2158-8724

CINEJ Cinema Journal

University Library System, University of Pittsburgh

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Deposit reference lists for 394 records

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High impact394 DOIs
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DOIs for this ISSN

Showing the top 5 of 394 DOIs, ordered by correction priority.

# Title Missing Priority Citations
1 Music, Magic, and the Mythic: The Dynamics of Visual and Aur… (10.5195/cinej.2012.49)
References ORCID License
78.10 10
2 Hollywood, The American Image And The Global Film Industry (10.5195/cinej.2013.81)
References ORCID License
71.57 8
3 Film As Nation Building: The UAE Goes Into the Movie Busine… (10.5195/cinej.2014.98)
References ORCID License
67.73 7
4 The impact of sound technology on the distribution of shot l… (10.5195/cinej.2012.50)
References ORCID License
58.36 5
5 Portrayal of Women in Contemporary Nollywood Films: Isoken a… (10.5195/cinej.2021.299)
References ORCID
55.70 12
6 Stereotype Representation of Women in Nigerian Films (10.5195/cinej.2017.166)
References ORCID
50.00 9
7 Audience Reactions to the Different Aspects of Nollywood Mov… (10.5195/cinej.2016.137)
References ORCID
47.71 8
8 Re-Organizing Cultural Values: Vers le Sud by Laurent Cante… (10.5195/cinej.2011.19)
References ORCID License
45.15 3
9 The Tale Of Gandhi Through The Lens: An Inter-Textual Analy… (10.5195/cinej.2013.66)
References ORCID License
45.15 3
10 It Is a Man's World: Romantic Relief In The Hollywood Blockb… (10.5195/cinej.2014.89)
References ORCID License
45.15 3
11 A hybrid documentary genre: Animated documentary and the ana… (10.5195/cinej.2017.144)
References ORCID
42.25 6
12 The Social Implications of Metaphor in Bong Joon-ho’s Parasi… (10.5195/cinej.2021.291)
References ORCID
38.91 5
13 The Language of Colours. A Semiotic Analysis of Colours and… (10.5195/cinej.2011.39)
References ORCID License
35.78 2
14 Islam goes Hollywood. An exploratory study on Islam in Turki… (10.5195/cinej.2012.51)
References ORCID License
35.78 2
15 Memory, Identity and Desire: A Psychoanalytic Reading of Dav… (10.5195/cinej.2012.58)
References ORCID License
35.78 2
16 Nostalgia for the Light: A ‘Documemory’ and The Conflict bet… (10.5195/cinej.2013.71)
References ORCID License
35.78 2
17 Bicycles, Airplanes and Peter Pans: Flying Scenes in Steven… (10.5195/cinej.2014.111)
References ORCID License
35.78 2
18 Pan-American Highways: American Tourism to Mexico and 1950s… (10.5195/cinej.2014.92)
References ORCID License
35.78 2
19 The City on Screen: A Methodological Approach on Cinematic C… (10.5195/cinej.2014.67)
References ORCID
34.95 4
20 Reclaiming Subjectivities: A Psychoanalytic-Feminist Perspec… (10.5195/cinej.2019.217)
References ORCID
34.95 4
21 Politics of Succession in Nollywood Films, Saworoide and Iko… (10.5195/cinej.2020.266)
References ORCID
34.95 4
22 Ceylan's Winter Sleep: From Ambiguity to Nothingness (10.5195/cinej.2017.180)
References ORCID
30.10 3
23 Women in the Cinema of Nuri Bilge Ceylan (10.5195/cinej.2017.186)
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30.10 3
24 Victims and Survivors in the Rape-Revenge Narrative: A Compa… (10.5195/cinej.2022.436)
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30.10 3
25 New Media and Film Festivals in the Middle East (10.5195/cinej.2014.120)
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23.86 2
26 Panoptic Pranksters: Power, Space and Visibility in the Info… (10.5195/cinej.2017.174)
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23.86 2
27 What’s in the Backdrop: Representation of Landscape in Boll… (10.5195/cinej.2018.191)
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23.86 2
28 Cinema, Human Rights And Development: The Cinema As A Pedago… (10.5195/cinej.2020.238)
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23.86 2
29 Music and sound in documentary film communication: an explor… (10.5195/cinej.2020.265)
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23.86 2
30 Cinema, Life and Other Viruses: The Future of Filmmaking, Fi… (10.5195/cinej.2020.351)
References
23.86 8
31 Post-Coloniality: Projection of Ghana In Video-Films (10.5195/cinej.2021.347)
References ORCID
23.86 2
32 The Embodiment of the Post-human Child in Malayalam Films (10.5195/cinej.2023.590)
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23.86 2
33 Across Cultural and National Borders: Diasporic Chinese Fam… (10.5195/cinej.2011.12)
References ORCID License
22.58 1
34 The Relation between Hollywood and the New Threat Perception… (10.5195/cinej.2011.18)
References ORCID License
22.58 1
35 The ‘Return to Home’: The Musical Construction of a Common T… (10.5195/cinej.2011.22)
References ORCID License
22.58 1
36 Necessary Fictions: From Cinéma vérité to Ciné, ma vérité(s) (10.5195/cinej.2012.42)
References ORCID License
22.58 1
37 Transperance Me I Want to be Visible: Gay Gaze in Tom Ford’s… (10.5195/cinej.2012.46)
References ORCID License
22.58 1
38 Auteur and Style in National Cinema: A Reframing of Metin Er… (10.5195/cinej.2013.57)
References ORCID License
22.58 1
39 Chop Shop and Foreign Parts settle on the fuzzy boundary bet… (10.5195/cinej.2013.68)
References ORCID License
22.58 1
40 Liu Na’ou And The 1930s Soft Film Movement: A New Approach I… (10.5195/cinej.2013.69)
References ORCID License
22.58 1
41 Technology and the Turkish Mind: Internet Animation as Count… (10.5195/cinej.2014.115)
References ORCID License
22.58 1
42 Bikes and Movies: A Brief History Of Motorcycle In Cinema (10.5195/cinej.2014.94)
References ORCID License
22.58 1
43 Rethinking Pornography within the Context of the New French… (10.5195/cinej.2020.236)
References ORCID License
22.58 1
44 Mapping Yeşilçam: A relational approach to the Turkish film… (10.5195/cinej.2021.425)
References
21.13 6
45 “Youtuber Movies” From New Media to the Cinema (10.5195/cinej.2019.230)
References
17.47 4
46 Social Construct of Nollywood Films and Ethnocentrism in Sou… (10.5195/cinej.2024.632)
References
17.47 4
47 Subtitling in the Nigerian Film Industry, Informative or Mis… (10.5195/cinej.2014.100)
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15.05 1
48 Reading of the Architectural Identity via Cinema (10.5195/cinej.2014.118)
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15.05 1
49 Authorship in Cinema: Author & Reader (10.5195/cinej.2014.62)
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15.05 1
50 The Problem of Homosexuality: Desire-in-Uneasiness, Friendsh… (10.5195/cinej.2015.124)
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15.05 1