2035-5270

Cinéma & Cie Film and Media Studies Journal

Milano University Press

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Ordered by how many DOIs each fix touches — start here, not with every error at once.

1

Deposit reference lists for 86 records

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High impact86 DOIs
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DOIs for this ISSN

Showing the top 5 of 119 DOIs, ordered by correction priority.

# Title Missing Priority Citations
1 Aha, Ha! Moment: A Gestalt Perspective on Audiovisual Humour (10.54103/2036-461x/16912)
References ORCID
30.10 3
2 Quo Vadis, Cinema Europaeum? Reflections on European Cinema… (10.54103/2036-461x/22436)
Abstract ORCID
23.86 2
3 Future of the Past. Arnheim and Film Today (10.54103/2036-461x/17977)
Abstract References ORCID
22.58 1
4 Sick and Injured Bodies: Medical Imagery and Media Practices… (10.54103/2036-461x/19083)
Abstract References ORCID
22.58 1
5 Meaning Potential of Motion Vectors in Cinema (10.54103/2036-461x/16785)
References ORCID
15.05 1
6 Sacha Polak's Dirty God and the Politics of Authenticity (10.54103/2036-461x/17384)
References ORCID
15.05 1
7 Audiovisual Means to Therapeutic Ends. The Cinematic Disposi… (10.54103/2036-461x/17748)
References ORCID
15.05 1
8 On the Trail of Some Human Heat. Thermal Imaging, Visual Cul… (10.54103/2036-461x/17818)
References ORCID
15.05 1
9 Bursting into the Image: Towards De-automatization in VR (10.54103/2036-461x/19444)
References
11.93 2
10 Spot the Fire, Amuse the Alpinist. The Toposcope, an in situ… (10.54103/2036-461x/19380)
References
7.53 1
11 Epistemology of Feelies. Aldous Huxley’s Brave New World and… (10.54103/2036-461x/19442)
References
7.53 1
12 Cinema on the Eve of the Cold War: International, National,… (10.54103/2036-461x/28604)
References
7.53 1
13 ‘Hands at Work’: Patching Women’s Film Histories through Sab… (10.54103/2036-461x/16678)
References ORCID
0.00 0
14 Points of Anchorage: Exo-Centric Images and the Perceptual R… (10.54103/2036-461x/16883)
References ORCID
0.00 0
15 Gestalt Theory for ‘Disorder’: From Arnheim’s Ordered Chaos… (10.54103/2036-461x/17087)
References ORCID
0.00 0
16 Gestalt, Animation, and the Culture of Design (10.54103/2036-461x/17107)
References ORCID
0.00 0
17 Paul Fraisse’s Psychology of Rhythm: A Case for Filmology? (10.54103/2036-461x/17202)
References ORCID
0.00 0
18 Une goutte d’eau, une goutte d’étoiles. Microcinématographie… (10.54103/2036-461x/17723)
0.00 0
19 Visualizing the Virus. The Use of Data Visualizations in COV… (10.54103/2036-461x/17772)
References ORCID
0.00 0
20 Intra-Active Sense-Making. Towards a Performative Understand… (10.54103/2036-461x/17775)
References ORCID
0.00 0
21 Symptomatic Images/Contagious Images: The Ambivalence of Vis… (10.54103/2036-461x/17898)
References ORCID
0.00 0
22 On the Frontier Between Medicine and State: Traumatic States… (10.54103/2036-461x/17912)
References ORCID
0.00 0
23 Rhythm Beyond the Cinematic Medium/The Pixel Beyond the Movi… (10.54103/2036-461x/17923)
References ORCID
0.00 0
24 Transculturality of the Alps: The Role of Image and Sound in… (10.54103/2036-461x/17960)
References ORCID
0.00 0
25 Daniel Morgan, The Lure of the Image: Epistemic Fantasies of… (10.54103/2036-461x/17978)
Abstract References ORCID
0.00 0
26 Enfin le cinéma! Arts, images, spectacles en France (1833 –1… (10.54103/2036-461x/17979)
Abstract References ORCID
0.00 0
27 La haute et la basse définition des images. Photographie, ci… (10.54103/2036-461x/17980)
Abstract References ORCID
0.00 0
28 Ph.D. Thesis Abstract - In-Transit Televisions: Productive P… (10.54103/2036-461x/17981)
Abstract References ORCID
0.00 0
29 Ph.D. Thesis Abstract - A World of Imprints: The Epistemolog… (10.54103/2036-461x/17982)
Abstract References ORCID
0.00 0
30 Ph.D. Thesis Abstract - Long Live Sport. Toward an Interdisc… (10.54103/2036-461x/18703)
Abstract References ORCID
0.00 0
31 Ph.D. Thesis Abstract - An History of Italian Movie Theatres… (10.54103/2036-461x/18935)
Abstract References ORCID
0.00 0
32 Saving the Past, Making History: Film Festivals and the Dyna… (10.54103/2036-461x/19028)
0.00 0
33 Adriano D’Aloia, Neurofilmology of the Moving Image: Gravity… (10.54103/2036-461x/19079)
Abstract References ORCID
0.00 0
34 Global Perspectives on Amateur Film Histories and Cultures,… (10.54103/2036-461x/19080)
Abstract References ORCID
0.00 0
35 Amit Pinchevski, Transmitted Wounds. Media and the Mediation… (10.54103/2036-461x/19081)
Abstract References ORCID
0.00 0
36 Ph.D. Thesis Abstract - The Voice in Transition. Cinema, Con… (10.54103/2036-461x/19082)
Abstract References ORCID
0.00 0
37 De l’intérêt de devenir-bulle: repenser la réalité virtuelle… (10.54103/2036-461x/19379)
References
0.00 0
38 Pour une archéologie cinématographique de la condition immer… (10.54103/2036-461x/19396)
References ORCID
0.00 0
39 Topologies of the Virtual. Spaces, Images, and Bodies in Ear… (10.54103/2036-461x/19463)
References ORCID
0.00 0
40 Endless Visions, Virtual Desires, and Broadcasted Emotions.… (10.54103/2036-461x/19596)
References ORCID
0.00 0
41 From the Small Screen to the Big Screen: The Super8's Distri… (10.54103/2036-461x/19977)
0.00 0
42 The Making-of Documentary: An Approximation to some Discours… (10.54103/2036-461x/19978)
0.00 0
43 Neoliberalism and the Mutations of Social Realism in Contemp… (10.54103/2036-461x/20145)
0.00 1
44 Audience Impact of European Co-production: The Case of Quo V… (10.54103/2036-461x/20518)
0.00 6
45 Gravitational Fields. Attraction, Roundness, and Operational… (10.54103/2036-461x/20554)
Abstract References ORCID
0.00 0
46 Wanda Strauven, Touchscreen Archaeology. Tracing Histories o… (10.54103/2036-461x/20557)
Abstract References ORCID
0.00 0
47 Mireille Berton, Le médium (au) cinéma. Le spiritisme à l’éc… (10.54103/2036-461x/20558)
Abstract References ORCID
0.00 0
48 The Disfigured Face in American Literature, Film and Televis… (10.54103/2036-461x/20559)
Abstract References ORCID
0.00 0
49 AN-ICON – An-Iconology: History, Theory, and Practices of En… (10.54103/2036-461x/20560)
Abstract References ORCID
0.00 0
50 Ph.D. Thesis Project - The Obscene Device: Pornographies Bet… (10.54103/2036-461x/20561)
Abstract References ORCID
0.00 0