1994-9529

The Art and Science of Television

GITR Film and Television School

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Deposit reference lists for 258 records

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DOIs for this ISSN

Showing the top 5 of 224 DOIs, ordered by correction priority.

# Title Missing Priority Citations
1 CORRELATIONS BETWEEN PRESCHOOLERS’ SCREEN TIME WITH GENDER,… (10.30628/1994-9529-17.3-179-209)
References License
57.31 13
2 Parental Digital Mediation and Its Association with the Psyc… (10.30628/1994-9529-2023-19.1-175-198)
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55.70 12
3 The Specificity of Development and the Formation of the Pecu… (10.30628/1994-9529-2018-14.2-107-135)
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52.42 4
4 Concerning the Definition of a Term “Participation” in the C… (10.30628/1994-9529-2018-14.1-58-79)
Abstract References ORCID License
47.71 2
5 EXPERIENCE OF POSTING NEWS IN THE FORMAT OF SHORT VIDEOS BY… (10.30628/1994-9529-2023-19.4-233-269)
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45.15 7
6 Metaverse—Flight From Dusk to Darkness? (10.30628/1994-9529-2022-18.1-11-46)
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38.91 5
7 Soft Power of TikTok: The Social Network That Conquered the… (10.30628/1994-9529-2022-18.2-117-146)
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38.91 5
8 Digital Devices in Life of Modern Preschoolers (10.30628/1994-9529-2024-20.1-171-215)
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38.91 5
9 “A FACE FROM THE SCREEN”. WHEREIN LIES THE SECRET OF THE POP… (10.30628/1994-9529-2018-14.3-151-166)
Abstract References License
35.78 2
10 SINGING ETHOS, PATHOS, AND ETHNOS: THREE GENERATIONS, FOUR I… (10.30628/1994-9529-2018-14.3-28-72)
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35.78 2
11 DEFENSE OF COPYRIGHT IN RUSSIA IN MASS MEDIA WORKS IN THE CO… (10.30628/1994-9529-2019-15.1-197-226)
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35.78 2
12 SCREEN AND FACTOR OF SPEED: FROM NARRATIVES TO PERFORMATIVES (10.30628/1994-9529-2019-15.2-29-40)
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35.78 2
13 FROM FARCE TO HYPE (ISSUES OF MODERN INTERNET COMMUNICATION) (10.30628/1994-9529-2019-15.2-43-64)
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35.78 2
14 Conceptualism in contemporary art regarded as neo-mythologis… (10.30628/1994-9529-2020-16.1-11-29)
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35.78 2
15 BROADCASTING AND VIEWS OF FEATURE FILMS ON RUSSIAN TELEVISIO… (10.30628/1994-9529-2020-16.1-81-160)
Abstract References License
35.78 2
16 TRANSMEDIA STORYTELLING AS A WAY TO TURN FAN PRACTICES INTO… (10.30628/1994-9529-2021-17.1-29-47)
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34.95 4
17 INFOTAINMENT IN THE EVENING NEWS OF RUSSIAN TV CHANNELS (10.30628/1994-9529-2023-19.4-119-147)
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34.95 4
18 The “House of Cards” of Political Reality (10.30628/1994-9529-2018-14.1-184-210)
Abstract References ORCID License
30.10 1
19 Digital Folklore in the Age of Pandemic (Based on the Collec… (10.30628/1994-9529-2022-18.2-61-89)
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30.10 3
20 Bromance as a Masquerade: Adaptation and Reception of Chines… (10.30628/1994-9529-2022-18.3-105-143)
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30.10 3
21 HERMENEUTICS OF THE NEO-MYTHOLOGICAL IMAGE OF MEDUSA WITH TH… (10.30628/1994-9529-2023-19.4-13-59)
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30.10 3
22 WESTWORLD: FROM EVOLUTION TO REVOLUTION OF THE WESTERN (10.30628/1994-9529-2020-16.3-61-85)
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23.86 2
23 DESIGNING THE SOVIET IDENTITY (THROUGH THE EXAMPLE OF ELYOR… (10.30628/1994-9529-2020-16.4-33-62)
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23.86 2
24 METAMORPHOSES OF THE CINEMA CLUB MOVEMENT (10.30628/1994-9529-2021-17.2-241-271)
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23.86 2
25 “THE SEAMY SIDE OF THE CITY”: MARGINAL LANDSCAPES AND CONTEM… (10.30628/1994-9529-2021-17.2-61-117)
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23.86 2
26 Wladimir Baranoff-Rossine’s and Grigory Gidoni’s Light and C… (10.30628/1994-9529-2021-17.4-33-62)
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23.86 2
27 Diegetic Invisible/Vanishing in Silent Cinema and its Origin… (10.30628/1994-9529-2022-18.1-49-78)
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23.86 2
28 Visual Image of the City and Urban Communication by Means of… (10.30628/1994-9529-2023-19.1-13-78)
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23.86 2
29 Digital Fashion Bodies: Posthuman Perspectives (10.30628/1994-9529-2023-19.3-69-93)
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23.86 2
30 About the Music of Dmitri Shostakovich in the Accumulation o… (10.30628/1994-9529-2018-14.2-136-185)
Abstract References License
22.58 1
31 THE MULTI-SCREEN AESTHETICS IN THE ANIMATED CARTOONS OF SOVI… (10.30628/1994-9529-2018-14.3-168-189)
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22.58 1
32 “BRAT 2” [“BROTHER 2”] OF ALEXEI BALABANOV: THE UNREAD LOVE… (10.30628/1994-9529-2018-14.3-92-114)
Abstract References License
22.58 1
33 SCHOOLS OF THE AIR IN AUSTRALIA: THE MODERN DISTANT LEARNING… (10.30628/1994-9529-2018-14.4-192-226)
Abstract References License
22.58 1
34 NEW TRENDS IN THE EVOLUTION OF VISUAL ARTS INFLUENCED BY MED… (10.30628/1994-9529-2019-15.1-173-193)
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22.58 1
35 MEDIA-REALITY IN THE VISUAL ARTS (10.30628/1994-9529-2019-15.2-183-205)
Abstract References License
22.58 1
36 FRAMED THEATRE: THEATRE HD AS A HYBRID FORM OF MEDIA (10.30628/1994-9529-2019-15.2-65-89)
Abstract References License
22.58 1
37 IN SEARCH OF A NEW GAZE. IMAGE OF RUSSIA IN CONTEMPORARY POL… (10.30628/1994-9529-2019-15.3-89-103)
Abstract References License
22.58 1
38 FEATURES OF THE USE OF MOBILE COMMUNICATION IN THE STUDENT E… (10.30628/1994-9529-2019-15.4-182-216)
Abstract References License
22.58 1
39 VISUAL ANTHROPOLOGY: PRIORITY OF ETHICAL PRINCIPLES (10.30628/1994-9529-2019-15.4-93-109)
Abstract References License
22.58 1
40 STANDARDIZED FACT CHECKING IN DATA JOURNALISM. A THEORETICAL… (10.30628/1994-9529-2020-16.2-191-209)
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22.58 1
41 AESTHETICS OF [NON-] VANISHING EXPERIENCES: DEEP SEMIOTICS O… (10.30628/1994-9529-2020-16.2-23-41)
Abstract References License
22.58 1
42 SCREEN FORMS AT BIENNIALS OF CONTEMPORARY ART (10.30628/1994-9529-2020-16.3-11-30)
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15.05 1
43 THE FATE OF DYSTOPIAS AND NEOLIBERAL VALUES IN MODERN SERIAL… (10.30628/1994-9529-2020-16.4-11-29)
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15.05 1
44 A GAME WITH MUSIC OR MUSIC WITH A GAME? ABOUT THE VIDEO GAME… (10.30628/1994-9529-2020-16.4-85-108)
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15.05 1
45 DOCUMENTARY ANIMATION OR ANIMATED DOCUMENTARY? Reflections o… (10.30628/1994-9529-2021-17.1-101-135)
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15.05 1
46 SCREEN ATTRACTIONS: BETWEEN VISUAL AND NARRATIVE (10.30628/1994-9529-2021-17.1-11-28)
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15.05 1
47 IMMERSIVE TECHNOLOGIES OF J. VAL DEL OMAR’S MEDIA ART (“APAN… (10.30628/1994-9529-2021-17.1-51-71)
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15.05 1
48 HUMAN AND TECHNOLOGIES: WHO IS A PARASITE? RESEARCH EXPERIEN… (10.30628/1994-9529-2021-17.2-35-58)
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15.05 1
49 ELECTROACOUSTIC EXPERIMENTS IN FRENCH FILM MUSIC: ON THE ISS… (10.30628/1994-9529-2021-17.3-150-177)
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15.05 1
50 Transformation of Gender Dominance in Russian TV Content in… (10.30628/1994-9529-2021-17.4-111-140)
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15.05 1