| 1 | Bourdieusian Concepts and the Field of Theatre Criticism (10.7146/nts.v31i1.112999) | References ORCID License | 67.73 | 7 |
| 2 | ‘Suddenly a Stranger Appears’ (10.7146/nts.v31i1.112998) | References ORCID License | 58.36 | 5 |
| 3 | Sounding the Arctic in Chantal Bilodeau’s Climate Change Pla… (10.7146/nts.v32i1.120408) | References ORCID License | 58.36 | 5 |
| 4 | Activating Dance Records. Conceptualizing research into the… (10.7146/nts.v29i1.103312) | References ORCID License | 52.42 | 4 |
| 5 | Performing with Plants in the Ob-scene Anthropocene (10.7146/nts.v32i1.120411) | References ORCID License | 52.42 | 4 |
| 6 | Genealogies and Methodologies of Phenomenology in Theatre an… (10.7146/nts.v24i1.114826) | Abstract References ORCID License | 47.71 | 2 |
| 7 | Theatre and the Anthropocene (10.7146/nts.v32i1.120400) | Abstract References ORCID License | 47.71 | 2 |
| 8 | Dancing with the Dragon: Orality and (body) language(s) in… (10.7146/nts.v28i2.25534) | References ORCID License | 45.15 | 3 |
| 9 | Theatre, Science, and the Popular: Two Contemporary Examples… (10.7146/nts.v29i2.104609) | References ORCID License | 45.15 | 3 |
| 10 | Baby Becomings (10.7146/nts.v32i1.120410) | References ORCID License | 45.15 | 3 |
| 11 | Theatricality and Drifting in the Anthropocene (10.7146/nts.v32i1.120414) | References ORCID License | 45.15 | 3 |
| 12 | From Candle Light to Contemporary Lighting Systems: How Ligh… (10.7146/nts.v26i2.24305) | References ORCID License | 35.78 | 2 |
| 13 | The Disenchantment of the Wonderful - A Doll’s House and the… (10.7146/nts.v26i2.24311) | References ORCID License | 35.78 | 2 |
| 14 | Challenging the Centre: Asylum Seekers Encounter Native Citi… (10.7146/nts.v27i1.24238) | References ORCID License | 35.78 | 2 |
| 15 | Meaning in the Weaving: Mapping and Texture as Figures of Sp… (10.7146/nts.v27i2.24247) | References ORCID License | 35.78 | 2 |
| 16 | How to Address Politics of the Body in Participatory Perform… (10.7146/nts.v27i2.24249) | References ORCID License | 35.78 | 2 |
| 17 | The Revitalization of Popular Theatre Forms in Contemporary… (10.7146/nts.v29i2.104608) | References ORCID License | 35.78 | 2 |
| 18 | Infrastructural Performance (10.7146/nts.v30i1.106915) | References ORCID License | 35.78 | 2 |
| 19 | Spectatorship, Politics and the Rules of Participation (10.7146/nts.v30i2.112954) | References ORCID License | 35.78 | 2 |
| 20 | Hybrids, Chimeras, Aberrant Nuptials: (10.7146/nts.v31i1.113000) | References ORCID License | 35.78 | 2 |
| 21 | Russian Relations (10.7146/nts.v32i2.124350) | References ORCID License | 35.78 | 2 |
| 22 | Constructing Finno-Ugric Identity through Theatre (10.7146/nts.v32i2.124358) | References ORCID License | 35.78 | 2 |
| 23 | Keep calm, the corridor will be open soon (10.7146/nts.v33i1.131994) | References ORCID License | 35.78 | 2 |
| 24 | Theatre Talks (10.7146/nts.v33i2.132872) | References ORCID License | 35.78 | 2 |
| 25 | Introduction: Theatre and Technology (10.7146/nts.v26i2.24302) | Abstract References ORCID License | 30.10 | 1 |
| 26 | Book Review: Giuliano D'Amico: “Domesticating Ibsen for Ital… (10.7146/nts.v28i1.23977) | Abstract References ORCID License | 30.10 | 1 |
| 27 | Editor’s Introduction Turning Points and Continuity: Reformu… (10.7146/nts.v29i1.102963) | Abstract References ORCID License | 30.10 | 1 |
| 28 | Theatre Talks as Micro-Democracy (10.7146/nts.v25i1.110894) | References ORCID License | 22.58 | 1 |
| 29 | Being Actors with Learning Disabilities in a Democratic Pers… (10.7146/nts.v25i1.110897) | References ORCID License | 22.58 | 1 |
| 30 | How Theatre Develops Democracy (10.7146/nts.v25i1.110900) | References ORCID License | 22.58 | 1 |
| 31 | What Do Actors Do in Contemporary Theatre (10.7146/nts.v26i1.109731) | References ORCID License | 22.58 | 1 |
| 32 | Fusing the Fictional and the Real in the Contemporary Perfor… (10.7146/nts.v26i1.109739) | References ORCID License | 22.58 | 1 |
| 33 | Poetics of Confrontation (10.7146/nts.v26i1.109743) | References ORCID License | 22.58 | 1 |
| 34 | The Expansion of Theatrical Space and the Role of the Specta… (10.7146/nts.v26i2.24307) | References ORCID License | 22.58 | 1 |
| 35 | Intermedial Ontologies: Strategies of Preparedness, Research… (10.7146/nts.v26i2.24309) | References ORCID License | 22.58 | 1 |
| 36 | Finnish Theatre Photography and the Influence of Technology (10.7146/nts.v26i2.24310) | References ORCID License | 22.58 | 1 |
| 37 | Mobile Performance and Nomadic Theory: Staging Movement,Thin… (10.7146/nts.v27i1.24236) | References ORCID License | 22.58 | 1 |
| 38 | Reconstructing a Nomadic Network: Itineraries of Jewish Acto… (10.7146/nts.v27i1.24241) | References ORCID License | 22.58 | 1 |
| 39 | Antigone’s Diary – Young Audiences as Co-creators of GPS-gui… (10.7146/nts.v27i1.24245) | References ORCID License | 22.58 | 1 |
| 40 | Theatrical Complicity as a Medium of Emancipation (10.7146/nts.v27i2.24250) | References ORCID License | 22.58 | 1 |
| 41 | Cultural Encounters in Modern Productions of Greek Tragedy (10.7146/nts.v28i1.23969) | References ORCID License | 22.58 | 1 |
| 42 | Geographies of Theatre: the Finnish National Theatre in Stoc… (10.7146/nts.v28i1.23970) | References ORCID License | 22.58 | 1 |
| 43 | Rural and urban encounters in Reijo Kela's choreographies "I… (10.7146/nts.v28i1.23973) | References ORCID License | 22.58 | 1 |
| 44 | Entertainment as a Complex Form of Communication. Two Exampl… (10.7146/nts.v28i1.23974) | References ORCID License | 22.58 | 1 |
| 45 | Speaking about Reality Verbatim techniques in contemporary F… (10.7146/nts.v28i2.25519) | References ORCID License | 22.58 | 1 |
| 46 | Cross-cultural Theatre Education: Rehearsals and Performance… (10.7146/nts.v28i2.25523) | References ORCID License | 22.58 | 1 |
| 47 | Staging Cultural Identities as Political Performance: Hålog… (10.7146/nts.v28i2.25540) | References ORCID License | 22.58 | 1 |
| 48 | Speaking about Reality: Verbatim techniques in contemporary… (10.7146/nts.v28i2.25601) | References ORCID License | 22.58 | 1 |
| 49 | Activating Dance Records. Conceptualizing research into the… (10.7146/nts.v29i1.102971) | References ORCID License | 22.58 | 1 |
| 50 | Embodied Spectatorship? Interpreting dance reviews around 19… (10.7146/nts.v29i1.103305) | References ORCID License | 22.58 | 1 |
| 51 | Representing Pariah Femininity. Sexuality, gender, and class… (10.7146/nts.v29i1.103308) | References ORCID License | 22.58 | 1 |
| 52 | Popular Theatre - Highbrow or Lowbrow (10.7146/nts.v29i2.104605) | References ORCID License | 22.58 | 1 |
| 53 | Participation to the People! Locating the Popular in Rimini… (10.7146/nts.v29i2.104610) | References ORCID License | 22.58 | 1 |
| 54 | Popular Participation: Why do People Participate in Amateur… (10.7146/nts.v29i2.104611) | References ORCID License | 22.58 | 1 |
| 55 | From Institutional Fatigue to Creative Communication (10.7146/nts.v30i1.106924) | References ORCID License | 22.58 | 1 |
| 56 | From Permanent Positions to Visiting Jobs (10.7146/nts.v30i1.106925) | References ORCID License | 22.58 | 1 |
| 57 | Towards a Spectatorial Approach to Drama Analysis (10.7146/nts.v30i2.112950) | References ORCID License | 22.58 | 1 |
| 58 | Three Phases of the Theatrical Public Sphere in Estonian The… (10.7146/nts.v31i1.113002) | References ORCID License | 22.58 | 1 |
| 59 | Performance as Counter-memory: (10.7146/nts.v31i1.113003) | References ORCID License | 22.58 | 1 |
| 60 | “Theatre Phenomenology” and Ibsen’s The Master Builder (10.7146/nts.v31i1.113005) | References ORCID License | 22.58 | 1 |
| 61 | Inventing the Past, Re-Writing the Present (10.7146/nts.v31i2.120121) | References ORCID License | 22.58 | 1 |
| 62 | Doing Things With Natures (10.7146/nts.v32i1.120402) | References ORCID License | 22.58 | 1 |
| 63 | Producing Bare Life in the Anthropo-scene (10.7146/nts.v32i1.120406) | References ORCID License | 22.58 | 1 |
| 64 | Para-Anthropo(s)cene Aesthetics Between Despair and Beauty (10.7146/nts.v32i1.120407) | References ORCID License | 22.58 | 1 |
| 65 | Gaming as Everything (10.7146/nts.v32i1.120413) | References ORCID License | 22.58 | 1 |
| 66 | Cultural Mobility, Networks, and Theatre (10.7146/nts.v32i2.124345) | References ORCID License | 22.58 | 1 |
| 67 | The Travelling of Dramatic Texts and Memory Patterns (10.7146/nts.v32i2.124347) | References ORCID License | 22.58 | 1 |
| 68 | Performing Nordic White Femininity (10.7146/nts.v32i2.124348) | References ORCID License | 22.58 | 1 |
| 69 | Reduce, Reuse, or Refuse? (10.7146/nts.v34i1.137929) | References ORCID License | 22.58 | 1 |
| 70 | Hen: Queer Puppet Cabaret, Utopian Perspectives for Sexual B… (10.7146/nts.v34i2.141664) | References ORCID License | 22.58 | 1 |
| 71 | Late Nineteenth-Century Radical Utopias in Theatre Reviews (10.7146/nts.v34i2.141666) | References ORCID License | 22.58 | 1 |
| 72 | Icebreakers (10.7146/nts.v35i1.145371) | References ORCID License | 22.58 | 1 |
| 73 | Performative Protest Actions in the Baltic States Against Se… (10.7146/nts.v35i1.145372) | References ORCID License | 22.58 | 1 |
| 74 | The Cathartic Value of Applied Theatre (10.7146/nts.v36i1.152976) | References ORCID License | 22.58 | 1 |
| 75 | Silence and Affect in the Swedish Performing Arts After #MeT… (10.7146/nts.v36i1.153117) | References ORCID License | 22.58 | 1 |