| 1 | Slade, London, Asia: Contrapuntal Histories between Imperial… (10.17658/issn.2058-5462/issue-20/tiampobruchet) | Abstract References ORCID License | 127.88 | 18 |
| 2 | Journeying through Modernism: Travels and Transits of East P… (10.17658/issn.2058-5462/issue-13/hoek-sunderason) | Abstract References ORCID License | 125.53 | 17 |
| 3 | “The Sense of Nearness”: Harriet Hosmer’s Clasped Hands and… (10.17658/issn.2058-5462/issue-14/kfein) | Abstract References ORCID License | 107.92 | 11 |
| 4 | Haptic Blackness: The Double Life of an 18th-century Bust (10.17658/issn.2058-5462/issue-01/harwood) | Abstract References ORCID License | 100.00 | 9 |
| 5 | Necrography: Death-Writing in the Colonial Museum (10.17658/issn.2058-5462/issue-19/conversation) | Abstract References ORCID License | 100.00 | 9 |
| 6 | The Anthroposcenic: Landscape in the Anthroposcene (10.17658/issn.2058-5462/issue-10/dmatless) | Abstract References ORCID License | 95.42 | 8 |
| 7 | Pregnant Wit:<i>ingegno</i>in Renaissance England (10.17658/issn.2058-5462/issue-01/amarr) | Abstract References ORCID License | 69.90 | 4 |
| 8 | Liquid Landscape: Southam, Constable, and the Art of the Pon… (10.17658/issn.2058-5462/issue-10/sdaniels) | Abstract References ORCID License | 60.21 | 3 |
| 9 | Victorian Anatomical Atlases and Their Many Lives (and Death… (10.17658/issn.2058-5462/issue-20/1objintro) | Abstract References ORCID License | 60.21 | 3 |
| 10 | <i>The British Avant Garde:</i>A Joint Venture Between the N… (10.17658/issn.2058-5462/issue-03/jmelvin) | Abstract References ORCID License | 47.71 | 2 |
| 11 | The Temporal Dimensions of the London Art Auction, 1780–1835 (10.17658/issn.2058-5462/issue-04/afox-mlincoln) | Abstract References ORCID License | 47.71 | 2 |
| 12 | Creativity in Three Dimensions: An Investigation of the Pres… (10.17658/issn.2058-5462/issue-06/abuchanan) | Abstract References ORCID License | 47.71 | 2 |
| 13 | Wording the Wound Man (10.17658/issn.2058-5462/issue-06/jhartnell) | Abstract References ORCID License | 47.71 | 2 |
| 14 | The Resistant Materiality of Frederic Leighton's Arab Hall (10.17658/issn.2058-5462/issue-09/mroberts) | Abstract References ORCID License | 47.71 | 2 |
| 15 | Cumbrian Cosmopolitanisms:Li Yuan-chia and Friends (10.17658/issn.2058-5462/issue-12/hnasar) | Abstract References ORCID License | 47.71 | 2 |
| 16 | Taking Space for Asian Diaspora Narratives (10.17658/issn.2058-5462/issue-13/ajkwan) | Abstract References ORCID License | 47.71 | 2 |
| 17 | Secrets of a Silent Miniaturist: Findings from a Technical S… (10.17658/issn.2058-5462/issue-17/kimbrielricciardi) | Abstract References ORCID License | 47.71 | 2 |
| 18 | Black Apollo: Aesthetics, Dissection, and Race in Joseph Mac… (10.17658/issn.2058-5462/issue-20/khammerschlag) | Abstract References ORCID License | 47.71 | 2 |
| 19 | Monuments Must Fall (10.17658/issn.2058-5462/issue-24/mmfconversation) | Abstract References ORCID License | 47.71 | 2 |
| 20 | Sugar Time: Reactivating Memories of Scottish Empire through… (10.17658/issn.2058-5462/issue-25/ebond) | Abstract ORCID License | 35.78 | 2 |
| 21 | Canaletto's Colour: the inspiration and implications of chan… (10.17658/issn.2058-5462/issue-02/rsperber-jstenger) | Abstract References ORCID License | 30.10 | 1 |
| 22 | Disorienting the Art World: Mona Hatoum in Istanbul (10.17658/issn.2058-5462/issue-03/japplin) | Abstract References ORCID License | 30.10 | 1 |
| 23 | Henry Moore's Exhibition in Yugoslavia, 1955 (10.17658/issn.2058-5462/issue-03/zkoscev) | Abstract References ORCID License | 30.10 | 1 |
| 24 | New Brutalist Image 1949–55:<br>'atlas to a new world'… (10.17658/issn.2058-5462/issue-04/vwalsh-czimmerman) | Abstract References ORCID License | 30.10 | 1 |
| 25 | Theology and Threshold: Victorian Approaches to Reviving Cho… (10.17658/issn.2058-5462/issue-05/alepine) | Abstract References ORCID License | 30.10 | 1 |
| 26 | Drawing after the Antique at the British Museum, 1809–1817:… (10.17658/issn.2058-5462/issue-05/mmyrone) | Abstract References ORCID License | 30.10 | 1 |
| 27 | Pilgrim Souvenir: Hood of Cherries (10.17658/issn.2058-5462/issue-06/cherries-badge) | Abstract References ORCID License | 30.10 | 1 |
| 28 | Disciplining the Digital: Virtual 3D Reproduction, Pilgrim B… (10.17658/issn.2058-5462/issue-06/conversation) | Abstract References ORCID License | 30.10 | 1 |
| 29 | The <i>Famous Women</i> Dinner Service: A Critical Introduct… (10.17658/issn.2058-5462/issue-07/hleaper) | Abstract References ORCID License | 30.10 | 1 |
| 30 | Elegant Engravings of the Pacific: Illustrations of James Co… (10.17658/issn.2058-5462/issue-07/janderson) | Abstract References ORCID License | 30.10 | 1 |
| 31 | Introduction: The Alma-Tademas' Studio-Houses and Beyond (10.17658/issn.2058-5462/issue-09/prettejohn-trippi) | Abstract References ORCID License | 30.10 | 1 |
| 32 | Landscape Then and Now (10.17658/issn.2058-5462/issue-10/tbarringer) | Abstract References ORCID License | 30.10 | 1 |
| 33 | The Kitchen Sink Too (10.17658/issn.2058-5462/issue-12/cover) | Abstract References ORCID License | 30.10 | 1 |
| 34 | Transatlantic Transactions and the Domestic Market:Agnew’s S… (10.17658/issn.2058-5462/issue-12/pezzini-crookham) | Abstract References ORCID License | 30.10 | 1 |
| 35 | Researching Exhibitions of South Asian Women Artists in Brit… (10.17658/issn.2058-5462/issue-13/acorreia) | Abstract References ORCID License | 30.10 | 1 |
| 36 | Why Exhibition Histories? (10.17658/issn.2058-5462/issue-13/conversation) | Abstract References ORCID License | 30.10 | 1 |
| 37 | Postindustrialism and the Long Arts And Crafts Movement: bet… (10.17658/issn.2058-5462/issue-15/schatterjee) | Abstract References ORCID License | 30.10 | 1 |
| 38 | The Social Economics of Artistic Labour: A Technical Case St… (10.17658/issn.2058-5462/issue-16/coopermyrone) | Abstract References ORCID License | 30.10 | 1 |
| 39 | The Wall Paintings at St Stephen’s Chapel, Westminster Palac… (10.17658/issn.2058-5462/issue-16/oneobject) | Abstract References ORCID License | 30.10 | 1 |
| 40 | Lively Limning: Presence in Portrait Miniatures and John Whi… (10.17658/issn.2058-5462/issue-17/cfaraday) | Abstract References ORCID License | 30.10 | 1 |
| 41 | Introduction (10.17658/issn.2058-5462/issue-17/intro) | Abstract References ORCID License | 30.10 | 1 |
| 42 | Game of Thrones: Early Modern Playing Cards and Portrait Min… (10.17658/issn.2058-5462/issue-17/kleonhard) | Abstract References ORCID License | 30.10 | 1 |
| 43 | Portrait of an Unknown Lady: Technical Analysis of an Early… (10.17658/issn.2058-5462/issue-17/psaltmarsh) | Abstract References ORCID License | 30.10 | 1 |
| 44 | Women in Fur: Empire, Power, and Play in a Victorian Photogr… (10.17658/issn.2058-5462/issue-18/aparsons) | Abstract References ORCID License | 30.10 | 1 |
| 45 | The Arts, Environmental Justice, and the Ecological Crisis (10.17658/issn.2058-5462/issue-18/conversation) | Abstract References ORCID License | 30.10 | 1 |
| 46 | Making a Case: Daguerreotypes (10.17658/issn.2058-5462/issue-18/sedwards) | Abstract References ORCID License | 30.10 | 1 |
| 47 | Spratt’s Flaps: Midwifery, Creativity, and Sexuality in Earl… (10.17658/issn.2058-5462/issue-19/rwhiteley) | Abstract References ORCID License | 30.10 | 1 |
| 48 | Bloodlines: Circulating the Male Body Across Borders in Art… (10.17658/issn.2058-5462/issue-20/acallen) | Abstract References ORCID License | 30.10 | 1 |
| 49 | British Art after Brexit (10.17658/issn.2058-5462/issue-20/conversation) | Abstract References ORCID License | 30.10 | 1 |
| 50 | Mr Joseph Maclise and the Epistemology of the Anatomical Clo… (10.17658/issn.2058-5462/issue-20/msappol) | Abstract References ORCID License | 30.10 | 1 |