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Your prioritized action plan

Ordered by how many DOIs each fix touches — start here, not with every error at once.

1

Attach ORCID iDs across 338 articles

ORCID iDs strengthen author disambiguation and institutional reporting.

High impact338 DOIs
2

Deposit reference lists for 257 records

Deposited references power Crossref's Cited-by links between your articles and the literature.

High impact257 DOIs
3

Add abstracts to 241 articles

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High impact241 DOIs

DOIs for this ISSN

Showing the top 5 of 381 DOIs, ordered by correction priority.

# Title Missing Priority Citations
1 Juan José Carreras (ed.), Historia de la música en España e… (10.4000/transposition.3008)
Abstract References ORCID
67.73 7
2 Pathways to music torture (10.4000/transposition.494)
References ORCID
62.76 17
3 Borrowed Tunes. Commando and Morale Booster Songs of RUF Fig… (10.4000/transposition.598)
References ORCID
45.15 7
4 « Vous êtes dans un lieu hors du monde... » : la musique dan… (10.4000/transposition.490)
References ORCID
38.91 5
5 On Music, Torture and Detention: Reflections on Issues of Re… (10.4000/transposition.5289)
ORCID
26.98 11
6 From Torrent to Stream (10.4000/transposition.1632)
ORCID
26.03 10
7 Did Music Cause the End of the World? (10.4000/transposition.5192)
ORCID
25.00 9
8 Guitars Give Way to Guns: A Commentary on an Interview with… (10.4000/transposition.4284)
References ORCID
23.86 2
9 Going Underground: The Politics of Free Music around 1968 (10.4000/transposition.4863)
References ORCID
23.86 2
10 Geoffrey Baker, El Sistema. Orchestrating Venezuela’s Youth (10.4000/transposition.1213)
Abstract References ORCID
22.58 1
11 Gary Peters, Improvising Improvisation: From Out of Philosop… (10.4000/transposition.2155)
Abstract References ORCID
22.58 1
12 Samuel Llano, Discordant Notes: Marginality and Social Contr… (10.4000/transposition.3057)
Abstract References ORCID
22.58 1
13 Jann Pasler, Composing the Citizen: Music as Public Utility… (10.4000/transposition.308)
Abstract References ORCID
22.58 1
14 Musique et théorie queer (10.4000/transposition.414)
Abstract References ORCID
22.58 1
15 Making Home, Making Sense: Aural Experiences of Warsaw and E… (10.4000/transposition.4205)
ORCID
22.58 7
16 La musique contemporaine et l’école (10.4000/transposition.462)
Abstract References ORCID
22.58 1
17 Afterword to “You are in a place that is out of the world…”:… (10.4000/transposition.493)
Abstract References ORCID
22.58 1
18 Jennifer Iverson, Electronic Inspirations: Technologies of t… (10.4000/transposition.5557)
Abstract References ORCID
22.58 1
19 Robert Fink, Melinda Latour, Zachary Wallmark (eds.), The Re… (10.4000/transposition.5712)
Abstract References ORCID
22.58 1
20 Catherine Strong, Sarah Raine (eds.), Towards Gender Equalit… (10.4000/transposition.5783)
Abstract References ORCID
22.58 1
21 Gavin Steingo, Jim Sykes (eds.), Remapping Sound Studies (10.4000/transposition.5802)
Abstract References ORCID
22.58 1
22 Musique et sexualité (10.4000/transposition.6251)
Abstract References ORCID
22.58 1
23 Beate Kutschke, Barley Norton (éds.), Music and Protest in 1… (10.4000/transposition.988)
Abstract References ORCID
22.58 1
24 Orphée baro/queer (10.4000/transposition.135)
References
21.13 6
25 The Female-to-Male (FTM) Singing Voice and its Interaction w… (10.4000/transposition.353)
ORCID
21.13 6
26 Sound, Music, War and Violence: Listening from the Archive (10.4000/transposition.4310)
ORCID
21.13 6
27 The orchestra conductor (10.4000/transposition.1296)
ORCID
19.45 5
28 La musicologie des processus de composition (10.4000/transposition.1689)
ORCID
17.47 4
29 La notion de patrimoine immatériel comme outil de contournem… (10.4000/transposition.3468)
ORCID
17.47 4
30 La polyphonie linguistique (10.4000/transposition.365)
ORCID
17.47 4
31 Affordance to Kill: Sound Agency and Auditory Experiences of… (10.4000/transposition.4065)
ORCID
17.47 4
32 Nature’s Sonic Order on the Western Front (10.4000/transposition.4770)
ORCID
17.47 4
33 Sédu* dans le Théâtre-Italien (10.4000/transposition.114)
References ORCID
15.05 1
34 La musique du groupe Zebda entre configurations identitaires… (10.4000/transposition.1398)
ORCID
15.05 3
35 Matthieu Saladin, Esthétique de l’improvisation libre. Expér… (10.4000/transposition.1489)
Abstract References
15.05 1
36 Paysage endivisionné (10.4000/transposition.1615)
ORCID
15.05 3
37 Le virage numérique, un tournant pour l’étude des musiques p… (10.4000/transposition.1701)
ORCID
15.05 3
38 Le séminaire de Tran Van Khê à l’EHESS (10.4000/transposition.1721)
Abstract ORCID
15.05 1
39 Création musicale, World Music et diversité culturelle : la… (10.4000/transposition.1761)
ORCID
15.05 3
40 Musique et séduction (10.4000/transposition.317)
References ORCID
15.05 1
41 Songs of War: The Voice of Bertran de Born (10.4000/transposition.3785)
ORCID
15.05 3
42 On Music and War (10.4000/transposition.4469)
ORCID
15.05 3
43 Introduction. Son, musique et violence (10.4000/transposition.5067)
ORCID
15.05 3
44 Deconstruyendo la ópera para que no muera: entrevista a Óper… (10.4000/transposition.6457)
References ORCID
15.05 1
45 Mourning at the Piano: Marguerite Long, Maurice Ravel, and t… (10.4000/transposition.739)
References ORCID
15.05 1
46 Classical Concert Music and Queer Listening (10.4000/transposition.148)
ORCID
11.93 2
47 “The Problem of the Adjective” (10.4000/transposition.1640)
ORCID
11.93 2
48 Lieux et espaces de la musique (10.4000/transposition.1687)
ORCID
11.93 2
49 Amateurs et professionnels, gratuité et profits aux premiers… (10.4000/transposition.2483)
ORCID
11.93 2
50 "I don’t give a shit where I spit my phlegm" (Tribe 8). Reje… (10.4000/transposition.280)
ORCID
11.93 2