| 1 | How Can Music Be Torturous?: Music in Nazi Concentration and… (10.3998/mp.9460447.0010.103) | Abstract References ORCID License | 138.02 | 23 |
| 2 | A "Voice to Sing": Rongelapese Musical Activism and the Prod… (10.3998/mp.9460447.0006.101) | Abstract References ORCID License | 125.53 | 17 |
| 3 | Women’s March Colloquy - Chants of the Resistance: Flow, Mem… (10.3998/mp.9460447.0013.105) | Abstract References ORCID License | 120.41 | 15 |
| 4 | Ethnomusicology and Political Ideology in Mandatory Palestin… (10.3998/mp.9460447.0004.205) | Abstract References ORCID License | 107.92 | 11 |
| 5 | The Question of Multiculturalism in the Arts in the Postcolo… (10.3998/mp.9460447.0005.101) | Abstract References ORCID License | 107.92 | 11 |
| 6 | The Black Muse: Polish Hip-Hop as the Voice of "New Others"… (10.3998/mp.9460447.0003.103) | Abstract References ORCID License | 104.14 | 10 |
| 7 | "Singing Trauma Trails": Songs of the Stolen Generations in… (10.3998/mp.9460447.0004.202) | Abstract References ORCID License | 100.00 | 9 |
| 8 | Sustainability and Sound: Ecomusicology Inside and Outside t… (10.3998/mp.9460447.0008.205) | Abstract References ORCID License | 95.42 | 8 |
| 9 | Music in Concentration Camps 1933-1945 (10.3998/mp.9460447.0001.102) | Abstract References ORCID License | 90.31 | 7 |
| 10 | Political Pop, Political Fans? A Content Analysis of Music F… (10.3998/mp.9460447.0004.103) | Abstract References ORCID License | 84.51 | 6 |
| 11 | Acoustic Palimpsests and the Politics of Listening (10.3998/mp.9460447.0007.101) | Abstract References ORCID License | 84.51 | 6 |
| 12 | “We Listened to it Because of the Message”: Juvenile RUF Com… (10.3998/mp.9460447.0009.104) | Abstract References ORCID License | 84.51 | 6 |
| 13 | Reading Indigenous and Mestizo Musical Instruments: The Nego… (10.3998/mp.9460447.0001.202) | Abstract References ORCID License | 77.82 | 5 |
| 14 | Music & Politics in the Classroom: Music, Politics a… (10.3998/mp.9460447.0002.205) | Abstract References ORCID License | 77.82 | 5 |
| 15 | An American Soldier’s iPod: Layers of Identity and Situated… (10.3998/mp.9460447.0004.201) | Abstract References ORCID License | 77.82 | 5 |
| 16 | "There is No Authority but Yourself": The Individual and the… (10.3998/mp.9460447.0004.203) | Abstract References ORCID License | 69.90 | 4 |
| 17 | The Advent of Performing Rights in Europe (10.3998/mp.9460447.0006.204) | Abstract References ORCID License | 69.90 | 4 |
| 18 | “Sing Vasya, Sing!”: Vasya Oblomov’s Rap Trios as Political… (10.3998/mp.9460447.0007.201) | Abstract References ORCID License | 69.90 | 4 |
| 19 | “I’ve Got a Little List”: Spotifying Mitt Romney and Barack… (10.3998/mp.9460447.0009.202) | Abstract References ORCID License | 69.90 | 4 |
| 20 | World Music and Activism Since the End of History [sic] (10.3998/mp.9460447.0011.101) | Abstract References ORCID License | 69.90 | 4 |
| 21 | "Amazing Together": Mason Bates, Classical Music, and Neolib… (10.3998/mp.9460447.0011.202) | Abstract References ORCID License | 69.90 | 4 |
| 22 | Shaping the Past and Creating the Future: Music, Nationalism… (10.3998/mp.9460447.0013.202) | Abstract References ORCID License | 69.90 | 4 |
| 23 | Gender, Politics and the Fighting Soldier's Song in America… (10.3998/mp.9460447.0002.104) | Abstract References ORCID License | 60.21 | 3 |
| 24 | Whose Utopia? Perspectives on the West-Eastern Divan Orchest… (10.3998/mp.9460447.0003.201) | Abstract References ORCID License | 60.21 | 3 |
| 25 | Defining the Nation, Confining the Musician: The Case of Iri… (10.3998/mp.9460447.0003.205) | Abstract References ORCID License | 60.21 | 3 |
| 26 | Reading Spanish American National Anthems: "Sonograms" of Na… (10.3998/mp.9460447.0005.102) | Abstract References ORCID License | 60.21 | 3 |
| 27 | Shostakovich and the Peace Conference (10.3998/mp.9460447.0006.201) | Abstract References ORCID License | 60.21 | 3 |
| 28 | Darius Milhaud’s Machines Agricoles as Post-Pastoral (10.3998/mp.9460447.0008.204) | Abstract References ORCID License | 60.21 | 3 |
| 29 | Musically Consonant, Socially Dissonant: Orange Walks and Ca… (10.3998/mp.9460447.0009.102) | Abstract References ORCID License | 60.21 | 3 |
| 30 | “It’s Morning Again in America”: How the Tuesday Team Revolu… (10.3998/mp.9460447.0010.105) | Abstract References ORCID License | 60.21 | 3 |
| 31 | Women’s March Colloquy - On Sirens and Lamp Posts: Sound, Sp… (10.3998/mp.9460447.0013.103) | Abstract References ORCID License | 60.21 | 3 |
| 32 | Yuri Kholopov and Twelve-Toneness (10.3998/mp.9460447.0014.204) | Abstract References ORCID License | 60.21 | 3 |
| 33 | Singing a New Song: Stephen Foster and the New American Mins… (10.3998/mp.9460447.0001.203) | Abstract References ORCID License | 47.71 | 2 |
| 34 | Toward a Political Anthropology of Mission Sound: Paraguay i… (10.3998/mp.9460447.0001.204) | Abstract References ORCID License | 47.71 | 2 |
| 35 | Power, Politics, and Musical Commemoration: Western Musical… (10.3998/mp.9460447.0001.205) | Abstract References ORCID License | 47.71 | 2 |
| 36 | Music & Politics in the Classroom: "Politics and Pro… (10.3998/mp.9460447.0002.103) | Abstract References ORCID License | 47.71 | 2 |
| 37 | The Foreigner, the Musicians’ Union, and the State in 1920s… (10.3998/mp.9460447.0003.101) | Abstract References ORCID License | 47.71 | 2 |
| 38 | National Ideologies in the Era of Global Fusions: Georgian P… (10.3998/mp.9460447.0003.104) | Abstract References ORCID License | 47.71 | 2 |
| 39 | Political History and Embodied Identity Discourse in the Tur… (10.3998/mp.9460447.0005.105) | Abstract References ORCID License | 47.71 | 2 |
| 40 | Mr. Simpático: Dean Reed, Pop Culture, and the Cold War in C… (10.3998/mp.9460447.0008.102) | Abstract References ORCID License | 47.71 | 2 |
| 41 | Acousmatic and Acoustic Violence and Torture in the Estado N… (10.3998/mp.9460447.0009.101) | Abstract References ORCID License | 47.71 | 2 |
| 42 | Branding a Cool Celebrity President: Popular Music, Politica… (10.3998/mp.9460447.0009.203) | Abstract References ORCID License | 47.71 | 2 |
| 43 | The Sound of Media Spectacle: Music at the Party Conventions (10.3998/mp.9460447.0009.205) | Abstract References ORCID License | 47.71 | 2 |
| 44 | Ableism and the Reception of Improvised Soundsinging (10.3998/mp.9460447.0010.204) | Abstract References ORCID License | 47.71 | 2 |
| 45 | Responses to Peter Manuel’s "World Music and Activism Since… (10.3998/mp.9460447.0011.102) | Abstract References ORCID License | 47.71 | 2 |
| 46 | “Tiny Little Screw Cap” (“Xiao Xiao Luosimao”): Children’s S… (10.3998/mp.9460447.0012.101) | Abstract References ORCID License | 47.71 | 2 |
| 47 | Smetana’s The Brandenburgers in Bohemia and Czech Nationalis… (10.3998/mp.9460447.0014.102) | Abstract References ORCID License | 47.71 | 2 |
| 48 | Selective Tradition and Structure of Feeling in the 2008 Pre… (10.3998/mp.9460447.0014.104) | Abstract References ORCID License | 47.71 | 2 |
| 49 | Defining and Defending Music Analysis in the Soviet 1930s (10.3998/mp.9460447.0014.202) | Abstract References ORCID License | 47.71 | 2 |
| 50 | Memories of Captured Song: Exploring Shifting Memories and t… (10.3998/mp.2339) | References ORCID | 34.95 | 4 |