology of the Everyday (10.16995/ntn.803) | Abstract References ORCID | 45.15 | 3 |
| 33 | Women in the Galleries: New Angles on Old Masters in the Lat… (10.16995/ntn.823) | Abstract References ORCID | 45.15 | 3 |
| 34 | Women Collectors and Cultural Philanthropy, <i>c</i… (10.16995/ntn.3347) | Abstract References ORCID | 35.78 | 2 |
| 35 | Cultural Philanthropy, Gypsies and Interdisciplinary Scholar… (10.16995/ntn.433) | Abstract References ORCID | 35.78 | 2 |
| 36 | From Aestheticism to Modernism, and Back Again (10.16995/ntn.440) | Abstract References ORCID | 35.78 | 2 |
| 37 | Reason vs Revelation: Feminism, Malthus, and the New Poor La… (10.16995/ntn.443) | Abstract References ORCID | 35.78 | 2 |
| 38 | Moving Books/Moving Images: Optical Recreations and Children… (10.16995/ntn.463) | Abstract References ORCID | 35.78 | 2 |
| 39 | Florence Marryat, Theatricality and Perfomativity (10.16995/ntn.500) | Abstract References ORCID | 35.78 | 2 |
| 40 | Response: Jane Moody (10.16995/ntn.503) | Abstract References ORCID | 35.78 | 2 |
| 41 | Dickens in the City: Science, Technology, Ecology in the Nov… (10.16995/ntn.529) | Abstract References ORCID | 35.78 | 2 |
| 42 | Introduction: Dickens, Science and the Victorian Literary Im… (10.16995/ntn.572) | Abstract References ORCID | 35.78 | 2 |
| 43 | Darwin and Reductionisms: Victorian, Neo-Darwinian and Postg… (10.16995/ntn.583) | Abstract References ORCID | 35.78 | 2 |
| 44 | The Museum as 'Dream Space': Psychology and Aesthetic Respon… (10.16995/ntn.596) | Abstract References ORCID | 35.78 | 2 |
| 45 | ‘Joyful convulsions’: Dickens’s Comings and Goings (10.16995/ntn.603) | Abstract References ORCID | 35.78 | 2 |
| 46 | Materializing Mourning: Dickens, Funerals, and Epitaphs (10.16995/ntn.605) | Abstract References ORCID | 35.78 | 2 |
| 47 | Pain Without Lesion: Debate Among American Neurologists, 185… (10.16995/ntn.629) | Abstract References ORCID | 35.78 | 2 |
| 48 | Jews in the East End, Jews in the Polity, ‘The Jew’ in the T… (10.16995/ntn.630) | Abstract References ORCID | 35.78 | 2 |
| 49 | The Fire-Raisers: Bentham and Torture (10.16995/ntn.643) | Abstract References ORCID | 35.78 | 2 |
| 50 | Introduction: ‘Mr Popular Sentiment’: Dickens and Feeling (10.16995/ntn.644) | Abstract References ORCID | 35.78 | 2 |