1844-4369

Studia Universitatis Babes-Bolyai Musica

Babes-Bolyai University Cluj-Napoca

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DOIs for this ISSN

Showing the top 5 of 537 DOIs, ordered by correction priority.

# Title Missing Priority Citations
1 DIGITAL TRANSFORMATION TRENDS IN MUSIC TEACHING AND TRAINING… (10.24193/subbmusica.2021.2.03)
ORCID
19.45 5
2 VARIATION FORM IN MOZART’S PIANO WORKS (10.24193/subbmusica.2017.1.13)
References ORCID
15.05 1
3 THE SYMBIOSIS BETWEEN MICROTONALITY AND SPRECHGESANG IN PSAL… (10.24193/subbmusica.2017.1.19)
References ORCID
15.05 1
4 THE SIGNIFICANCE OF EIN FESTE BURG IST UNSER GOTT IN MUSIC L… (10.24193/subbmusica.2017.2.12)
References ORCID
15.05 1
5 THE RELATIONSHIP BETWEEN MUSIC AND MOVEMENT (10.24193/subbmusica.2018.1.01)
References ORCID
15.05 1
6 ELEMENTS OF MOVEMENT IN THE EDUCATIONAL CONCERT (10.24193/subbmusica.2018.1.03)
References ORCID
15.05 1
7 INTERSECTIONS OF ARTS. STRUCTURAL AND LANGUAGE ANALOGIES (10.24193/subbmusica.2018.2.12)
References ORCID
15.05 1
8 THE ODYSSEY OF A LOST AND FOUND ORATORIO (10.24193/subbmusica.2019.1.13)
References ORCID
15.05 1
9 MAURICE RAVEL BETWEEN IMPRESSIONISM, SYMBOLISM AND NEOCLASSI… (10.24193/subbmusica.2019.1.16)
References ORCID
15.05 1
10 BÉLA BARTÓK: “CONCERTO FOR ORCHESTRA”. ELEMENTS OF TURKISH… (10.24193/subbmusica.2019.1.23)
References ORCID
15.05 1
11 THE REALITY OF THE SUBSTANCE’S PARALOGISM IN VIOLIN MUSIC, T… (10.24193/subbmusica.2019.2.03)
References ORCID
15.05 1
12 A STUDY OF THE EFFICIENCY OF MUSIC THERAPY, ART AND PLAY THE… (10.24193/subbmusica.2019.2.08)
References
15.05 3
13 MUSIC IN THE PSALM SUPERSCRIPTIONS (10.24193/subbmusica.2020.1.09)
References ORCID
15.05 1
14 MAURICE RAVEL: LE TOMBEAU DE COUPERIN – PART I. THE REMINISC… (10.24193/subbmusica.2020.1.13)
References ORCID
15.05 1
15 JÁNOS JAGAMAS’ FOLK SONG ARRANGEMENTS (10.24193/subbmusica.2020.2.20)
References ORCID
15.05 1
16 The Role of Pedagogical Mentoring in Building Professional C… (10.24193/subbmusica.2024.2.03)
References
15.05 3
17 RAVEL ON (HIS) IMPRESSIONISM (10.24193/subbmusica.2017.1.05)
References
11.93 2
18 ANXIETY ENCODED IN PERSONALITY: MUSICAL PERSONALITY AND THE… (10.24193/subbmusica.2017.2.02)
References
11.93 2
19 OPPORTUNITIES FOR INCLUSIVE MUSIC EDUCATION IN THE GENERAL E… (10.24193/subbmusica.2020.1.04)
References
11.93 2
20 "‘HEBREW MELODY IN A MINOR, OP. 33’" BY JOSEPH ACHRON. THE D… (10.24193/subbmusica.2021.1.18)
ORCID
11.93 2
21 A “WELL-TEMPERED FLUTE” BY T. BOEHM – THE FINAL STAGE OF ITS… (10.24193/subbmusica.2022.spiss1.04)
ORCID
11.93 2
22 THE IMPORTANCE OF COMMUNITY MUSIC IN SOCIETY (10.24193/subbmusica.2025.spiss4.11)
References
11.93 2
23 KASTRATEN, DIE PRIMI UOMINI DER EUROPÄISCHEN OPERNBÜHNEN (10.24193/subbmusica.2017.1.03)
References
7.53 1
24 THE ROMA MUSICIANS OF MAGYARPALATKA AS PRESERVERS OF TRADITI… (10.24193/subbmusica.2017.1.12)
References
7.53 1
25 ZOLTÁN GÁRDONYI’S CHAMBER MUSIC: A FANTASIA FOR VIOLIN AND O… (10.24193/subbmusica.2017.1.17)
References
7.53 1
26 THE DISSIDENCE OF MELODY IN ANATOL VIERU'S OEUVRE. CASE STUD… (10.24193/subbmusica.2018.1.07)
References
7.53 1
27 CHAMBER MUSIC EXPLORATIONS FOR MEDITATION (10.24193/subbmusica.2018.2.07)
References
7.53 1
28 THE DEVELOPMENT AND PERIODS OF EDVARD GRIEG’S ORCHESTRAL STY… (10.24193/subbmusica.2018.2.13)
References
7.53 1
29 HAUNTING SOUNDSCAPES OF TRANSYLVANIA: LIGETI’S RESEARCH STAY… (10.24193/subbmusica.2018.2.21)
References
7.53 1
30 THE IDEOLOGIZATION OF MUSIC IN THE STALINIST ERA (10.24193/subbmusica.2019.1.11)
References
7.53 1
31 COMPARISON OF TWO DIFFERENT WARM-UP TASKS, USING A NEW TOOL… (10.24193/subbmusica.2020.1.02)
References
7.53 1
32 VASILE PETRAȘCU. THE TRANSYLVANIAN RELIGIOUS MUSIC BETWEEN S… (10.24193/subbmusica.2020.1.11)
References
7.53 1
33 THE SEMANTICS OF FRANZ LISZT’S PIANO THRENODIES WITHIN THE C… (10.24193/subbmusica.2020.1.12)
References
7.53 1
34 RELIGIOUS CHANTS – THE DIVERSITY OF CHURCH HYMNS TYPES (10.24193/subbmusica.2020.2.13)
References
7.53 1
35 MAURICE RAVEL : LE TOMBEAU DE COUPERIN – PART II. THE REMINI… (10.24193/subbmusica.2020.2.19)
ORCID
7.53 1
36 THE GRANULARITY PARADIGM IN THE ELECTROACOUSTIC MUSIC OF IAN… (10.24193/subbmusica.2022.2.01)
References
7.53 1
37 UKRAINIAN MUSIC CRITICISM OF THE 2010s: GENERAL SITUATION, P… (10.24193/subbmusica.2022.2.07)
References
7.53 1
38 THE ORIGIN OF THE CONCEPT OF STYLE IN EUROPEAN MUSICAL THINK… (10.24193/subbmusica.2022.spiss2.01)
References
7.53 1
39 "The Gates of Sky" by Ede Terényi: Sources and Context (10.24193/subbmusica.2023.2.27)
ORCID
7.53 1
40 THE EFFECTIVENESS OF MUSIC EDUCATION IN IMPROVING SOCIAL COM… (10.24193/subbmusica.2023.spiss1.15)
ORCID
7.53 1
41 MUSIC MEDIATION ON STAGE (10.24193/subbmusica.2023.spiss2.14)
ORCID
7.53 1
42 The Use of Virtual Platforms in Teaching Bass Guitar (10.24193/subbmusica.2024.2.05)
References
7.53 1
43 ADAPTATION AND TRANSFORMATION OF MEXICAN VERNACULAR ELEMENTS… (10.24193/subbmusica.2025.spiss1.13)
References
7.53 1
44 A TOUR AMONG THE MUSICIANS OF THE BIBLE (10.24193/subbmusica.2017.1.01)
References ORCID
0.00 0
45 WERKSAUFLISTUNG DER KOLONICS ORGELN IN SIEBENBÜRGEN - TEIL 1… (10.24193/subbmusica.2017.1.02)
References
0.00 0
46 MESSAGES OF NASCENT PICTURES IN PROMISE OF A REMEMBRANCE. MU… (10.24193/subbmusica.2017.1.04)
References ORCID
0.00 0
47 MUSIC AND SPACE (10.24193/subbmusica.2017.1.06)
References
0.00 0
48 ELEMENTS OF CHRISTIAN SPIRITUALITY IN THE VOCAL MUSIC OF ROM… (10.24193/subbmusica.2017.1.07)
References
0.00 0
49 CHAMBER MUSIC INITIATIVE IN CHORAL SINGING AND ENSEMBLE WORK… (10.24193/subbmusica.2017.1.08)
References ORCID
0.00 0
50 BEWEGLICHE KLAVIERSTUNDE. DIE INTEGRATION DER BEWEGUNG IN DE… (10.24193/subbmusica.2017.1.09)
References ORCID
0.00 0