| 1 | Still Not a British Subject: Race and UK Poetry (10.16995/bip.3384) | Abstract References ORCID | 63.38 | 6 |
| 2 | Attention: Thomas A. Clark and Simone Weil (10.16995/bip.732) | Abstract References ORCID License | 60.21 | 3 |
| 3 | ‘Journeying is Hard’ : Difficulty, Race and Poetics in Sarah… (10.16995/bip.745) | Abstract References ORCID | 45.15 | 3 |
| 4 | Walking Women: Embodied Perception in Romantic and Contempor… (10.16995/biip.12) | Abstract References ORCID | 35.78 | 2 |
| 5 | ‘A New Geography of Delight’: Communist Poetics and Politics… (10.16995/biip.2) | Abstract References ORCID | 35.78 | 2 |
| 6 | Terra Nullius: Colonial Violence in Prynne’s <i>Acryli… (10.16995/biip.8) | Abstract References ORCID | 35.78 | 2 |
| 7 | ‘The Beckoning Obstruction’: On the theme of scarcity in th… (10.16995/bip.1923) | Abstract References ORCID | 35.78 | 2 |
| 8 | Ian Hamilton Finlay's Topographical Poetics at Stonypath/Lit… (10.16995/bip.2927) | Abstract References ORCID | 35.78 | 2 |
| 9 | THINKING THE WORKING-CLASS 'AVEN'T GARD (10.16995/bip.4372) | Abstract References ORCID | 35.78 | 2 |
| 10 | Thomas A. Clark in Conversation with David Bellingham (10.16995/bip.756) | Abstract References ORCID | 35.78 | 2 |
| 11 | Sin/tax: grammar, hybridity and resistance in contemporary b… (10.16995/bip.743) | Abstract References ORCID License | 30.10 | 1 |
| 12 | The Dance and Movement Work of Jennifer Pike Cobbing: Econom… (10.16995/bip.3401) | References ORCID | 23.86 | 2 |
| 13 | ‘As Simple as Music’: Kinds of Noise in Sean Bonney’s Poetry (10.16995/bip.4395) | References ORCID | 23.86 | 2 |
| 14 | The State is a Murderous Life-Support Machine: A Conversatio… (10.16995/bip.4767) | References ORCID | 23.86 | 2 |
| 15 | Sean Bonney’s Social Space (10.16995/bip.8835) | References ORCID | 23.86 | 2 |
| 16 | ‘No Simple Explanations’ (10.16995/bip.9253) | References ORCID | 23.86 | 2 |
| 17 | Notes on Militant Poetics (10.16995/bip.9255) | References ORCID | 23.86 | 2 |
| 18 | Grave Police Music: On Bill Griffiths (10.16995/biip.48) | Abstract References ORCID | 22.58 | 1 |
| 19 | Scarcely Translated: Peter Larkin’s Ecopoetic Entanglements (10.16995/bip.1312) | Abstract References ORCID | 22.58 | 1 |
| 20 | Lemn Sissay: Defamiliarisation and Performed Palimpsests Def… (10.16995/bip.742) | Abstract References ORCID | 22.58 | 1 |
| 21 | Race, Philology, Capitalism: Nisha Ramayya, Nat Raha, and Da… (10.16995/bip.747) | Abstract References ORCID | 22.58 | 1 |
| 22 | Poetic as political response – the War Machine in William Ro… (10.16995/bip.761) | Abstract References ORCID | 22.58 | 1 |
| 23 | Curve Warp Corpse: D. S. Marriott, E. A. Markham, John La Ro… (10.16995/bip.764) | Abstract References ORCID | 22.58 | 1 |
| 24 | Short of nothing: expanding horizons of ‘scarcity’ in the po… (10.16995/bip.1301) | References ORCID | 15.05 | 1 |
| 25 | ‘radical gleaning’: Doing Prac Crip (10.16995/bip.1946) | References ORCID | 15.05 | 1 |
| 26 | Speaking with the voices of the dead: Sean Bonney, Arthur Ri… (10.16995/bip.4389) | References ORCID | 15.05 | 1 |
| 27 | Notes Towards a Commentary on Sean Bonney’s Letters Against… (10.16995/bip.4736) | References ORCID | 15.05 | 1 |
| 28 | A preliminary reading of Sean Bonney’s ‘What Teargas is For’ (10.16995/bip.4749) | References ORCID | 15.05 | 1 |
| 29 | 'This Face of Glee...This Terrifying Sound': Sean Bonney Thr… (10.16995/bip.4707) | References | 7.53 | 1 |
| 30 | Following John Wilkinson (10.16995/biip.1) | Abstract References ORCID | 0.00 | 0 |
| 31 | Fantasy under Duress: Connie Scozzaro’s <i>Contrappost… (10.16995/biip.10) | Abstract References ORCID | 0.00 | 0 |
| 32 | ‘A Stone Within’: Visual Poetry & Wellbeing in the work… (10.16995/biip.11) | Abstract References ORCID | 0.00 | 0 |
| 33 | Writing on: Context and Visual Culture in Recent Works of Al… (10.16995/biip.20) | Abstract References ORCID | 0.00 | 0 |
| 34 | Book Reviews (10.16995/biip.21) | Abstract References ORCID | 0.00 | 0 |
| 35 | Conference Report: ‘Race and Poetry and Poetics in the UK’,… (10.16995/biip.22) | Abstract References ORCID | 0.00 | 0 |
| 36 | <i>Secret Poetry</i>: Fifth Northumbria Poetry S… (10.16995/biip.23) | Abstract References ORCID | 0.00 | 0 |
| 37 | ‘Routinely Herded Grief Can Never Feed the Livingsmothered’—… (10.16995/biip.24) | Abstract References ORCID | 0.00 | 0 |
| 38 | ‘[A] poet must know more than | a surface suggests’: Reading… (10.16995/biip.27) | Abstract References ORCID | 0.00 | 0 |
| 39 | Poetry and Secrecy in Luke Roberts’ <i>To My Contempor… (10.16995/biip.28) | Abstract References ORCID | 0.00 | 0 |
| 40 | Book Review (10.16995/biip.3) | Abstract References ORCID | 0.00 | 0 |
| 41 | ‘I Don’t Talk to the Police Except Never’: Anna Mendelssohn,… (10.16995/biip.30) | Abstract References ORCID | 0.00 | 0 |
| 42 | Contemporary Poetry: Thinking and Feeling (10.16995/biip.31) | Abstract References ORCID | 0.00 | 0 |
| 43 | Peter Manson’s Language Surfaces (10.16995/biip.32) | Abstract References ORCID | 0.00 | 0 |
| 44 | Poetic Forms & Existentialism in Tom Leonard’s <i>… (10.16995/biip.34) | Abstract References ORCID | 0.00 | 0 |
| 45 | Dundee Conference Special Edition: New Papers in Contemporar… (10.16995/biip.35) | Abstract References ORCID | 0.00 | 0 |
| 46 | Book Reviews: <i>Modernist Legacies</i> and <… (10.16995/biip.36) | Abstract References ORCID | 0.00 | 0 |
| 47 | Outside-in/Inside-out: A Festival of Outside and Subterranea… (10.16995/biip.37) | Abstract References ORCID | 0.00 | 0 |
| 48 | Secreting Blackness in the Poetry of D.S. Marriott (10.16995/biip.38) | Abstract References ORCID | 0.00 | 0 |
| 49 | Editorial to Volume 7 Number 1 (10.16995/biip.4) | Abstract References ORCID | 0.00 | 0 |
| 50 | Robert Sheppard Symposium (10.16995/biip.40) | Abstract References ORCID | 0.00 | 0 |