| 1 | A NOTE ON SOCIALLY ENGAGED ART CRITICISM (10.7146/nja.v25i53.26406) | References ORCID License | 108.54 | 27 |
| 2 | Uncontrollable Societies of Disaffected Individuals: Disbeli… (10.7146/nja.v23i44-45.8185) | References ORCID License | 94.15 | 17 |
| 3 | The Making of Cultural Heritage (10.7146/nja.v22i40-41.5203) | References ORCID License | 90.31 | 15 |
| 4 | Ambient Images (10.7146/nja.v30i61-62.127861) | Abstract References ORCID | 90.31 | 15 |
| 5 | EMPTY THE MUSEUM, DECOLONIZE THE CURRICULUM, OPEN THEORY (10.7146/nja.v25i53.26403) | References ORCID License | 85.96 | 13 |
| 6 | Image Agents (10.7146/nja.v30i61-62.127889) | Abstract References ORCID | 85.96 | 13 |
| 7 | Back to the Future: Aesthetics Today (10.7146/nja.v23i43.7500) | References ORCID License | 71.57 | 8 |
| 8 | Materialism is Not the Solution (10.7146/nja.v24i47.23057) | References ORCID License | 63.38 | 6 |
| 9 | On Beauty (10.7146/nja.v21i39.3001) | References ORCID License | 58.36 | 5 |
| 10 | Light and the Aesthetics of Perception (10.7146/nja.v22i40-41.5202) | References ORCID License | 58.36 | 5 |
| 11 | The Force of Digital Aesthetics. On Memes, Hacking, and Indi… (10.7146/nja.v24i47.23055) | References ORCID License | 58.36 | 5 |
| 12 | CONFLICTS OF GESTURES, CONFLICTS OF IMAGES (10.7146/nja.v27i55-56.110720) | References ORCID | 53.96 | 11 |
| 13 | TASTE AND OTHER SENSES: RECONSIDERING THE FOUNDATIONS OF AES… (10.7146/nja.v26i54.103078) | References ORCID License | 52.42 | 4 |
| 14 | Affordances of the Networked Image (10.7146/nja.v30i61-62.127857) | Abstract References ORCID | 52.42 | 4 |
| 15 | What Need is There for an Environmental Aesthetics? (10.7146/nja.v22i40-41.5186) | References ORCID License | 45.15 | 3 |
| 16 | On Architecture as a Spatial Art (10.7146/nja.v23i43.7497) | References ORCID License | 45.15 | 3 |
| 17 | Grounding Aesthetic Preference in the Bodily Conditions of M… (10.7146/nja.v23i43.7499) | References ORCID License | 45.15 | 3 |
| 18 | The Art of Searching: On “Wild Archaeologies” from Kant to K… (10.7146/nja.v25i51.25152) | References ORCID License | 45.15 | 3 |
| 19 | THE LIMITATIONS OF THE EXCULPATORY CRITIQUE: A RESPONSE TO M… (10.7146/nja.v25i53.26407) | References ORCID License | 45.15 | 3 |
| 20 | THE AESTHETICISATION OF TASTE, A CONSEQUENCE OF THE “AESTHET… (10.7146/nja.v26i54.103082) | References ORCID License | 45.15 | 3 |
| 21 | Dance Techne: Kinetic Bodily Logos and Thinking in Movement (10.7146/nja.v15i27-28.3073) | References ORCID License | 35.78 | 2 |
| 22 | Totalizing Aesthetics? Aesthetic Theory and the Aestheticiza… (10.7146/nja.v17i32.2976) | References ORCID License | 35.78 | 2 |
| 23 | Performance interpretations of musical works (10.7146/nja.v18i33-34.2830) | References ORCID License | 35.78 | 2 |
| 24 | Making and Hearing Meaning in Performance (10.7146/nja.v18i33-34.2831) | References ORCID License | 35.78 | 2 |
| 25 | Somaesthetics at the Limits (10.7146/nja.v19i35.2784) | References ORCID License | 35.78 | 2 |
| 26 | Magnitudo aesthetica, Aesthetic Greatness. Ethical Aspects o… (10.7146/nja.v20i36-37.2799) | References ORCID License | 35.78 | 2 |
| 27 | Morally Wrong Beauty as a Source of Value (10.7146/nja.v22i40-41.5198) | References ORCID License | 35.78 | 2 |
| 28 | Form and Freedom: The Kantian Ethos of Musical Formalism (10.7146/nja.v22i40-41.5200) | References ORCID License | 35.78 | 2 |
| 29 | AESTHETICS AND JUDGMENT: “WHY KANT GOT IT RIGHT” (10.7146/nja.v26i54.103083) | References ORCID License | 35.78 | 2 |
| 30 | MONOLITH IN A HOLLOW: PALEOFUTURISM AND EARTH ART IN STANLEY… (10.7146/nja.v29i59.120470) | References ORCID License | 35.78 | 2 |
| 31 | The Paradigm of the Creative Industries: Cultural Policy in… (10.7146/nja.v32i65-66.140119) | References ORCID | 30.10 | 3 |
| 32 | THE PROMISE OF THE INDEX IN CONTEMPORARY DOCUMENTARY PERFORM… (10.7146/nja.v27i55-56.110753) | References ORCID | 23.86 | 2 |
| 33 | UNCONTROL ON RUBEN ÖSTLUND’S FORCE MAJEURE (10.7146/nja.v27i55-56.110754) | References ORCID | 23.86 | 2 |
| 34 | THE STORY OF FOUNTAIN: HARD FACTS AND SOFT SPECULATION (10.7146/nja.v28i57-58.114857) | References ORCID | 23.86 | 2 |
| 35 | Values and Cosmic Imagination (10.7146/nja.v11i19.3153) | References ORCID License | 22.58 | 1 |
| 36 | Verkets mening och tolkarens val (10.7146/nja.v11i19.3158) | References ORCID License | 22.58 | 1 |
| 37 | The Human Habitat - Aesthetic and Axiological Perspectives b… (10.7146/nja.v11i19.3159) | References ORCID License | 22.58 | 1 |
| 38 | The Paradoxes of Paradisiac Nudity : Fascist Aesthetics and… (10.7146/nja.v12i22.3132) | References ORCID License | 22.58 | 1 |
| 39 | Committed Receptacles. Schlingensief's Usage of the Containe… (10.7146/nja.v14i25-26.3095) | References ORCID License | 22.58 | 1 |
| 40 | Understanding ''Dance Understanding" (10.7146/nja.v15i27-28.3069) | References ORCID License | 22.58 | 1 |
| 41 | Art, Audience and Understanding: the Case of Dance (10.7146/nja.v15i27-28.3071) | References ORCID License | 22.58 | 1 |
| 42 | Nobrow (10.7146/nja.v17i32.2978) | References ORCID License | 22.58 | 1 |
| 43 | Not Yet. The Philosophical Significance of Aesthetics (10.7146/nja.v21i39.3002) | References ORCID License | 22.58 | 1 |
| 44 | Environmental Aesthetics Beyond the Dialectics of Interest a… (10.7146/nja.v22i40-41.5201) | References ORCID License | 22.58 | 1 |
| 45 | Art in an Expanded Field: Wittgenstein and Aesthetics (10.7146/nja.v23i42.5873) | References ORCID License | 22.58 | 1 |
| 46 | Temporalization as Transcendental Aesthetics - Avant-Garde,… (10.7146/nja.v23i44-45.8179) | References ORCID License | 22.58 | 1 |
| 47 | Cinematic (10.7146/nja.v23i46.16383) | References ORCID License | 22.58 | 1 |
| 48 | On Musical Performance as Play (10.7146/nja.v23i46.16384) | References ORCID License | 22.58 | 1 |
| 49 | Organology of Dreams and Archi-Cinema ( (10.7146/nja.v24i47.23053) | References ORCID License | 22.58 | 1 |
| 50 | The Operational Present of Sensibility (10.7146/nja.v24i47.23054) | References ORCID License | 22.58 | 1 |
| 51 | Screens ‘As Representation’ and Screens ‘As Simulation’ in M… (10.7146/nja.v24i47.23056) | References ORCID License | 22.58 | 1 |
| 52 | Apocalypse (Not) Now (10.7146/nja.v24i49-50.23315) | References ORCID License | 22.58 | 1 |
| 53 | Existential Urgency: Contemporaneity, Biennials and Social F… (10.7146/nja.v24i49-50.23321) | References ORCID License | 22.58 | 1 |
| 54 | After Contemporary Art: Actualization and Anachrony (10.7146/nja.v25i51.25155) | References ORCID License | 22.58 | 1 |
| 55 | Architecture, Art, And Moderate Moralism (10.7146/nja.v25i52.25618) | References ORCID License | 22.58 | 1 |
| 56 | DISTINCTION AND DIFFERENCE: REVISITING THE QUESTION OF TASTE (10.7146/nja.v26i54.103077) | References ORCID License | 22.58 | 1 |
| 57 | INTRODUCTION (10.7146/nja.v28i57-58.114846) | Abstract References ORCID | 22.58 | 1 |
| 58 | THE VERTICAL CITY: APPROACHES TO THE SKYSCRAPER CITY AS PHEN… (10.7146/nja.v29i59.120471) | References ORCID License | 22.58 | 1 |
| 59 | DIGITAL MUSIC USE AS ECOLOGICAL THINKING: METADATA AND HISTO… (10.7146/nja.v29i59.120472) | References ORCID License | 22.58 | 1 |
| 60 | The Algorithmic Apparatus of Neo-Colonialism: Or, Can We Hol… (10.7146/nja.v30i61-62.127862) | Abstract References ORCID | 22.58 | 1 |
| 61 | The Diagrams of AI (Image) (10.7146/nja.v30i61-62.127893) | Abstract References ORCID | 22.58 | 1 |
| 62 | The Spectacle of Disintegration and the Transsexual Exceptio… (10.7146/nja.v33i67.148464) | Abstract References ORCID | 22.58 | 1 |
| 63 | Kunskapsbegrepet i vitenskapsfilosofi og estetik (10.7146/nja.v6i9.3233) | References ORCID License | 22.58 | 1 |
| 64 | Gombrich on the Greek Art Revolution (10.7146/nja.v7i12.3211) | References ORCID License | 22.58 | 1 |
| 65 | HOW TO FRAME EDIBLE ART (10.7146/nja.v27i55-56.110724) | References ORCID | 15.05 | 1 |
| 66 | SPECTRAL MEMORIES: AESTHETIC RESPONSES TO THE FINANCIAL CRAS… (10.7146/nja.v29i60.122844) | References ORCID | 15.05 | 1 |
| 67 | APPRECIATING COVERS (10.7146/nja.v31i63.133122) | References ORCID | 15.05 | 1 |
| 68 | Elements Matter (10.7146/nja.v31i64.134219) | References ORCID | 15.05 | 1 |
| 69 | Changing Gellerup Park (10.7146/nja.v31i64.134221) | References ORCID | 15.05 | 1 |
| 70 | #Filterdrop: Attending to Photographic Alterations (10.7146/nja.v32i65-66.140109) | References ORCID | 15.05 | 1 |
| 71 | A Free Art Calls for a Free Society: On the Freedom of Art a… (10.7146/nja.v32i65-66.140118) | References ORCID | 15.05 | 1 |
| 72 | Urban Redevelopment and the Aesthetics of Care (10.7146/nja.v34i69.160661) | References ORCID | 15.05 | 1 |
| 73 | RETRACTION OF: The Art to End All Arts (10.7146/nja.v23i46.16382) | References | 7.53 | 1 |