| 1 | Compelled by the Diagram: Thinking through C. H. Waddington’… (10.5195/contemp.2015.143) | References ORCID | 63.94 | 18 |
| 2 | Contemporaneity in the History of Art: A Clark Workshop 2009… (10.5195/contemp.2011.32) | References ORCID | 52.07 | 10 |
| 3 | An Interview with Lucy Skaer of Henry VIII’s Wives (10.5195/contemp.2012.47) | References ORCID | 47.71 | 8 |
| 4 | Kanaka 'Ōiwi Critical Race Theory: Historical and Cultural E… (10.5195/contemp.2018.240) | References ORCID | 47.71 | 8 |
| 5 | Artificial Hells: A Conversation with Claire Bishop (10.5195/contemp.2014.113) | References ORCID | 38.91 | 5 |
| 6 | From “Modern” to “Contemporary”: A Case in Post-Cultural Rev… (10.5195/contemp.2011.36) | References ORCID | 34.95 | 4 |
| 7 | Contemporary Art: World Currents in Transition Beyond Global… (10.5195/contemp.2014.112) | References ORCID | 34.95 | 4 |
| 8 | James Luna and the Paradoxically Present Vanishing Indian (10.5195/contemp.2016.170) | References ORCID | 34.95 | 4 |
| 9 | Re-Composing the Digital Present (10.5195/contemp.2011.13) | References ORCID | 30.10 | 3 |
| 10 | Cinema as Archeology: The Acousmêtre and the Multiple Layeri… (10.5195/contemp.2011.22) | References ORCID | 23.86 | 2 |
| 11 | Review: Anachronic Renaissance by Alexander Nagel and Christ… (10.5195/contemp.2011.35) | References ORCID | 23.86 | 2 |
| 12 | Network Ambivalence (10.5195/contemp.2015.150) | References ORCID | 23.86 | 2 |
| 13 | OjO Latino: A Photovoice Project in Recognition of the Latin… (10.5195/contemp.2018.243) | References ORCID | 23.86 | 2 |
| 14 | Mirror of Time: Temporality and Contemporaneity in the work… (10.5195/contemp.2012.38) | References ORCID | 15.05 | 1 |
| 15 | Marking Time: Women and Nazi Propaganda Art during World War… (10.5195/contemp.2012.43) | References ORCID | 15.05 | 1 |
| 16 | Unfolding the In-between Image: The Emergence of an Incipien… (10.5195/contemp.2014.80) | References ORCID | 15.05 | 1 |
| 17 | Curatorial Practice as Production of Visual and Spatial Know… (10.5195/contemp.2015.152) | References ORCID | 15.05 | 1 |
| 18 | "Enlivening and - Dividing": An Aporia of Illumination (10.5195/contemp.2015.73) | References ORCID | 15.05 | 1 |
| 19 | Photographs of the “Dust of the Highway”: Georgiana Goddard… (10.5195/contemp.2016.149) | References ORCID | 15.05 | 1 |
| 20 | Curator—Curatorial Studies Towards Co-creation and Multiple… (10.5195/contemp.2016.182) | References ORCID | 15.05 | 1 |
| 21 | Saints, Miracles and the Image: Healing Saints and Miraculo… (10.5195/contemp.2019.290) | References ORCID | 15.05 | 1 |
| 22 | Erratum to: Miramontes Olivas, A., & Garcilazo, G. (2019… (10.5195/contemp.2019.298) | References ORCID | 15.05 | 1 |
| 23 | The Stones of Ivittuut (10.5195/contemp/2021.321) | References ORCID | 15.05 | 1 |
| 24 | Waiting for Art: The Experience of Real Time in Sculpture (10.5195/contemp.2011.20) | References ORCID | 0.00 | 0 |
| 25 | Transcultured Architecture: Mudéjar’s Epic Journey Reinterpr… (10.5195/contemp.2011.5) | References ORCID | 0.00 | 0 |
| 26 | Real Men Wear Uniforms: Photomontage, Postcards, and Militar… (10.5195/contemp.2012.44) | References ORCID | 0.00 | 0 |
| 27 | Review: The New Woman International: Representations in Phot… (10.5195/contemp.2012.46) | References ORCID | 0.00 | 0 |
| 28 | Mr. Hysteria (10.5195/contemp.2012.48) | References ORCID | 0.00 | 0 |
| 29 | Spiral Betty (10.5195/contemp.2012.49) | References ORCID | 0.00 | 0 |
| 30 | Today's Cutting Edge is Tomorrow’s Obsolete: An Interview wi… (10.5195/contemp.2014.101) | References ORCID | 0.00 | 0 |
| 31 | Counter-Memory, Heterochronia, and “History Painting” (After… (10.5195/contemp.2014.106) | References ORCID | 0.00 | 0 |
| 32 | Vision and Desire in Postcolonial Australia: A Conversation… (10.5195/contemp.2014.111) | References ORCID | 0.00 | 0 |
| 33 | Skin Deep: Surfacing with Leigh-Ann Pahapill (10.5195/contemp.2014.114) | References ORCID | 0.00 | 0 |
| 34 | Editorial Notes: Exhibition Complex: Displaying People, Iden… (10.5195/contemp.2014.116) | References ORCID | 0.00 | 0 |
| 35 | Artist Statement: rial and tERROR (10.5195/contemp.2014.119) | References ORCID | 0.00 | 0 |
| 36 | Likewise, as Technical Experts, But Not (At All) by Way of C… (10.5195/contemp.2014.120) | References ORCID | 0.00 | 0 |
| 37 | Art's Global Stage: Revisiting Display Today (10.5195/contemp.2014.121) | References ORCID | 0.00 | 0 |
| 38 | Description: Likewise, as Technical Experts, But Not (At All… (10.5195/contemp.2014.122) | References ORCID | 0.00 | 0 |
| 39 | “The Great Palace of American Civilization”: Allen Eaton’s A… (10.5195/contemp.2014.56) | References ORCID | 0.00 | 0 |
| 40 | Creating National Narrative: The Red Guard Art Exhibitions a… (10.5195/contemp.2014.58) | References ORCID | 0.00 | 0 |
| 41 | What to do with the “Most Modern” Artworks? Erwin Panofsky a… (10.5195/contemp.2014.81) | References ORCID | 0.00 | 0 |
| 42 | On the Coevalities of the Contemporary in Cambodia: Review:… (10.5195/contemp.2014.87) | References ORCID | 0.00 | 0 |
| 43 | Culture v. Capital: The Rebecca Belmore Case (10.5195/contemp.2014.96) | References ORCID | 0.00 | 0 |
| 44 | Exhibition Review: Regina Mamou “Unfortunately, It Was Parad… (10.5195/contemp.2015.142) | References ORCID | 0.00 | 0 |
| 45 | Spinifex People as Cold War Moderns (10.5195/contemp.2015.144) | References ORCID | 0.00 | 0 |
| 46 | Curatorial Practice as Production of Visual & Spatial Kn… (10.5195/contemp.2015.151) | References ORCID | 0.00 | 0 |
| 47 | Foreword 前言 (10.5195/contemp.2015.153) | References ORCID | 0.00 | 0 |
| 48 | Thoughts & Things 01 形象思维 (10.5195/contemp.2015.154) | References ORCID | 0.00 | 0 |
| 49 | The Round Table 02 圆桌: A Conversation with the No Name Paint… (10.5195/contemp.2015.155) | References ORCID | 0.00 | 0 |
| 50 | Thoughts & Things 02 形象思维 (10.5195/contemp.2015.156) | References ORCID | 0.00 | 0 |
| 51 | Decoding Double Desire: A Conversation with Ian McLean (10.5195/contemp.2015.158) | References ORCID | 0.00 | 0 |
| 52 | Architectural Ruins and Urban Imaginaries: Carlos Garaicoa’s… (10.5195/contemp.2016.130) | References ORCID | 0.00 | 0 |
| 53 | David Lamelas’s The Desert People: An Odyssey for Authentic… (10.5195/contemp.2016.176) | References ORCID | 0.00 | 0 |
| 54 | SuperQueeroes – Our LGBTI* Comic Book Heroes and Heroines Sc… (10.5195/contemp.2016.177) | References ORCID | 0.00 | 0 |
| 55 | Agency in Motion: Editorial Statement (10.5195/contemp.2016.185) | References ORCID | 0.00 | 0 |
| 56 | Historical Contemporaneity and Contemporaneous Historicity:… (10.5195/contemp.2017.206) | References ORCID | 0.00 | 0 |
| 57 | Data (after)Lives at the University of Pittsburgh: A Constel… (10.5195/contemp.2017.220) | References ORCID | 0.00 | 0 |
| 58 | Éxodo a la “tierra prometida”: Del demonio y otros monstruos… (10.5195/contemp.2017.221) | References ORCID | 0.00 | 0 |
| 59 | Exodus to the “Promised Land:” Of the Devil and Other Monste… (10.5195/contemp.2017.222) | References ORCID | 0.00 | 0 |
| 60 | Untitled (Architectural Photography) (10.5195/contemp.2017.223) | References ORCID | 0.00 | 0 |
| 61 | Multiple Temporalities, Layered Histories (10.5195/contemp.2017.227) | References ORCID | 0.00 | 0 |
| 62 | Bentu – Chinese Artists in a Time of Turbulence and Transfor… (10.5195/contemp.2017.228) | References ORCID | 0.00 | 0 |
| 63 | Fantasies of the Library: Anna-Sophie Springer and Etienne T… (10.5195/contemp.2017.229) | References ORCID | 0.00 | 0 |
| 64 | Zhang Peili: Record. Repeat. (10.5195/contemp.2017.230) | References ORCID | 0.00 | 0 |
| 65 | Dreamlands: Immersive Cinema and Art, 1905 – 2016: Whitney M… (10.5195/contemp.2017.231) | References ORCID | 0.00 | 0 |
| 66 | Boundless: Art and Identification Across Borders (10.5195/contemp.2017.233) | References ORCID | 0.00 | 0 |
| 67 | Hemispheric Conversations: Exploring Links between Past and… (10.5195/contemp.2018.236) | References ORCID | 0.00 | 0 |
| 68 | Coming to Confidence (10.5195/contemp.2018.238) | References ORCID | 0.00 | 0 |
| 69 | Gregg Deal's White Indian (2016): The Decolonial Possibiliti… (10.5195/contemp.2018.239) | References | 0.00 | 0 |
| 70 | Reflections on Race-ing the Museum, Two Years Later (10.5195/contemp.2018.241) | References ORCID | 0.00 | 0 |
| 71 | Destruction and Solution (10.5195/contemp.2018.245) | References ORCID | 0.00 | 0 |
| 72 | Gringolandia (10.5195/contemp.2018.250) | References ORCID | 0.00 | 0 |
| 73 | Border Check (10.5195/contemp.2018.253) | References ORCID | 0.00 | 0 |
| 74 | Football (10.5195/contemp.2018.255) | References ORCID | 0.00 | 0 |
| 75 | “An Imagined Border of Safety, Humanitarian Relief, and Crea… (10.5195/contemp.2018.260) | References ORCID | 0.00 | 0 |
| 76 | Letícia Parente in Pacific Standard Time: LA/LA (Los Angeles… (10.5195/contemp.2018.262) | References ORCID | 0.00 | 0 |
| 77 | Unsettled: Exhibiting the Greater West (10.5195/contemp.2018.263) | References ORCID | 0.00 | 0 |
| 78 | Modern Art in the Arab World: Primary Documents (10.5195/contemp.2018.264) | References ORCID | 0.00 | 0 |
| 79 | Lawrence Paul Yuxweluptun: Unceded Territories (10.5195/contemp.2018.266) | References ORCID | 0.00 | 0 |
| 80 | 20/20: The Studio Museum of Harlem and the Carnegie Museum o… (10.5195/contemp.2018.267) | References ORCID | 0.00 | 0 |
| 81 | Presenting Race: Institutional Contexts and Critiques (10.5195/contemp.2018.268) | References ORCID | 0.00 | 0 |
| 82 | Looking/Not Looking (10.5195/contemp.2018.269) | References ORCID | 0.00 | 0 |
| 83 | “So shall yoe bee:” Encountering the Shrouded Effigies of Th… (10.5195/contemp.2019.280) | References ORCID | 0.00 | 0 |
| 84 | From Axayácatl to El Chapo: Rethinking Migration and Mexico’… (10.5195/contemp.2019.284) | References ORCID | 0.00 | 0 |
| 85 | Sacred Substantiations: Lincoln Casts and Statuary in the Am… (10.5195/contemp.2019.287) | References ORCID | 0.00 | 0 |
| 86 | Are Indians in America's DNA? (10.5195/contemp.2019.288) | References ORCID | 0.00 | 0 |
| 87 | Raphael and the Redefinition of Art in Renaissance Italy (10.5195/contemp.2019.291) | References ORCID | 0.00 | 0 |
| 88 | Fujiwo Ishimoto Exhibition: From Marimekko Flowers to Cerami… (10.5195/contemp.2019.292) | References ORCID | 0.00 | 0 |
| 89 | Yesterday's Contemporaneity: Finding Temporality in the Past (10.5195/contemp.2019.297) | References ORCID | 0.00 | 0 |
| 90 | “India in America” (10.5195/contemp/2021.314) | References ORCID | 0.00 | 0 |
| 91 | Mobility & Exchange (10.5195/contemp/2021.315) | References ORCID | 0.00 | 0 |
| 92 | Questionnaire (10.5195/contemp/2021.317) | References ORCID | 0.00 | 0 |
| 93 | Questionnaire (10.5195/contemp/2021.318) | References ORCID | 0.00 | 0 |
| 94 | Questionnaire (10.5195/contemp/2021.319) | References ORCID | 0.00 | 0 |
| 95 | Questionnaire (10.5195/contemp/2021.320) | References ORCID | 0.00 | 0 |
| 96 | Eight Views of the Sun Setting on the South Pacific (10.5195/contemp/2021.323) | References ORCID | 0.00 | 0 |
| 97 | Address the Issue (10.5195/contemp/2021.325) | References ORCID | 0.00 | 0 |
| 98 | The Metabolic Museum (10.5195/contemp/2021.326) | References ORCID | 0.00 | 0 |
| 99 | how the light gets in (10.5195/contemp/2021.327) | References ORCID | 0.00 | 0 |
| 100 | Caravans of Gold, Fragments in Time: Art, Culture, and Excha… (10.5195/contemp/2021.328) | References ORCID | 0.00 | 0 |
| 101 | Colored Plexiglass: Irving and Aaronel deRoy Gruber Foundati… (10.5195/contemp/2021.329) | References ORCID | 0.00 | 0 |
| 102 | Painting as a Modern Art in Early Renaissance Italy (10.5195/contemp/2021.330) | References ORCID | 0.00 | 0 |
| 103 | On Disciplinary Disrepair (10.5195/contemp/2025.343) | Abstract References ORCID | 0.00 | 0 |
| 104 | Occupied Monument (10.5195/contemp/2025.344) | References ORCID | 0.00 | 0 |
| 105 | In averting my eyes, I see what lies ahead (10.5195/contemp/2025.345) | Abstract References ORCID | 0.00 | 0 |
| 106 | Redressing a Lacuna in the Historical Record (10.5195/contemp/2025.346) | Abstract References ORCID | 0.00 | 0 |
| 107 | Historical Presence and Immersive Technologies (10.5195/contemp/2025.347) | Abstract References ORCID | 0.00 | 0 |
| 108 | Reparation and Healing through Materiality in the Work of Ay… (10.5195/contemp/2025.348) | Abstract References ORCID | 0.00 | 0 |
| 109 | Questionnaire (10.5195/contemp/2025.349) | Abstract References ORCID | 0.00 | 0 |
| 110 | Questionnaire (10.5195/contemp/2025.350) | Abstract References ORCID | 0.00 | 0 |
| 111 | Questionnaire (10.5195/contemp/2025.351) | Abstract References ORCID | 0.00 | 0 |
| 112 | Questionnaire (10.5195/contemp/2025.352) | Abstract References ORCID | 0.00 | 0 |