| 1 | “BALABANOV’S TEXT” IN THE “EARTH” BY MIKHAIL ELIZAROV: TO TH… (10.47475/1999-5407-2021-10403) | Abstract References ORCID License | 60.21 | 3 |
| 2 | AUTHOR’S SELF-IDENTIFICATION IN MODERN MEDIA TEXTS (10.47475/1999-5407-2021-10405) | Abstract References ORCID License | 60.21 | 3 |
| 3 | MARATHON RUN IN THE SYSTEM OF AMATEUR HOBBIES OF RUSSIANS: S… (10.47475/1999-5407-2021-10104) | Abstract References ORCID License | 47.71 | 2 |
| 4 | MEDIA FRAMING OF PANDEMIC IN THE LIGHT OF SOCIAL AND ECONOMI… (10.47475/1999-5407-2021-10207) | Abstract References ORCID License | 47.71 | 2 |
| 5 | ARKAIM: CURRENT MEANING FOR A REGIONAL AND GLOBAL AGENDA (10.47475/1999-5407-2021-10301) | Abstract References ORCID License | 47.71 | 2 |
| 6 | STORYTELLING FORMATS IN BRAND COMMUNICATIONS ON THE EXAMPLE… (10.47475/1999-5407-2022-10106) | Abstract References ORCID License | 47.71 | 2 |
| 7 | CONCEPT OF "CULTURAL CODE" AS A UNIVERSAL METHODOLOGICAL TOO… (10.47475/1999-5407-2024-67-2-32-45) | References ORCID License | 45.15 | 3 |
| 8 | THE DIFFERENCE BETWEEN “AESTHETICS” AND “MEDIA-AESTHETICS” (10.47475/1999-5407-2022-10104) | Abstract References License | 35.78 | 2 |
| 9 | THE ROLE OF THE UNIVERSITY BRANDIN THE STRUCTURE OF THE TERR… (10.47475/1999-5407-2022-10109) | Abstract References License | 35.78 | 2 |
| 10 | AUTHOR’S REWRITING AS A TECHNOLOGY OF CREATING A PUBLICISTIC… (10.47475/1999-5407-2021-10107) | Abstract References ORCID License | 30.10 | 1 |
| 11 | VISUALIZATION AND INTERACTIVITY AS TRENDS OF MODERN SOCIAL J… (10.47475/1999-5407-2021-10205) | Abstract References ORCID License | 30.10 | 1 |
| 12 | ENSURING THE PERSONALLY ORIENTED NATURE OF LEARNING A FOREIG… (10.47475/1999-5407-2021-10209) | Abstract References ORCID License | 30.10 | 1 |
| 13 | MEDIA TOOLS OF INVOLVEMENT IN ARCHAEOLOGY TOPIC (ON THE EXAM… (10.47475/1999-5407-2021-10304) | Abstract References ORCID License | 30.10 | 1 |
| 14 | DIGITAL MEDIA AS A POWERFUL IMPACT ON THE BEHAVIOR OF CHILDR… (10.47475/1999-5407-2021-10404) | Abstract References ORCID License | 30.10 | 1 |
| 15 | THE PHENOMENON OF FILM MUSIC IN THE SOCIO-CULTURAL SPACE AND… (10.47475/1999-5407-2022-10206) | Abstract References ORCID License | 30.10 | 1 |
| 16 | ANIMAL IMAGERY IN CULTURE: THE DYNAMICS OF REPRESENTATIONS I… (10.47475/1999-5407-2022-10208) | Abstract References ORCID License | 30.10 | 1 |
| 17 | STRATEGIES OF ACTUALIZING THE PAST: FROM CULTURE OF MEMORY T… (10.47475/1999-5407-2022-10210) | Abstract References ORCID License | 30.10 | 1 |
| 18 | FEATURES OF CULTURAL, EDUCATIONAL AND POPULAR SCIENCE CONTEN… (10.47475/1999-5407-2022-10114) | Abstract References License | 22.58 | 1 |
| 19 | PEDAGOGICAL SUPPORT FOR THE FORMATION OF ETHNO-CULTURAL COMP… (10.47475/1999-5407-2022-10406) | Abstract References License | 22.58 | 1 |
| 20 | APPLICATION OF THE THEORY OF GENERATIONS IN THE EDUCATIONAL… (10.47475/1999-5407-2023-65-4-87-92) | References ORCID License | 22.58 | 1 |
| 21 | STRUCTURE OF INTERACTION IN PHOTO REPORT AS A TOOL FOR CREAT… (10.47475/1999-5407-2024-68-3-101-106) | References ORCID License | 22.58 | 1 |
| 22 | "VISUAL IMAGE": CONCEPT AND BASIS FOR THE FORMATION OF A SCI… (10.47475/1999-5407-2024-68-3-151-155) | References ORCID License | 22.58 | 1 |
| 23 | TRANSLATION AS A RESOURCE FOR INTERCULTURAL MEDIATION (10.47475/1999-5407-2025-71-2-106-112) | References ORCID License | 22.58 | 1 |
| 24 | COMPARISON OF THE EFFECTIVENESS OF TEAMAND INDIVIDUAL SPORTS… (10.47475/1999-5407-2025-73-4-73-80) | References ORCID License | 22.58 | 1 |
| 25 | DEEPFAKE AS A PHENOMENON OF THE MODERN INFORMATION SPACE (10.47475/1999-5407-2024-68-3-24-35) | References License | 15.05 | 1 |
| 26 | THE EDUCATIONAL POTENTIAL OF THE FORMATIVE ASSESSMENT (10.47475/1999-5407-2024-69-4-39-43) | References License | 15.05 | 1 |
| 27 | THE ARKAIM TELEGRAM CHANNEL AS A FACTOR IN DEVELOPING MEDIA… (10.47475/1999-5407-2025-72-3-137-147) | References License | 15.05 | 1 |
| 28 | THE USE OF THE MULTIPLATFORM SERVICES ANKI, QUIZLET AND MEMR… (10.47475/1999-5407-2025-73-4-40-49) | References License | 15.05 | 1 |
| 29 | VALUE PRIORITIES OF FIRST-YEARS STUDENTS AT ECONOMIC UNIVERS… (10.47475/1999-5407-2025-73-4-50-57) | References License | 15.05 | 1 |
| 30 | ERASMUS OF ROTTERDAM AND NICCOLO MACHIAVELLI ON HUMANISM, ID… (10.47475/1999-5407-2021-10101) | Abstract References ORCID License | 0.00 | 0 |
| 31 | POLITICAL PUBLICITY IN NEW MEDIA(ON THE EXAMPLE OF THE MEDIA… (10.47475/1999-5407-2021-10102) | Abstract References ORCID License | 0.00 | 0 |
| 32 | MEDIA PROJECTS IN SOCIAL NETWORKS IN THE ASPECT OF INTERCULT… (10.47475/1999-5407-2021-10103) | Abstract References ORCID License | 0.00 | 0 |
| 33 | MEDIA CONVERGENCE: STRATEGY AND TACTICS OF THE JOINT DIRECTO… (10.47475/1999-5407-2021-10105) | Abstract References ORCID License | 0.00 | 0 |
| 34 | REFLECTING HUMAN NEEDS IN ADVERTISING (10.47475/1999-5407-2021-10106) | Abstract References ORCID License | 0.00 | 0 |
| 35 | INFORMATION IMPACT ON THE AUDIENCEIN THE CONDITIONS OF THE C… (10.47475/1999-5407-2021-10108) | Abstract References ORCID License | 0.00 | 0 |
| 36 | PSYCHOLOGICAL-PEDAGOGICAL MEDIAMETHOD - AS A METHOD OF MEDIA… (10.47475/1999-5407-2021-10109) | Abstract References ORCID License | 0.00 | 0 |
| 37 | CREATIVITY OF COMPOSERS OF THE SOUTHERN URALS IN THE SOCIO-C… (10.47475/1999-5407-2021-10201) | Abstract References ORCID License | 0.00 | 0 |
| 38 | MEMORY-IDENTITY IN THE URBAN IDENTITY CONTEXT: THE VARIETY A… (10.47475/1999-5407-2021-10202) | Abstract References ORCID License | 0.00 | 0 |
| 39 | A FEW WORDS ABOUT THE MYSTICAL TOPOGRAPHY, GEOGRAPHY AND COS… (10.47475/1999-5407-2021-10203) | Abstract References ORCID License | 0.00 | 0 |
| 40 | FUNCTIONING FEATURES OF CONTRACTIONS IN VIRTUAL DISCOURSE (O… (10.47475/1999-5407-2021-10204) | Abstract References ORCID License | 0.00 | 0 |
| 41 | «IN MEMORY OF A MEMORY: ROMANCE» BY MARIA STEPNOVA: COMMEMOR… (10.47475/1999-5407-2021-10206) | Abstract References ORCID License | 0.00 | 0 |
| 42 | FEATURES OF ONLINE SPORTS REPORTING IN SPECIALIZED PUBLIC SO… (10.47475/1999-5407-2021-10208) | Abstract References ORCID License | 0.00 | 0 |
| 43 | FORMATIVE ASSESSMENT AS A MODERN TECHNOLOGY OF EVALUATION AC… (10.47475/1999-5407-2021-10210) | Abstract References License | 0.00 | 0 |
| 44 | MEMORIAL TOURISM AS A DIRECTION OF MEMORIAL CULTURE: ESSENCE… (10.47475/1999-5407-2021-10302) | Abstract References ORCID License | 0.00 | 0 |
| 45 | FEATURES OF VADIM BALABAN’S CREATIVE STRATEGY (10.47475/1999-5407-2021-10303) | Abstract References ORCID License | 0.00 | 0 |
| 46 | BRITISH MUSEUM AND THE LOUVRE: A COMPARATIVE ANALYSIS OF OFF… (10.47475/1999-5407-2021-10305) | Abstract References License | 0.00 | 0 |
| 47 | MODERN IMAGE OF A ROCK MUSICIAN IN SPECIALIZED INTERNET PUBL… (10.47475/1999-5407-2021-10306) | Abstract References ORCID License | 0.00 | 0 |
| 48 | CONCEPTUALIZATION OF THE PROCESS OF ORGANIZING A MODERN EDUC… (10.47475/1999-5407-2021-10307) | Abstract References License | 0.00 | 0 |
| 49 | EXPERIENCE OF APPLICATION OF TED TALKS WHEN TEACHING A FOREI… (10.47475/1999-5407-2021-10308) | Abstract References License | 0.00 | 0 |
| 50 | THE PHENOMENON OF THE MEMORIAL NARRATIVE: THEORETICAL FOUNDA… (10.47475/1999-5407-2021-10401) | Abstract References ORCID License | 0.00 | 0 |