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DOIs for this ISSN

Showing the top 5 of 385 DOIs, ordered by correction priority.

#	Title	Missing	Priority	Citations
1	Critical Relationality: Queer, Indigenous, and Multispecies… (10.17742/image.cr.10.1.1)	Abstract References ORCID License	188.65	76
2	Technologies of Imagination: Locating the Cloud in Sweden’s… (10.17742/image.ld.8.2.2)	References ORCID License	128.07	50
3	Digital Nomads and Settler Desires: Racial Fantasies of Sili… (10.17742/image.cr.10.1.8)	References ORCID License	103.52	23
4	The Factories of the Past Are Turning Into the Data Centres… (10.17742/image.ld.8.2.3)	References ORCID License	99.17	20
5	Drones Caught in the Net (10.17742/image.ld.8.2.8)	References ORCID License	99.17	20
6	OIL IMAG(E)INARIES: CRITICAL REALISM AND THE OIL SANDS (10.17742/image.sightoil.3-2.5)	References ORCID License	90.31	15
7	FROM SOAP OPERA TO REALITY PROGRAMMING: EXAMINING MOTHERHOOD… (10.17742/image.mother.4-2.2)	References ORCID License	85.96	13
8	Every (Nocturnal) Tourist Leaves a Trace (10.17742/image.vos.7-2.3)	References ORCID License	80.94	11
9	Introducing Location and Dislocation: Global Geographies of… (10.17742/image.ld.8.2.1)	References ORCID License	67.73	7
10	Uncertain Architectures—Performing Shelter and Exposure (10.17742/image.ld.8.2.4)	References ORCID License	67.73	7
11	The Technoaesthetics of Data Centre “White Space” (10.17742/image.ld.8.2.5)	References ORCID License	67.73	7
12	Killer Pov: First-Person Camera and Sympathetic Identificati… (10.17742/image.p70s.9.1.6)	References ORCID License	67.73	7
13	STEALING OR STEELING THE IMAGE? THE FAILED BRANDING OF THE G… (10.17742/image.stealimage.3-1.8)	References ORCID License	58.36	5
14	Learning from the Role of Art in Political Advocacy on HIV/A… (10.17742/image.in.11.2.13)	References ORCID License	52.42	4
15	Infrastructures of Dis/Connection: Of Drones, Migration, and… (10.17742/image.ld.8.2.6)	References ORCID License	52.42	4
16	MOTHERHOOD AND THE MEDIA UNDER THE MICROSCOPE: THE BACKLASH… (10.17742/image.mother.4-2.3)	References ORCID License	52.42	4
17	Sight, Site, Cite: Oil in the Field of Vision (10.17742/image.sightoil.3-2.1)	References ORCID License	52.42	4
18	IMAGINING THE TAR SANDS 1880-1967 AND BEYOND (10.17742/image.sightoil.3-2.6)	References ORCID License	52.42	4
19	The Visuality Of Scenes: Urban Cultures And Visual Scenescap… (10.17742/image.vos.7-2.1)	References ORCID License	52.42	4
20	Review of Donna Haraway, Staying with the Trouble: Making Ki… (10.17742/image.cr.10.1.15)	Abstract References ORCID License	47.71	2
21	Distorted Love: Mapplethorpe, the Neo/Classical Sculptural B… (10.17742/image.cr.10.1.10)	References ORCID License	45.15	3
22	Overview of Key Legal, Political, and Social Challenges Faci… (10.17742/image.in.11.2.9)	References ORCID License	45.15	3
23	“An Escape Into Reality”: Computers, Special Effects, and th… (10.17742/image.p70s.9.1.3)	References ORCID License	45.15	3
24	A PLACE TO STAND: LAND AND WATER IN MĀORI FILM (10.17742/image.periph.5-1.3)	References ORCID License	45.15	3
25	THE RWANDAN GENOCIDE IN FILM, AND A SUNDAY IN KIGALI: WATCHI… (10.17742/image.scandal.4-1.10)	References ORCID License	45.15	3
26	REFRAMING THE CANADIAN OIL SANDS (10.17742/image.sightoil.3-2.9)	References ORCID License	45.15	3
27	Nuit debout (10.17742/image.vos.7-2.2)	References ORCID License	45.15	3
28	CINEMA IN JAMAICA – THE LEGACY OF THE HARDER THEY COME (10.17742/image.ccn.6-2.6)	References ORCID License	35.78	2
29	Fishy Pleasures: Unsettling Fish Hatching and Fish Catching… (10.17742/image.cr.10.1.11)	References ORCID License	35.78	2
30	Tracking Love in the Wild: from San Diego to Athens, Greece… (10.17742/image.cr.10.1.6)	References ORCID License	35.78	2
31	THE NEW TOPOGRAPHICS, DARK ECOLOGY, AND THE ENERGY INFRASTRU… (10.17742/image.sightoil.3-2.11)	References ORCID License	35.78	2
32	THIS IS NOT A PIPELINE: THOUGHTS ON THE POLITICO-AESTHETICS… (10.17742/image.sightoil.3-2.2)	References ORCID License	35.78	2
33	PERCEPTIONS OF JEWISH FEMALE BODIES THROUGH GUSTAV KLIMT AND… (10.17742/image.stealimage.3-1.10)	References ORCID License	35.78	2
34	“MIRRORING TERROR”: THE IMPACT OF 9/11 ON HOLLYWOOD CINEMA (10.17742/image.tgvc.5-2.7)	References ORCID License	35.78	2
35	Representing and Reframing Migration (10.17742/image.tp.13.2.1)	Abstract References ORCID	35.78	2
36	Time Frames: Graphic Narrative and Historiography in Richard… (10.17742/image.vos.7-2.12)	References ORCID License	35.78	2
37	Oil-Sponsored Exhibitions and Canada’s Extractive Politics o… (10.17742/image.pm.13.1.2)	References ORCID	34.95	4
38	Erotic. Maternal. Cultural. Symbolic. Medical. What are brea… (10.17742/image.br.11.1.1)	Abstract References ORCID License	30.10	1
39	(Un)Natural Archive (10.17742/image.cr.10.1.4)	Abstract References ORCID License	30.10	1
40	Wonder Woman’s Costume as a Site for Feminist Debate (10.17742/image.fcm.9.2.6)	References ORCID	30.10	3
41	The Wall and the Politics of Exclusion and Inclusion at Baja… (10.17742/image.tp.13.2.7)	References ORCID	30.10	3
42	‘Infidels’ on the Internet: Pakistan’s Social Media ‘Cancel… (10.17742/image29665)	References ORCID	30.10	3
43	Clean Sharp Image (10.17742/image.fcm.9.2.5)	References ORCID	23.86	2
44	Massive/Micro Sensemaking: Towards Post-Pandemic Futures (10.17742/image.mm.12.2.1)	References ORCID	23.86	2
45	Gender and Migration: Resisting with a Camera. A Researcher… (10.17742/image.tp.13.2.4)	References ORCID	23.86	2
46	(Un)Seeing Goa’s Bom Jesus in Vishvesh Prabhakar Kandolkar’s… (10.17742/image29666)	References ORCID	23.86	2
47	From Bits to Bodies: Perfect Humans, Bioinformatic Visualiza… (10.17742/image.cr.10.1.7)	References ORCID License	22.58	1
48	Beyond Domination: Socialism, Everyday Life in East German H… (10.17742/image.gdr.8-1.3)	References ORCID License	22.58	1
49	Can Art Influence Global Health Policy? (10.17742/image.in.11.2.11)	References ORCID License	22.58	1
50	Publish and Anguish: Reconsidering the Never-Ending Crisis o… (10.17742/image.inaugural.1-1.9)	References ORCID License	22.58	1