| 1 | <i>Cinéma-monde</i>
? (10.3828/franc.2012.3) | Abstract References ORCID License | 125.53 | 17 |
| 2 | Getting away from the noise (10.3828/franc.2018.13) | Abstract References ORCID License | 123.04 | 16 |
| 3 | Océanitude (10.3828/franc.2019.9) | Abstract References ORCID License | 114.61 | 13 |
| 4 | Casablanca Unbound (10.3828/franc.2013.7) | Abstract References ORCID License | 104.14 | 10 |
| 5 | Shantytowns in the City (10.3828/franc.2014.4) | Abstract References ORCID License | 100.00 | 9 |
| 6 | ‘Mesdames, il faut lire!’ (10.3828/franc.2016.15) | Abstract References ORCID License | 90.31 | 7 |
| 7 | Culture, empire, and the postcolony (10.3828/franc.2012.2) | Abstract References ORCID License | 77.82 | 5 |
| 8 | The postcolonial provinces (10.3828/franc.2012.4) | Abstract References ORCID License | 77.82 | 5 |
| 9 | The vocation of the indigènes (10.3828/franc.2015.2) | Abstract References ORCID License | 77.82 | 5 |
| 10 | The constraints of translating martial arts fiction (10.3828/franc.2021.17) | Abstract References ORCID License | 77.82 | 5 |
| 11 | Peripheral palimpsests: Competing layers of memory and comme… (10.3828/franc.2014.15) | Abstract References ORCID License | 69.90 | 4 |
| 12 | Cette aveuglante absence de lumière (10.3828/franc.2016.5) | Abstract References ORCID License | 69.90 | 4 |
| 13 | Introduction (10.3828/franc.2021.1) | Abstract References ORCID License | 69.90 | 4 |
| 14 | Plurilingual literary spaces (10.3828/franc.2021.14) | Abstract References ORCID License | 69.90 | 4 |
| 15 | The Francosphere and beyond (10.3828/franc.2012.1) | Abstract References ORCID License | 47.71 | 2 |
| 16 | Trapped in the Metro (10.3828/franc.2012.14) | Abstract References ORCID License | 47.71 | 2 |
| 17 | Publish or Paris (10.3828/franc.2013.2) | Abstract References ORCID License | 47.71 | 2 |
| 18 | Archiving the Postcolonial City (10.3828/franc.2014.1) | Abstract References ORCID License | 47.71 | 2 |
| 19 | Donner une voix aux banlieues? Espaces de participation dans… (10.3828/franc.2014.11) | Abstract References ORCID License | 47.71 | 2 |
| 20 | ‘You have said things you should not have said’ (10.3828/franc.2015.6) | Abstract References ORCID License | 47.71 | 2 |
| 21 | Rethinking
<i>urgence</i> (10.3828/franc.2016.4) | Abstract References ORCID License | 47.71 | 2 |
| 22 | Une pratique kanak de Fanon (10.3828/franc.2017.12) | Abstract References ORCID License | 47.71 | 2 |
| 23 | Mobility and stasis (10.3828/franc.2017.3) | Abstract References ORCID License | 47.71 | 2 |
| 24 | From marvellous realism to world literature (10.3828/franc.2019.1) | Abstract References ORCID License | 47.71 | 2 |
| 25 | Leïla Slimani’s
<i>Chanson douce</i> (10.3828/franc.2019.11) | Abstract References ORCID License | 47.71 | 2 |
| 26 | Décryptage de l’exposition ‘Le Modèle Noir’ au Musée d’Orsay… (10.3828/franc.2021.3) | Abstract References ORCID License | 47.71 | 2 |
| 27 | Cultural Memory Projects in the Suburbs: Participation or In… (10.3828/franc.2014.16) | Abstract ORCID License | 35.78 | 2 |
| 28 | Why
<i>Francosphères?</i> (10.3828/franc.2012.8) | Abstract References ORCID License | 30.10 | 1 |
| 29 | Presaging the Francosphere (10.3828/franc.2013.12) | Abstract References ORCID License | 30.10 | 1 |
| 30 | Moroccan Literature in French and English (10.3828/franc.2013.3) | Abstract References ORCID License | 30.10 | 1 |
| 31 | Pondichéry: Archive of ‘French’ India (10.3828/franc.2014.2) | Abstract References ORCID License | 30.10 | 1 |
| 32 | Archiving after Empire (10.3828/franc.2014.3) | Abstract References ORCID License | 30.10 | 1 |
| 33 | The Impossible Archive of Beirut (10.3828/franc.2014.7) | Abstract References ORCID License | 30.10 | 1 |
| 34 | The painted word (10.3828/franc.2015.3) | Abstract References ORCID License | 30.10 | 1 |
| 35 | The labour of giving (10.3828/franc.2015.7) | Abstract References ORCID License | 30.10 | 1 |
| 36 | Male protagonists and Haitian (un)inhabitability in Kettly M… (10.3828/franc.2015.8) | Abstract References ORCID License | 30.10 | 1 |
| 37 | L’Écran du bestiaire (10.3828/franc.2016.12) | Abstract References ORCID License | 30.10 | 1 |
| 38 | <i>J’irai cracher sur vos tombes</i>
and… (10.3828/franc.2016.6) | Abstract References ORCID License | 30.10 | 1 |
| 39 | Literature, or the travelling tattoo (10.3828/franc.2017.13) | Abstract References ORCID License | 30.10 | 1 |
| 40 | Riad Sattouf’s
<i>L’Arabe du futur</i>… (10.3828/franc.2017.5) | Abstract References ORCID License | 30.10 | 1 |
| 41 | Interconnections and mobilities (10.3828/franc.2017.8) | Abstract References ORCID License | 30.10 | 1 |
| 42 | Plural cultures and spatial politics: Situating the Institut… (10.3828/franc.2018.10) | Abstract References ORCID License | 30.10 | 1 |
| 43 | The
<i>modulus of elasticity</i> (10.3828/franc.2018.11) | Abstract References ORCID License | 30.10 | 1 |
| 44 | Writing (post-secular) polyphony in London and Paris (10.3828/franc.2018.15) | Abstract References ORCID License | 30.10 | 1 |
| 45 | « Entendez-vous dans nos campagnes » (10.3828/franc.2018.2) | Abstract References ORCID License | 30.10 | 1 |
| 46 | The (im)possibility of Jewish-Palestinian identity in Hubert… (10.3828/franc.2018.7) | Abstract References ORCID License | 30.10 | 1 |
| 47 | Clandestine migrant mobility, European peripheries, and prac… (10.3828/franc.2019.10) | Abstract References ORCID License | 30.10 | 1 |
| 48 | « La vraie liberté n’existe nulle part » (10.3828/franc.2019.13) | Abstract References ORCID License | 30.10 | 1 |
| 49 | Sociétés d’accueil et de
<i>teranga</i> (10.3828/franc.2019.3) | Abstract References ORCID License | 30.10 | 1 |
| 50 | Auto-destruction or auto-reproduction? (10.3828/franc.2019.4) | Abstract References ORCID License | 30.10 | 1 |