| 1 | The Metaphysics of Crackle: Afrofuturism and Hauntology (10.12801/1947-5403.2013.05.02.03) | Abstract References ORCID License | 167.21 | 46 |
| 2 | The Forging of a White Gay Aesthetic at the Saint, 1980–84 (10.12801/1947-5403.2011.03.01.01) | Abstract References ORCID License | 153.15 | 33 |
| 3 | Harm Reduction or Psychedelic Support? Caring for Drug-Relat… (10.12801/1947-5403.2015.07.01.03) | Abstract References ORCID License | 146.24 | 28 |
| 4 | “Waiting for the Bass to Drop”: Correlations Between Intense… (10.12801/1947-5403.2014.06.01.04) | Abstract References ORCID License | 144.72 | 27 |
| 5 | Editor's Introduction: Doing Nightlife and EDMC Fieldwork (10.12801/1947-5403.2013.05.01.01) | Abstract References ORCID License | 138.02 | 23 |
| 6 | Neotrance and the Psychedelic Festival (10.12801/1947-5403.2009.01.01.03) | Abstract References ORCID License | 136.17 | 22 |
| 7 | Hooked on an Affect: Detroit Techno and Dystopian Digital Cu… (10.12801/1947-5403.2011.02.01.02) | Abstract References ORCID License | 132.22 | 20 |
| 8 | Interrupting Flow: Researching Play, Performance and Immersi… (10.12801/1947-5403.2013.05.01.02) | Abstract References ORCID License | 132.22 | 20 |
| 9 | Searching for a Cultural Home: Asian American Youth in the E… (10.12801/1947-5403.2015.07.01.01) | Abstract References ORCID License | 130.10 | 19 |
| 10 | DJ Culture in the Commercial Sydney Dance Music Scene (10.12801/1947-5403.2009.01.01.05) | Abstract References ORCID License | 125.53 | 17 |
| 11 | Pathological Crowds: Affect and Danger in Responses to the L… (10.12801/1947-5403.2011.02.01.15) | Abstract References ORCID License | 120.41 | 15 |
| 12 | Spaces to Fail in: Negotiating Gender, Community and Technol… (10.12801/1947-5403.2018.10.01.02) | Abstract References ORCID License | 120.41 | 15 |
| 13 | Vessels of Transfer: Allegories of Afrofuturism in Jeff Mill… (10.12801/1947-5403.2013.05.02.02) | Abstract References ORCID License | 117.61 | 14 |
| 14 | Too Young to Drink, Too Old to Dance: The Influences of Age… (10.12801/1947-5403.2009.01.01.04) | Abstract References ORCID License | 114.61 | 13 |
| 15 | Writing the Vibe: Arts of Representation in Electronic Dance… (10.12801/1947-5403.2013.05.01.11) | Abstract References ORCID License | 111.39 | 12 |
| 16 | Disco’s Revenge: House Music’s Nomadic Memory (10.12801/1947-5403.2011.02.01.01) | Abstract References ORCID License | 107.92 | 11 |
| 17 | Forty-Seven DJs, Four Women: Meritocracy, Talent, and Postfe… (10.12801/1947-5403.2017.09.01.03) | Abstract References ORCID License | 107.92 | 11 |
| 18 | Saboritmico: A Report from the Dance Floor in Mexico (10.12801/1947-5403.2018.10.01.11) | Abstract References ORCID License | 107.92 | 11 |
| 19 | The DIY Careers of Techno and Drum ‘n’ Bass DJs in Vienna (10.12801/1947-5403.2011.03.01.02) | Abstract References ORCID License | 104.14 | 10 |
| 20 | Spaces of Play: The Spatial Dimensions of Underground Club C… (10.12801/1947-5403.2012.04.01.04) | Abstract References ORCID License | 104.14 | 10 |
| 21 | Alone, Asian and Female: The Unspoken Challenges of Conducti… (10.12801/1947-5403.2013.05.01.03) | Abstract References ORCID License | 104.14 | 10 |
| 22 | Along the Lines of the Roland TB-303: Three Perversions of A… (10.12801/1947-5403.2014.06.01.14) | Abstract References ORCID License | 104.14 | 10 |
| 23 | Introduction to Weekend Societies: EDM Festivals and Event-C… (10.12801/1947-5403.2015.07.01.00) | Abstract References ORCID License | 104.14 | 10 |
| 24 | Dancing Outdoors: DiY Ethics and Democratized Practices of W… (10.12801/1947-5403.2015.07.01.04) | Abstract References ORCID License | 104.14 | 10 |
| 25 | Have Things Really Changed, or Is It Just Me? Ageing and Dan… (10.12801/1947-5403.2019.11.01.15) | Abstract References ORCID License | 104.14 | 10 |
| 26 | Boutiquing at the Raindance Campout: Relational Aesthetics a… (10.12801/1947-5403.2015.07.01.02) | Abstract References ORCID License | 100.00 | 9 |
| 27 | Challenges to British Nightclubs During and After the Covid-… (10.12801/1947-5403.2021.13.01.05) | Abstract References ORCID License | 100.00 | 9 |
| 28 | Decline of the Rave Inspired Clubculture in China: State Sup… (10.12801/1947-5403.2009.01.01.02) | Abstract References ORCID License | 90.31 | 7 |
| 29 | Technics, Precarity and Exodus in Rave Culture (10.12801/1947-5403.2010.01.02.02) | Abstract References ORCID License | 90.31 | 7 |
| 30 | Introduction to Women and Electronic Dance Music Culture (10.12801/1947-5403.2017.09.01.00) | Abstract References ORCID License | 90.31 | 7 |
| 31 | The Vibe of the Exiles: Aliens, Afropsychedelia and Psycultu… (10.12801/1947-5403.2013.05.02.04) | Abstract References ORCID License | 84.51 | 6 |
| 32 | The Creative Studio Practice of Contemporary Dance Music Sam… (10.12801/1947-5403.2014.06.01.03) | Abstract References ORCID License | 84.51 | 6 |
| 33 | Versions, Dubs and Riddims: Dub and the Transient Dynamics o… (10.12801/1947-5403.2015.07.02.01) | Abstract References ORCID License | 84.51 | 6 |
| 34 | Moments of Connection As Means of Survival: A Study of Queer… (10.12801/1947-5403.2022.14.01.03) | Abstract References ORCID License | 84.51 | 6 |
| 35 | The Hardcore Continuum? A Report on the “The Hardcore Contin… (10.12801/1947-5403.2009.01.01.07) | Abstract References ORCID License | 77.82 | 5 |
| 36 | Memory and Nostalgia in Youth Music Cultures: Finding the Vi… (10.12801/1947-5403.2010.01.02.04) | Abstract References ORCID License | 77.82 | 5 |
| 37 | DJ Goa Gil: Kalifornian Exile, Dark Yogi and Dreaded Anomaly (10.12801/1947-5403.2011.03.01.05) | Abstract References ORCID License | 77.82 | 5 |
| 38 | A Proposed Typology of Sampled Material Within Electronic Da… (10.12801/1947-5403.2014.06.01.06) | Abstract References ORCID License | 77.82 | 5 |
| 39 | Being and Performing "Older" Woman in Electronic Dance Movem… (10.12801/1947-5403.2019.11.01.02) | Abstract References ORCID License | 77.82 | 5 |
| 40 | Festival Fever and International DJs: The Changing Shape of… (10.12801/1947-5403.2011.02.01.04) | Abstract References ORCID License | 69.90 | 4 |
| 41 | Full Penetration: The Integration of Psychedelic Electronic… (10.12801/1947-5403.2012.04.01.02) | Abstract References ORCID License | 69.90 | 4 |
| 42 | Focused Ethnography as Research Method: A Case Study of Tech… (10.12801/1947-5403.2013.05.01.10) | Abstract References ORCID License | 69.90 | 4 |
| 43 | Fruity Batidas: The Technologies and Aesthetics of Kuduro (10.12801/1947-5403.2014.06.01.05) | Abstract References ORCID License | 69.90 | 4 |
| 44 | Free Parties and Teknivals: Gift-Exchange and Participation… (10.12801/1947-5403.2015.07.01.06) | Abstract References ORCID License | 69.90 | 4 |
| 45 | When Club Culture Goes Online: The Case of Boiler Room (10.12801/1947-5403.2016.08.01.04) | Abstract References ORCID License | 69.90 | 4 |
| 46 | No Screenshots on the Dance Floor (10.12801/1947-5403.2020.12.01.01) | Abstract References ORCID License | 69.90 | 4 |
| 47 | Grand Paris and Electronic Dance Music: Nightlife Policies,… (10.12801/1947-5403.2021.13.01.08) | Abstract References ORCID License | 69.90 | 4 |
| 48 | IDM as a "Minor" Literature: The Treatment of Cultural and M… (10.12801/1947-5403.2009.01.01.01) | Abstract References ORCID License | 60.21 | 3 |
| 49 | The History of Our World: The Hardcore Continuum Debate (10.12801/1947-5403.2010.01.02.05) | Abstract References ORCID License | 60.21 | 3 |
| 50 | Rumble in the Jungle: City, Place and Uncanny Bass (10.12801/1947-5403.2011.03.01.03) | Abstract References ORCID License | 60.21 | 3 |