2034-4643

Authorship

Ghent University

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Your prioritized action plan

Ordered by how many DOIs each fix touches — start here, not with every error at once.

1

Deposit reference lists for 114 records

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High impact114 DOIs
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Attach ORCID iDs across 111 articles

ORCID iDs strengthen author disambiguation and institutional reporting.

High impact111 DOIs
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Add license metadata to 75 records

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DOIs for this ISSN

Showing the top 5 of 114 DOIs, ordered by correction priority.

# Title Missing Priority Citations
1 Kyd and Shakespeare: Authorship versus Influence (10.21825/aj.v6i1.4833)
References ORCID License
71.57 8
2 Comics and Authorship: An Introduction (10.21825/aj.v6i2.7702)
References ORCID License
63.38 6
3 Ambiguous Authorities: Vertigo and the Auteur Figure (10.21825/aj.v6i2.7700)
References ORCID License
52.42 4
4 Authors and Their ‘Mischievous’ Books: The Salutary Experien… (10.21825/aj.v4i1.1105)
References ORCID License
45.15 3
5 ‘A cannon's burst discharged against a ruinated wall’: A Cr… (10.21825/aj.v7i2.9737)
References ORCID
45.15 7
6 Sylvia Plath Through the Looking-Glass: Too Beautiful to be… (10.21825/aj.v1i2.771)
References ORCID License
35.78 2
7 The Reader as Author (10.21825/aj.v3i1.1066)
References ORCID License
35.78 2
8 Writers' Rooms: Theories of Contemporary Authorship in Portr… (10.21825/aj.v3i2.1087)
References ORCID License
35.78 2
9 Appropriation: Towards a Sociotechnical History of Authorshi… (10.21825/aj.v4i2.1438)
References ORCID License
35.78 2
10 Enheduana and the Invention of Authorship (10.21825/aj.v8i1.11486)
References ORCID
34.95 4
11 “She writes like a Woman”: Paratextual Marketing in Delarivi… (10.21825/aj.v5i1.2354)
References License
30.10 3
12 In Defence of Kyd: Evaluating the Claim for Shakespeare’s Pa… (10.21825/aj.v7i2.9736)
References ORCID
30.10 3
13 Tweeting the Author: Tao Lin’s Performance of Authorial Iden… (10.21825/aj.v7i1.8618)
References ORCID
23.86 2
14 ‘No absolute privacy’: Henry James and the Ethics of Reading… (10.21825/aj.v1i2.765)
References ORCID License
22.58 1
15 Robert Burns and the Re-making of National Memory in Contem… (10.21825/aj.v1i2.768)
References ORCID License
22.58 1
16 Cutting and authorship in early modern England (10.21825/aj.v2i2.790)
References ORCID License
22.58 1
17 Media Literate Catholics: Seeing, Reading and Writing in Ear… (10.21825/aj.v2i2.791)
References ORCID License
22.58 1
18 "The pleasure of writing is inconceivable": William Hutton (… (10.21825/aj.v4i1.1107)
References ORCID License
22.58 1
19 Quixotic Legacy: The Female Quixote and the Professional Wom… (10.21825/aj.v4i1.1108)
References ORCID License
22.58 1
20 An “imperfect” Model of Authorship in Dorothy Wordsworth’s G… (10.21825/aj.v4i2.1440)
References ORCID License
22.58 1
21 Daniel Cook and Nicolas Seager, eds. The Afterlives of Eight… (10.21825/aj.v5i1.2531)
References ORCID License
22.58 1
22 Robillard, Amy E. and Ron Fortune (eds). <i>Authorship… (10.21825/aj.v5i2.3857)
References ORCID License
22.58 1
23 Refusing the Serious: Authorial Resistance in Ring Lardner’s… (10.21825/aj.v5i2.3877)
References ORCID License
22.58 1
24 Somebody and Nobody: the Authorial Identity of the Player-Pl… (10.21825/aj.v5i2.3879)
References ORCID License
22.58 1
25 The Final Problem: Constructing Coherence in the Holmesian C… (10.21825/aj.v6i1.4836)
References ORCID License
22.58 1
26 L’auctorialité dans Marzi, une bande dessinée autobiographiq… (10.21825/aj.v6i2.7699)
References ORCID License
22.58 1
27 “Your eyes and ears on this side of the ocean”: Complicating… (10.21825/authorship.85418)
References
21.13 6
28 “As Truthful as Our Notion of the Past Can Ever Be”: William… (10.21825/aj.v10i1.20635)
References ORCID
15.05 1
29 “Unembedded, Disappeared”: Marlene NourbeSe Philip’s Hyper/I… (10.21825/aj.v10i1.20636)
References ORCID
15.05 1
30 Butterflies, Busy Weekends, and Chicken Salad: Genetic Criti… (10.21825/aj.v7i1.8619)
References ORCID
15.05 1
31 Introduction (10.21825/aj.v7i2.9734)
References ORCID
15.05 1
32 Female Authorship in Modern Fiction: Stevie Smith’s Novel on… (10.21825/authorship.63889)
References ORCID
15.05 1
33 The Literary Prestige of Censorship: The Case of Naked Lunch (10.21825/authorship.85417)
References ORCID
15.05 1
34 The Pronominal Grammar of Ontological Anti-Blackness: Instit… (10.21825/authorship.85419)
References ORCID
15.05 1
35 Introduction (10.21825/aj.v10i1.20628)
References ORCID
0.00 0
36 Picturing E. Pauline Johnson / Tekahionwake: Illustration an… (10.21825/aj.v10i1.20629)
References ORCID
0.00 0
37 Writing Back against Canada’s Fictive Ethnicity:: Bernice Wi… (10.21825/aj.v10i1.20630)
References ORCID
0.00 0
38 “That city, that self”: Tracing a Historical Trajectory of t… (10.21825/aj.v10i1.20631)
References ORCID
0.00 0
39 Sara Jeannette Duncan’s “Canadian Editions”: Imperial Author… (10.21825/aj.v10i1.20632)
References ORCID
0.00 0
40 Qu’ont en commun Mimi Estival, Roxanne d’Avril et Georgette… (10.21825/aj.v10i1.20633)
References ORCID
0.00 0
41 William Edward Daniel Ross’s Transformation into a Popular… (10.21825/aj.v10i1.20634)
References ORCID
0.00 0
42 Introduction: Authorship (10.21825/aj.v1i1.773)
References ORCID License
0.00 0
43 Late Medieval Self-Portraiture and Patronage in Pietro da Pa… (10.21825/aj.v1i1.774)
References ORCID License
0.00 0
44 Checking Some Wellesley Index Attributions by Empirical ‘In… (10.21825/aj.v1i1.775)
References ORCID License
0.00 0
45 Not ‘me – but a supposed person’: Emily Dickinson’s Non-Ref… (10.21825/aj.v1i1.776)
References ORCID License
0.00 0
46 Textual Self-branding: the Rhetorical Ethos in Mallarmé’s Di… (10.21825/aj.v1i1.777)
References ORCID License
0.00 0
47 Online appropriations: collaborative technologies, digital t… (10.21825/aj.v1i1.778)
References ORCID License
0.00 0
48 The Performance of Poeticity: Stage Fright and Text Anxiety… (10.21825/aj.v1i2.766)
References ORCID License
0.00 0
49 The Rebirth of the Author: The Construction and Circulation… (10.21825/aj.v1i2.767)
References ORCID License
0.00 0
50 Nightingale Discourse and “Author-ity” (10.21825/aj.v1i2.769)
References ORCID License
0.00 0