| 1 | Sound and music interventions in psychiatry at Aalborg Unive… (10.7146/se.v6i1.24912) | References ORCID License | 103.52 | 23 |
| 2 | Hearing through the théâtrophone: Sonically constructed spac… (10.7146/se.v5i1.23310) | References ORCID License | 92.28 | 16 |
| 3 | Turning movement into music: Issues and applications of the… (10.7146/se.v6i1.24911) | References ORCID License | 88.21 | 14 |
| 4 | Auscultations (10.7146/se.v1i1.4316) | References ORCID License | 78.10 | 10 |
| 5 | Conceptualising the audiobook experience (10.7146/se.v2i2.6967) | References ORCID License | 78.10 | 10 |
| 6 | The show starts here: viewers’ interactions with recent tele… (10.7146/se.v3i1-2.15633) | References ORCID License | 78.10 | 10 |
| 7 | Audio logo recognition, reduced articulation and coding orie… (10.7146/se.v3i1-2.15644) | References ORCID License | 75.00 | 9 |
| 8 | Alarm fatigue in the ward: An acoustical problem? (10.7146/se.v6i1.24915) | References ORCID License | 71.57 | 8 |
| 9 | Placing voice meetings through vocal strolls – Toddlers in r… (10.7146/se.v7i2.102927) | References ORCID License | 67.73 | 7 |
| 10 | A Museological Approach: Radio as Immaterial Heritage (10.7146/se.v2i2.6258) | References ORCID License | 63.38 | 6 |
| 11 | Literary experience and the book trailer as intermedial para… (10.7146/se.v4i1.20330) | References ORCID License | 63.38 | 6 |
| 12 | German sound poetry from the neo-avant-garde to the digital… (10.7146/se.v7i1.97176) | References ORCID License | 63.38 | 6 |
| 13 | Algorithmic interactive music generation in videogames (10.7146/se.v9i1.118245) | References ORCID | 58.80 | 14 |
| 14 | Music and the emergence of experimental science in early mod… (10.7146/se.v2i1.5183) | References ORCID License | 58.36 | 5 |
| 15 | Crash, boom, bang (10.7146/se.v9i1.118243) | References ORCID | 53.96 | 11 |
| 16 | Polyaesthetic sights and sounds: media aesthetics in The Fan… (10.7146/se.v4i1.20370) | References ORCID License | 52.42 | 4 |
| 17 | Design and evaluation of an interactive music system for exe… (10.7146/se.v6i1.24910) | References ORCID License | 52.42 | 4 |
| 18 | Sound Mix: The Framing of Multi-Sensory Connections in Urban… (10.7146/se.v3i3.15730) | References ORCID License | 45.15 | 3 |
| 19 | Silencing the city? (10.7146/se.v3i3.18441) | References ORCID License | 45.15 | 3 |
| 20 | Sonic drifting: sound, city and psychogeography (10.7146/se.v3i3.18445) | References ORCID License | 45.15 | 3 |
| 21 | Beyond insulation and isolation: Towards an attuning approac… (10.7146/se.v6i1.24914) | References ORCID License | 45.15 | 3 |
| 22 | Performing poetry slam and listening closely to slam poetry (10.7146/se.v7i1.103065) | References ORCID License | 45.15 | 3 |
| 23 | The sound of nonsense - on the function of nonsense words in… (10.7146/se.v7i1.97177) | References ORCID License | 45.15 | 3 |
| 24 | Acoustic Shadows: An Auditory Exploration of the Sense of Sp… (10.7146/se.v1i1.4074) | References ORCID License | 35.78 | 2 |
| 25 | Mobile Music Listening – an aesthetic and aestheticizing pra… (10.7146/se.v3i1-2.15648) | References ORCID License | 35.78 | 2 |
| 26 | Urban sound ecologies (10.7146/se.v3i3.18443) | References ORCID License | 35.78 | 2 |
| 27 | Carceral soundscapes. Sonic violence and embodied experience… (10.7146/se.v5i1.23313) | References ORCID License | 35.78 | 2 |
| 28 | The Poetry Reading (10.7146/se.v7i1.97178) | References ORCID License | 35.78 | 2 |
| 29 | Voicing memories (10.7146/se.v7i2.102923) | References ORCID License | 35.78 | 2 |
| 30 | Virtual auditory reality (10.7146/se.v10i1.124199) | References ORCID | 34.95 | 4 |
| 31 | The Environmentalization of space and listening (10.7146/se.v10i1.124204) | References ORCID | 30.10 | 3 |
| 32 | Archival Silences as Historical Sources. Reconsidering Sound… (10.7146/se.v7i3.105232) | References ORCID | 30.10 | 3 |
| 33 | The soundscape of Islamic populism (10.7146/se.v9i1.112804) | References ORCID | 30.10 | 3 |
| 34 | sounds of lockdown (10.7146/se.v10i1.124195) | References ORCID | 23.86 | 2 |
| 35 | Sleep/relax/work/study/read (10.7146/se.v10i1.124196) | References ORCID | 23.86 | 2 |
| 36 | The Tacit Grooves of Sound Art. Aesthetic Artefacts as Analo… (10.7146/se.v7i3.105227) | References ORCID | 23.86 | 2 |
| 37 | Sound and Senses (10.7146/se.v8i1.115021) | Abstract References | 23.86 | 2 |
| 38 | Silences and policies in the shared listening: Ultra-red and… (10.7146/se.v9i1.112931) | References ORCID | 23.86 | 2 |
| 39 | Designing the user experience of musical sonification in pub… (10.7146/se.v10i1.124202) | References | 22.58 | 7 |
| 40 | Sound for Thought: Listening as Metabolism (10.7146/se.v1i1.4014) | References ORCID License | 22.58 | 1 |
| 41 | Voices on the wind: Compositional Approaches to the identifi… (10.7146/se.v1i1.4082) | References ORCID License | 22.58 | 1 |
| 42 | The Word and the Sound: The Sonic Color-line in Frederick Do… (10.7146/se.v1i1.4169) | References ORCID License | 22.58 | 1 |
| 43 | Introduction (10.7146/se.v1i1.5718) | References ORCID License | 22.58 | 1 |
| 44 | The Body of Sound: Sounding out the History of Science (10.7146/se.v2i1.5176) | References ORCID License | 22.58 | 1 |
| 45 | AN ELUCIDATION OF PUBLIC SOUND ART THROUGH A NON-SONOROUS TR… (10.7146/se.v2i1.5253) | References ORCID License | 22.58 | 1 |
| 46 | Hearing things in music for films: music, fiction and engage… (10.7146/se.v3i1-2.15641) | References ORCID License | 22.58 | 1 |
| 47 | Sounding out the logo shot (10.7146/se.v3i1-2.15642) | References ORCID License | 22.58 | 1 |
| 48 | Photophonics (10.7146/se.v3i1-2.15645) | References ORCID License | 22.58 | 1 |
| 49 | Conceptual overlays for urban soundscape design emerging fro… (10.7146/se.v3i3.18442) | References ORCID License | 22.58 | 1 |
| 50 | Channels (10.7146/se.v4i1.20332) | References ORCID License | 22.58 | 1 |
| 51 | Acoustic architecture before science. The case of Amsterdam'… (10.7146/se.v5i1.23304) | References ORCID License | 22.58 | 1 |
| 52 | Soundscaping health: Resonant speculations (10.7146/se.v6i1.24916) | References ORCID License | 22.58 | 1 |
| 53 | Reading spaces (10.7146/se.v10i1.124197) | References | 21.13 | 6 |
| 54 | Sound and Listening Spaces (10.7146/se.v10i1.123751) | Abstract References | 15.05 | 1 |
| 55 | Sound installation art and the intervention of urban public… (10.7146/se.v10i1.124201) | References | 15.05 | 3 |
| 56 | folded space of machine listening (10.7146/se.v10i1.124205) | References ORCID | 15.05 | 1 |
| 57 | Community as a discursive construct in contemporary Danish s… (10.7146/se.v9i1.113023) | References ORCID | 15.05 | 1 |
| 58 | Noise over signal (10.7146/se.v9i1.116688) | References ORCID | 15.05 | 1 |
| 59 | Sound production as a cultural practice (10.7146/se.v9i1.118246) | References ORCID | 15.05 | 1 |
| 60 | Transient soundscape production (10.7146/se.v10i1.124203) | References | 11.93 | 2 |
| 61 | Listening from the in-between (10.7146/se.v10i1.124200) | References | 7.53 | 1 |