| 1 | Monograph: Humor and the Fantastic (10.5565/rev/brumal.542) | Abstract References ORCID License | 114.61 | 13 |
| 2 | Gothic London: On the Capital of Urban Fantasy in Neil Gaima… (10.5565/rev/brumal.416) | Abstract References ORCID License | 84.51 | 6 |
| 3 | Los niños monstruosos en El Orfanato de Juan Antonio Bayona… (10.5565/rev/brumal.249) | Abstract References ORCID License | 77.82 | 5 |
| 4 | HP Lovecraft on screen, a challenge for filmmakers (allusion… (10.5565/rev/brumal.591) | Abstract References ORCID License | 77.82 | 5 |
| 5 | «Otra manera de mirar». The Fantastic Genre and the Literatu… (10.5565/rev/brumal.164) | Abstract References ORCID License | 69.90 | 4 |
| 6 | The Fantastic in Alan Wake: Remediation , Intermediality , T… (10.5565/rev/brumal.181) | Abstract References ORCID License | 69.90 | 4 |
| 7 | Inverted Home Architectures: Rewriting The Haunted House (10.5565/rev/brumal.633) | Abstract References License | 63.38 | 6 |
| 8 | Fantastic Universes and H.P. Lovecraft in Survival Horror Ga… (10.5565/rev/brumal.177) | Abstract References ORCID License | 60.21 | 3 |
| 9 | The Fantastic hole: towards a theorisation of the fantastic… (10.5565/rev/brumal.37) | Abstract References ORCID License | 60.21 | 3 |
| 10 | Monográfico coordinado por Pere Parramon. Presentación (10.5565/rev/brumal.377) | Abstract References ORCID License | 60.21 | 3 |
| 11 | Reescribir la fantasía: Frankenstein de Angélica Liddell (10.5565/rev/brumal.130) | Abstract References ORCID License | 47.71 | 2 |
| 12 | Is there a fantastic in japanese animation? The presence of… (10.5565/rev/brumal.292) | Abstract References ORCID License | 47.71 | 2 |
| 13 | Alfons Gregori, La dimensión política de lo irreal. El compo… (10.5565/rev/brumal.376) | Abstract References ORCID License | 47.71 | 2 |
| 14 | Death Note: Shinigami and the Concept of Capital Punishment… (10.5565/rev/brumal.399) | Abstract References ORCID License | 47.71 | 2 |
| 15 | The Spectrum of the Eyes and Its Transatlantic Travels (10.5565/rev/brumal.401) | Abstract References ORCID License | 47.71 | 2 |
| 16 | Paul Scheerbart’s Kaleidoscopic Fantasies (10.5565/rev/brumal.414) | Abstract References ORCID License | 47.71 | 2 |
| 17 | Generational Horrors: Visons of “Defeat” in the Stories of P… (10.5565/rev/brumal.55) | Abstract References ORCID License | 47.71 | 2 |
| 18 | Multiplied Horror: An Isotopy In Three Stories By Lovecraft… (10.5565/rev/brumal.554) | Abstract References ORCID License | 47.71 | 2 |
| 19 | MONOGRAPH: THE HORROR OF THE IMPOSSIBLE (10.5565/rev/brumal.580) | Abstract References ORCID License | 47.71 | 2 |
| 20 | The intertextual monstrous. Appropriations of Frankenstein i… (10.5565/rev/brumal.282) | Abstract References License | 45.15 | 3 |
| 21 | Prozac for zombies. The contemporary sentimentalization of t… (10.5565/rev/brumal.299) | Abstract References License | 45.15 | 3 |
| 22 | Presentation of the monograph issue coordinated by Alfons Gr… (10.5565/rev/brumal.634) | Abstract References License | 45.15 | 3 |
| 23 | Lines On The Body. The Dasch-Lined Body, Imaginary, Lyricism… (10.5565/rev/brumal.646) | Abstract References License | 45.15 | 3 |
| 24 | La poética de Julio Cortázar: el universo neogótico en sus t… (10.5565/rev/brumal.273) | Abstract References License | 35.78 | 2 |
| 25 | Possibility of the Impossible. The Fantastic Philosophy of D… (10.5565/rev/brumal.344) | Abstract References License | 35.78 | 2 |
| 26 | WRITE REALITY THROUGH FICTION: THE ROLE OF THE GHOST AND MEM… (10.5565/rev/brumal.522) | Abstract References License | 35.78 | 2 |
| 27 | Identity And Terror: Textual Analysis of Verónica (Paco Plaz… (10.5565/rev/brumal.566) | Abstract References License | 35.78 | 2 |
| 28 | Bodies becoming pain: unusual strategies of dissent in some… (10.5565/rev/brumal.675) | Abstract References License | 35.78 | 2 |
| 29 | Ambiguity, multi-stable storyworlds, and storyworld possible… (10.5565/rev/brumal.894) | References ORCID | 34.95 | 4 |
| 30 | Aproximación cognitiva a lo fantástico como vínculo: la teor… (10.5565/rev/brumal.903) | References ORCID | 34.95 | 4 |
| 31 | Raimunda Torres y Quiroga: una desconocida autora de literat… (10.5565/rev/brumal.103) | Abstract References ORCID License | 30.10 | 1 |
| 32 | El surgimiento del relato fantástico en la Costa Rica de la… (10.5565/rev/brumal.104) | Abstract References ORCID License | 30.10 | 1 |
| 33 | De la tradición gótica en la literatura hispanoamericana: “L… (10.5565/rev/brumal.113) | Abstract References ORCID License | 30.10 | 1 |
| 34 | Teatralidad y elementos fantásticos en las casas del terror (10.5565/rev/brumal.121) | Abstract References ORCID License | 30.10 | 1 |
| 35 | Construction of the Fantastic in Silent Hill 4: The Room (10.5565/rev/brumal.147) | Abstract References ORCID License | 30.10 | 1 |
| 36 | Unstable Frontiers: The Fantastic in Eternal Darkness (10.5565/rev/brumal.170) | Abstract References ORCID License | 30.10 | 1 |
| 37 | Space and the Fantastic in the Novel from the Theory of Poss… (10.5565/rev/brumal.18) | Abstract References ORCID License | 30.10 | 1 |
| 38 | Restless Dreams and Shattered Memories: Psychoanalysis and S… (10.5565/rev/brumal.182) | Abstract References ORCID License | 30.10 | 1 |
| 39 | Alteraciones y alteridades del espacio en los cuentos de Fel… (10.5565/rev/brumal.19) | Abstract References ORCID License | 30.10 | 1 |
| 40 | «All monsters are human»: the cultural imaginary and the cre… (10.5565/rev/brumal.210) | Abstract References ORCID License | 30.10 | 1 |
| 41 | Guest Editor SusanaTosca. Introduction (10.5565/rev/brumal.214) | Abstract References ORCID License | 30.10 | 1 |
| 42 | A Nightmare on Elm Street: a Cultural Nightmare Difficult to… (10.5565/rev/brumal.220) | Abstract References ORCID License | 30.10 | 1 |
| 43 | The Female Gender as Threat: «La mujer alta» [The Tall Woman… (10.5565/rev/brumal.226) | Abstract References ORCID License | 30.10 | 1 |
| 44 | Pandora's mirror: identity and monstruosity in Penny Dreadfu… (10.5565/rev/brumal.278) | Abstract References ORCID License | 30.10 | 1 |
| 45 | Teen Wolf. Lycanthropy and adolescence. Themes and character… (10.5565/rev/brumal.288) | Abstract References ORCID License | 30.10 | 1 |
| 46 | A Modern Classic of Fantastic Art: José Hernández (10.5565/rev/brumal.318) | Abstract References ORCID License | 30.10 | 1 |
| 47 | Pushkin at the Opera: Three Cases of Musical Transposition o… (10.5565/rev/brumal.327) | Abstract References ORCID License | 30.10 | 1 |
| 48 | «In My Restless Dreams, I See That Town»: A Narratological P… (10.5565/rev/brumal.428) | Abstract References ORCID License | 30.10 | 1 |
| 49 | Eduardo Souto: Humoristic Features and Quijotism of a Merino… (10.5565/rev/brumal.446) | Abstract References ORCID License | 30.10 | 1 |
| 50 | Days of Tentacle. Humor, B-Movies and Cinephille Fantasy in… (10.5565/rev/brumal.468) | Abstract References ORCID License | 30.10 | 1 |