| 1 | Diasporic Vietnamese Family Photographs, Orphan Images, and… (10.1215/215820251_5-1-102) | Abstract References ORCID License | 132.22 | 20 |
| 2 | Photographic Manipulation in China: A Conversation between F… (10.1215/215820251_6-1-104) | Abstract References ORCID License | 120.41 | 15 |
| 3 | Report from the Underside: Dongducheon (10.1215/215820251_3-1-110) | Abstract References ORCID License | 104.14 | 10 |
| 4 | Korean War in Color: A Correspondent’s Retrospective on a Fo… (10.1215/215820251_3-1-114) | Abstract References ORCID License | 100.00 | 9 |
| 5 | Gauri Gill and Rajesh Vangad: “Fields of Sight” (10.1215/215820251_5-2-205) | Abstract References ORCID License | 100.00 | 9 |
| 6 | Modern Family: The Transformation of the Family Photograph i… (10.1215/215820251_9-1-109) | Abstract References ORCID | 78.10 | 10 |
| 7 | Archives and Origins: The Material and Vernacular Cultures o… (10.1215/215820251_4-1-103) | Abstract References ORCID License | 77.82 | 5 |
| 8 | Concubines with Cameras: Royal Siamese Consorts Picturing Fe… (10.1215/215820251_2-2-202) | Abstract References ORCID License | 60.21 | 3 |
| 9 | (Un)Signifying Ethnicity in Republican China: State-Sponsore… (10.1215/215820251_7-1-105) | Abstract References ORCID License | 60.21 | 3 |
| 10 | Departing from Socialist Realism: April Photo Society, 1979-… (10.1215/215820251_8-1-103) | Abstract References ORCID License | 60.21 | 3 |
| 11 | Felice Beato: A Photographer on the Eastern Road (10.1215/215820251_1-2-209) | Abstract References ORCID License | 47.71 | 2 |
| 12 | Early Twentieth-Century Art Photography in China: Adopting,… (10.1215/215820251_3-2-204) | Abstract References ORCID License | 47.71 | 2 |
| 13 | Photography and the Appropriation of Kodak Dye Transfer in S… (10.1215/215820251_7-2-202) | Abstract References ORCID License | 47.71 | 2 |
| 14 | The Cultural Revolution Through the Prism of Vernacular Phot… (10.1215/215820251_8-1-107) | Abstract References ORCID License | 47.71 | 2 |
| 15 | Transpacific Rizalistas: Portrait Photography and the Filipi… (10.1215/215820251_11-1-102) | Abstract References ORCID | 45.15 | 3 |
| 16 | The Charismatic Index: Photographic Representations of Power… (10.1215/215820251_3-2-207) | Abstract ORCID License | 45.15 | 3 |
| 17 | Then and Now: Japanese Women Photographers of the 1970s and… (10.1215/215820251_8-1-102) | References ORCID License | 45.15 | 3 |
| 18 | Two Leaves and a Bud: Tea and The Body Through a Colonial Le… (10.1215/215820251_11-2-202) | Abstract References ORCID | 35.78 | 2 |
| 19 | Photojournalism and Social Movement as “Theatre”: A Critical… (10.1215/215820251_11-2-204) | Abstract References ORCID | 35.78 | 2 |
| 20 | Revealing the Radioactive Contamination after Fukushima in J… (10.1215/215820251_10-1-104) | Abstract ORCID | 34.95 | 4 |
| 21 | John Thomas Gulick (1832-1923): Pioneer Photographer in Japa… (10.1215/215820251_1-2-203) | Abstract References ORCID License | 30.10 | 1 |
| 22 | The Elu[va]sive Japanese Portrait: Repetition, Difference an… (10.1215/215820251_2-1-103) | Abstract References ORCID License | 30.10 | 1 |
| 23 | Traveler-as-Lama Photography and the Fantasy of Transformati… (10.1215/215820251_2-1-105) | Abstract References ORCID License | 30.10 | 1 |
| 24 | Piety and Power: The Theatrical Images of Empress Dowager Ci… (10.1215/215820251_2-1-108) | Abstract References ORCID License | 30.10 | 1 |
| 25 | “Zenana Studio: Early Women Photographers of Bengal”, from T… (10.1215/215820251_4-2-202) | Abstract References ORCID License | 30.10 | 1 |
| 26 | The Development of Photo Studios in Korea, by Lee Kyung-Min (10.1215/215820251_4-2-203) | Abstract References ORCID License | 30.10 | 1 |
| 27 | Spotlight on Environmental and Social Concerns in Hong Kong:… (10.1215/215820251_5-2-204) | Abstract References ORCID License | 30.10 | 1 |
| 28 | From Cell Phone Camera to Satellite Sensor (10.1215/215820251_5-2-206) | Abstract References ORCID License | 30.10 | 1 |
| 29 | Nuclear Waste Out of Lanyu: Indigenous Indignation in Taiwan… (10.1215/215820251_5-2-207) | Abstract References ORCID License | 30.10 | 1 |
| 30 | The “Emulative” Portraits: Lang Jingshan’s Photography of Zh… (10.1215/215820251_6-1-106) | Abstract References ORCID License | 30.10 | 1 |
| 31 | Omar Imam: Humanitarian Surrealism (10.1215/215820251_6-2-206) | Abstract References ORCID License | 30.10 | 1 |
| 32 | Hamaya Hiroshi (1915-1999) and Photographic Modernism in Jap… (10.1215/215820251_7-1-102) | Abstract References ORCID License | 30.10 | 1 |
| 33 | Ogawa Kazumasa and the Halftone Photograph: Japanese War Alb… (10.1215/215820251_7-2-201) | Abstract References ORCID License | 30.10 | 1 |
| 34 | South India Addresses the World: Postcards, Circulation, and… (10.1215/215820251_9-2-208) | Abstract ORCID | 30.10 | 3 |
| 35 | Three Histories and Seven Lives: Investigating the Archives… (10.1215/21582025-10048222) | ORCID License | 23.86 | 2 |
| 36 | A Western Bibliomania for Japanese Photobooks (10.1215/215820251_10-2-204) | References ORCID | 23.86 | 2 |
| 37 | At the Borderland of History (10.1215/21582025-10048232) | References ORCID License | 22.58 | 1 |
| 38 | Picturing <i>Meishu</i>: Photomechanical Reproductions of Wo… (10.1215/215820251_10-1-102) | Abstract References ORCID | 22.58 | 1 |
| 39 | The Shanghai Amateur Photographic Society: An Early Photogra… (10.1215/215820251_10-1-103) | Abstract References ORCID | 22.58 | 1 |
| 40 | Visualizing Impunity: Photography and State Violence in Thai… (10.1215/215820251_10-1-105) | Abstract References ORCID | 22.58 | 1 |
| 41 | Photographic Rehearsal: A Still-Unfolding Narrative (10.1215/215820251_11-1-105) | Abstract References ORCID | 22.58 | 1 |
| 42 | Of Colonial Photographs and Cultural Resources: the Photogra… (10.1215/215820251_4-1-102) | Abstract ORCID License | 22.58 | 1 |
| 43 | Walking through Ephemeral Archives and Creating Settings for… (10.1215/215820251_4-1-107) | References ORCID License | 22.58 | 1 |
| 44 | Photography in Vietnam from the End of the Nineteenth Centur… (10.1215/215820251_4-2-204) | Abstract ORCID License | 22.58 | 1 |
| 45 | Introduction (10.1215/215820251_9-1-101) | Abstract References ORCID | 22.58 | 1 |
| 46 | Diaspora and Performance: Reenacting the Family Album (10.1215/215820251_9-1-105) | Abstract References ORCID | 22.58 | 1 |
| 47 | Finding Family in The Times of India’s Mid-Century Kodak Ads (10.1215/215820251_9-1-107) | Abstract References ORCID | 22.58 | 1 |
| 48 | The Gift of the Abdulhamid II Albums: The Consequences of Ph… (10.1215/215820251_9-2-207) | Abstract References ORCID | 22.58 | 1 |
| 49 | “Then and Now”: The Making of a Visual Frontier (10.1215/21582025-10048212) | ORCID License | 15.05 | 1 |
| 50 | Images at War: An Introduction (10.1215/21582025-10364996) | ORCID License | 15.05 | 1 |