| 1 | Ravisius Textor’s «Epitheta» and Niklaus Reusner’s «Picta po… (10.5565/rev/anuariolopedevega.214) | Abstract References ORCID License | 111.39 | 12 |
| 2 | «He wrote / after having consulted the books»: On Lope and t… (10.5565/rev/anuariolopedevega.83) | Abstract References ORCID License | 84.51 | 6 |
| 3 | Lope de Vega and the conquest of Spanish theater in the Neth… (10.5565/rev/anuariolopedevega.194) | Abstract References ORCID License | 77.82 | 5 |
| 4 | Lope de Vega on Television (10.5565/rev/anuariolopedevega.246) | Abstract References ORCID License | 77.82 | 5 |
| 5 | Lope and the Creation of Contemporary Heroes: «La nueva vict… (10.5565/rev/anuariolopedevega.42) | Abstract References ORCID License | 77.82 | 5 |
| 6 | Intrigues in the Court of Buda: Political Dissimulation and… (10.5565/rev/anuariolopedevega.88) | Abstract References ORCID License | 77.82 | 5 |
| 7 | Do Narratives Require Romances? Narration and Versification… (10.5565/rev/anuariolopedevega.112) | Abstract References ORCID License | 69.90 | 4 |
| 8 | Variations of «Drama Historial» (Historical Drama) in Lope d… (10.5565/rev/anuariolopedevega.71) | Abstract References ORCID License | 69.90 | 4 |
| 9 | The Autographic Dedication of Lope for the Publication of «E… (10.5565/rev/anuariolopedevega.350) | Abstract References License | 67.73 | 7 |
| 10 | The Paratexts in «Lope de Vega's XIII Part»: Text and Contex… (10.5565/rev/anuariolopedevega.110) | Abstract References ORCID License | 60.21 | 3 |
| 11 | A Little-Known Collection of Works (and an Autograph «Romanc… (10.5565/rev/anuariolopedevega.154) | Abstract References ORCID License | 60.21 | 3 |
| 12 | The «Comedia de Miseno», Source of «La pobreza estimada»: Fr… (10.5565/rev/anuariolopedevega.65) | Abstract References ORCID License | 60.21 | 3 |
| 13 | Lope de Vega and the «scenari» of the «Commedia dell’arte» (10.5565/rev/anuariolopedevega.201) | Abstract References License | 58.36 | 5 |
| 14 | Para la delimitación del repertorio de comedias auténticas d… (10.5565/rev/anuariolopedevega.477) | References ORCID | 50.00 | 9 |
| 15 | Lope de Vega and the ambiguity of signs: uncertainty of mean… (10.5565/rev/anuariolopedevega.187) | Abstract References ORCID License | 47.71 | 2 |
| 16 | Lope de Vega and the French theatre of the XVIIth century (10.5565/rev/anuariolopedevega.202) | Abstract References ORCID License | 47.71 | 2 |
| 17 | Presentation: The stage & the screen. Lope today (10.5565/rev/anuariolopedevega.264) | Abstract References ORCID License | 47.71 | 2 |
| 18 | Lope and Pérez de Pineda: Historical Subject in «Las Grandez… (10.5565/rev/anuariolopedevega.370) | Abstract References ORCID License | 47.71 | 2 |
| 19 | Episodes of Contemporary History in Lope de Vega (10.5565/rev/anuariolopedevega.49) | Abstract References ORCID License | 47.71 | 2 |
| 20 | Agustín Moreto, Primera parte de comedias, dir. M.ªL. Lobato (10.5565/rev/anuariolopedevega.58) | Abstract References ORCID License | 47.71 | 2 |
| 21 | On the Date, Sources and Other Aspects of «El Hamete de Tole… (10.5565/rev/anuariolopedevega.64) | Abstract References ORCID License | 47.71 | 2 |
| 22 | The Appreciation of Lope de Vega's work between the Fama Pós… (10.5565/rev/anuariolopedevega.8) | Abstract References ORCID License | 47.71 | 2 |
| 23 | Edición académica en la era digital: modelos, difusión y pro… (10.5565/rev/anuariolopedevega.74) | References ORCID | 45.15 | 7 |
| 24 | «La francesa Laura». El hallazgo de una nueva comedia del Lo… (10.5565/rev/anuariolopedevega.492) | References ORCID | 42.25 | 6 |
| 25 | La batalla del romancero: Lope de Vega, los romances morisco… (10.5565/rev/anuariolopedevega.89) | References ORCID | 38.91 | 5 |
| 26 | Roman Versions of Three Texts of Lope (10.5565/rev/anuariolopedevega.309) | Abstract References License | 35.78 | 2 |
| 27 | Lope de Vega Rewritten by María de Zayas: «La viuda valencia… (10.5565/rev/anuariolopedevega.356) | Abstract References License | 35.78 | 2 |
| 28 | «El favor agradecido» by Lope de Vega: An Adaptation from Gi… (10.5565/rev/anuariolopedevega.397) | Abstract References License | 35.78 | 2 |
| 29 | Lope and the Imagination of News: «La Nueva Victoria de Don… (10.5565/rev/anuariolopedevega.410) | Abstract References License | 35.78 | 2 |
| 30 | A New («Princeps»?) Edition of «El castigo sin venganza» (10.5565/rev/anuariolopedevega.414) | Abstract References License | 35.78 | 2 |
| 31 | «La paciencia en la fortuna»: una obra de Claramonte errónea… (10.5565/rev/anuariolopedevega.453) | References ORCID | 34.95 | 4 |
| 32 | Cronología y estilometría: datación automática de comedias d… (10.5565/rev/anuariolopedevega.483) | References ORCID | 34.95 | 4 |
| 33 | Acción Española and Lope de Vega's Tricentenary (10.5565/rev/anuariolopedevega.113) | Abstract References ORCID License | 30.10 | 1 |
| 34 | Towards a Model of Critical Digital Edition of Lope's Theatr… (10.5565/rev/anuariolopedevega.115) | Abstract References ORCID License | 30.10 | 1 |
| 35 | Christophe Couderc, Le théâtre tragique au Siècle d’or. Cris… (10.5565/rev/anuariolopedevega.126) | Abstract References ORCID License | 30.10 | 1 |
| 36 | Miguel Hernández and Lope's Poetry (1935-1936) (10.5565/rev/anuariolopedevega.140) | Abstract References ORCID License | 30.10 | 1 |
| 37 | Proxemics and Dramatic Space in Early Pastoral Dramas by Lop… (10.5565/rev/anuariolopedevega.152) | Abstract References ORCID License | 30.10 | 1 |
| 38 | Lope de Vega and Johannes Nauclerus: from cronography to epi… (10.5565/rev/anuariolopedevega.166) | Abstract References ORCID License | 30.10 | 1 |
| 39 | Absence and presence: Lope’s and Shakespeare’s reception thr… (10.5565/rev/anuariolopedevega.188) | Abstract References ORCID License | 30.10 | 1 |
| 40 | «Move over» Shakespeare: Lope's place in the European theate… (10.5565/rev/anuariolopedevega.196) | Abstract References ORCID License | 30.10 | 1 |
| 41 | Discourse on «arte» (10.5565/rev/anuariolopedevega.207) | Abstract References ORCID License | 30.10 | 1 |
| 42 | Lope de Vega, «La vega del Parnaso» (10.5565/rev/anuariolopedevega.224) | Abstract References ORCID License | 30.10 | 1 |
| 43 | Cinematic Adaptations as a (Possible) Pedagogical Tool (10.5565/rev/anuariolopedevega.257) | Abstract References ORCID License | 30.10 | 1 |
| 44 | Juan Mayorga's adaptations of Lope: La dama boba in the 21st… (10.5565/rev/anuariolopedevega.28) | Abstract References ORCID License | 30.10 | 1 |
| 45 | «Blando Sueño Amoroso, Dulce Sueño»: Interpretations and Con… (10.5565/rev/anuariolopedevega.315) | Abstract References ORCID License | 30.10 | 1 |
| 46 | The Gravestone of Felipe II in «El amante agradecido», by Lo… (10.5565/rev/anuariolopedevega.32) | Abstract References ORCID License | 30.10 | 1 |
| 47 | The Text of the Second Part of Lope de Vega's «Don Juan de C… (10.5565/rev/anuariolopedevega.339) | Abstract References ORCID License | 30.10 | 1 |
| 48 | Traditional Memory and History in Two Pious Chorographies by… (10.5565/rev/anuariolopedevega.38) | Abstract References ORCID License | 30.10 | 1 |
| 49 | «Que es gente que come arroz, / pasas, higos y alcuzcuz»: th… (10.5565/rev/anuariolopedevega.39) | Abstract References ORCID License | 30.10 | 1 |
| 50 | Historiographical Tangles: Lope Before Lepanto (10.5565/rev/anuariolopedevega.46) | Abstract References ORCID License | 30.10 | 1 |