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Attach ORCID iDs across 428 articles

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High impact428 DOIs
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Add abstracts to 274 articles

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High impact274 DOIs

DOIs for this ISSN

Showing the top 5 of 428 DOIs, ordered by correction priority.

# Title Missing Priority Citations
1 Puppet theatre (10.5817/ty2015-2-23)
Abstract References ORCID License
77.82 5
2 A cognitive poetic analysis of LIFE and DEATH in English and… (10.5817/ty2016-2-1)
Abstract ORCID License
58.36 5
3 Stage metaphors in Verdi's Otello: Miloš Wasserbauer's State… (10.5817/ty2016-2-2)
Abstract ORCID License
58.36 5
4 Das Pasticcio in den böhmischen Ländern in der ersten Hälfte… (10.5817/ty2019-2-6)
Abstract ORCID License
52.42 4
5 Prolegomena k projektu Anglická divadelní kultura 1660–1737 (10.5817/ty2019-2-18)
Abstract References ORCID License
47.71 2
6 Visual dramaturgy : interview with Knut Ove Arntzen (10.5817/ty2020-2-9)
Abstract ORCID License
45.15 3
7 Shakespeare in the post-1989 Hungarian Puppet Scene (10.5817/ty2021-s-9)
Abstract ORCID License
45.15 3
8 Metaphors we act by : prospects and limits of the Czech cogn… (10.5817/ty2015-1-4)
Abstract ORCID License
35.78 2
9 Czech puppet theatre in global contexts: roots, theories and… (10.5817/ty2015-2-1)
Abstract ORCID License
35.78 2
10 Dramaturgická východiska opery Státního divadla v Brně v dob… (10.5817/ty2016-1-11)
Abstract ORCID License
35.78 2
11 Spojité nádoby: etnologie, pražský strukturalismus a česká d… (10.5817/ty2016-1-4)
Abstract ORCID License
35.78 2
12 Úkoly Scénografického ústavu (10.5817/ty2016-1-8)
Abstract ORCID License
35.78 2
13 Cognitive phenomenology: the promising pragmatic marriage of… (10.5817/ty2016-2-3)
Abstract ORCID License
35.78 2
14 Teoretické dílo Miloše Wasserbauera v kontextu dobového myšl… (10.5817/ty2017-2-4)
Abstract ORCID License
35.78 2
15 Soudní proces jako rituál? (10.5817/ty2018-1-2)
Abstract ORCID License
35.78 2
16 A midsummer night's dream in Polish puppet theatres in Siles… (10.5817/ty2018-2-7)
Abstract ORCID License
35.78 2
17 The temporality of truth : deception and self-deception in I… (10.5817/ty2019-1-3)
Abstract ORCID License
35.78 2
18 Silent Bergman full of words (10.5817/ty2019-1-4)
Abstract ORCID License
35.78 2
19 Intertextuality and autonomous fictional worlds in Disney :… (10.5817/ty2019-s-6)
Abstract ORCID License
35.78 2
20 The vacant utopia : reflecting on the first Polish post-war… (10.5817/ty2020-1-10)
Abstract ORCID License
35.78 2
21 Filosofické aspekty Estetiky performativity Eriky Fischer-Li… (10.5817/ty2020-2-2)
Abstract ORCID License
35.78 2
22 Textuality, heritage, and identity in Hungary: contexts for… (10.5817/ty2021-s-12)
Abstract ORCID License
35.78 2
23 Singing in the blend: stagings of Verdi's operatic Shakespea… (10.5817/ty2021-s-14)
Abstract ORCID License
35.78 2
24 'Shakestivalling' in the New Europe (10.5817/ty2021-s-5)
Abstract ORCID License
35.78 2
25 Emerging postdramatic aesthetics and Shakespeare in Hungaria… (10.5817/ty2021-s-7)
Abstract ORCID License
35.78 2
26 Central-European theatre avant-garde : reclamation or reimag… (10.5817/ty2022-1-9)
Abstract ORCID License
35.78 2
27 A Great German Pickelhäring and a Beheaded Virgin Saint (10.5817/ty2015-2-22)
Abstract References ORCID License
30.10 1
28 The Renaissance of Czech puppetry and the cinema (10.5817/ty2015-2-4)
Abstract ORCID License
22.58 1
29 Forgotten toyhood (10.5817/ty2015-2-9)
Abstract ORCID License
22.58 1
30 Věda jako jednání: Pražský lingvistický kroužek, kulturní ak… (10.5817/ty2016-1-1)
Abstract ORCID License
22.58 1
31 Revidovati Veltruského (10.5817/ty2016-1-6)
Abstract ORCID License
22.58 1
32 Miroslav Kouřil a jeho cesta ke strukturalismu jako metodě i… (10.5817/ty2016-1-7)
Abstract ORCID License
22.58 1
33 Contemporary dance theatre in neurocognitive perspective – G… (10.5817/ty2016-2-4)
Abstract ORCID License
22.58 1
34 Meaning(s) of Otakar Zich's concept of the 'semantic image' (10.5817/ty2016-2-6)
Abstract ORCID License
22.58 1
35 Aplikace práva duševního vlastnictví v rámci divadelního pro… (10.5817/ty2017-1-3)
Abstract ORCID License
22.58 1
36 Realismus hudebního divadla Waltera Felsensteina – pravda, n… (10.5817/ty2017-1-6)
Abstract ORCID License
22.58 1
37 Performatívnosť stredovekého rituálu Mandatum u Sv. Jiří na… (10.5817/ty2018-1-4)
Abstract ORCID License
22.58 1
38 Tanztheater – taneční divadlo (nevšední) všednosti: od Kurta… (10.5817/ty2018-1-5)
Abstract ORCID License
22.58 1
39 Visualising process: Hofman's 1926 Hamlet reconstructive pra… (10.5817/ty2018-2-2)
Abstract ORCID License
22.58 1
40 A technical and contextual analysis of scenography through s… (10.5817/ty2018-2-3)
Abstract ORCID License
22.58 1
41 Scenographer Antonín Heythum and his work in the US: the cas… (10.5817/ty2018-2-4)
Abstract ORCID License
22.58 1
42 From creating spaces to evoking images: 4 + 1 Hamlets in Slo… (10.5817/ty2018-2-5)
Abstract ORCID License
22.58 1
43 Ladislav Vychodil's approach to designing stages for Shakesp… (10.5817/ty2018-2-6)
Abstract ORCID License
22.58 1
44 Othello and the perception of race within the cultural conte… (10.5817/ty2018-2-9)
Abstract ORCID License
22.58 1
45 Stage life and stage death (after Veltruský) (10.5817/ty2019-s-5)
Abstract ORCID License
22.58 1
46 Animate, inanimate and beyond in Švankmajer's Faust (1994) (10.5817/ty2019-s-7)
Abstract ORCID License
22.58 1
47 Aristotelism in Czech structuralism : Jan Mukařovský and Ota… (10.5817/ty2020-1-4)
Abstract ORCID License
22.58 1
48 Polish translations of Restoration comedy in early Communist… (10.5817/ty2021-1-10)
Abstract ORCID License
22.58 1
49 Od smutného Pierota k pyšnému vezírovi aneb Honzlovy České p… (10.5817/ty2021-1-11)
Abstract ORCID License
22.58 1
50 Restoration theatre, indirect translation and the canon: Set… (10.5817/ty2021-1-3)
Abstract ORCID License
22.58 1