| 1 | Music, Magic, and the Mythic: The Dynamics of Visual and Aur… (10.5195/cinej.2012.49) | References ORCID License | 78.10 | 10 |
| 2 | Hollywood, The American Image And The Global Film Industry (10.5195/cinej.2013.81) | References ORCID License | 71.57 | 8 |
| 3 | Film As Nation Building: The UAE Goes Into the Movie Busine… (10.5195/cinej.2014.98) | References ORCID License | 63.38 | 6 |
| 4 | The impact of sound technology on the distribution of shot l… (10.5195/cinej.2012.50) | References ORCID License | 58.36 | 5 |
| 5 | Re-Organizing Cultural Values: Vers le Sud by Laurent Cante… (10.5195/cinej.2011.19) | References ORCID License | 45.15 | 3 |
| 6 | It Is a Man's World: Romantic Relief In The Hollywood Blockb… (10.5195/cinej.2014.89) | References ORCID License | 45.15 | 3 |
| 7 | Stereotype Representation of Women in Nigerian Films (10.5195/cinej.2017.166) | References ORCID | 42.25 | 6 |
| 8 | Memory, Identity and Desire: A Psychoanalytic Reading of Dav… (10.5195/cinej.2012.58) | References ORCID License | 35.78 | 2 |
| 9 | Nostalgia for the Light: A ‘Documemory’ and The Conflict bet… (10.5195/cinej.2013.71) | References ORCID License | 35.78 | 2 |
| 10 | The City on Screen: A Methodological Approach on Cinematic C… (10.5195/cinej.2014.67) | References ORCID | 34.95 | 4 |
| 11 | A hybrid documentary genre: Animated documentary and the ana… (10.5195/cinej.2017.144) | References ORCID | 34.95 | 4 |
| 12 | New Media and Film Festivals in the Middle East (10.5195/cinej.2014.120) | References ORCID | 23.86 | 2 |
| 13 | What’s in the Backdrop: Representation of Landscape in Boll… (10.5195/cinej.2018.191) | References ORCID | 23.86 | 2 |
| 14 | Cinema, Human Rights And Development: The Cinema As A Pedago… (10.5195/cinej.2020.238) | References ORCID | 23.86 | 2 |
| 15 | Cinema, Life and Other Viruses: The Future of Filmmaking, Fi… (10.5195/cinej.2020.351) | References | 23.86 | 8 |
| 16 | The Embodiment of the Post-human Child in Malayalam Films (10.5195/cinej.2023.590) | References ORCID | 23.86 | 2 |
| 17 | The Relation between Hollywood and the New Threat Perception… (10.5195/cinej.2011.18) | References ORCID License | 22.58 | 1 |
| 18 | Transperance Me I Want to be Visible: Gay Gaze in Tom Ford’s… (10.5195/cinej.2012.46) | References ORCID License | 22.58 | 1 |
| 19 | Auteur and Style in National Cinema: A Reframing of Metin Er… (10.5195/cinej.2013.57) | References ORCID License | 22.58 | 1 |
| 20 | Technology and the Turkish Mind: Internet Animation as Count… (10.5195/cinej.2014.115) | References ORCID License | 22.58 | 1 |
| 21 | Mapping Yeşilçam: A relational approach to the Turkish film… (10.5195/cinej.2021.425) | References | 19.45 | 5 |
| 22 | Subtitling in the Nigerian Film Industry, Informative or Mis… (10.5195/cinej.2014.100) | References ORCID | 15.05 | 1 |
| 23 | Reading of the Architectural Identity via Cinema (10.5195/cinej.2014.118) | References ORCID | 15.05 | 1 |
| 24 | Of Genes and Germs: The Agenda of Health in Contemporary Hol… (10.5195/cinej.2015.129) | References ORCID | 15.05 | 1 |
| 25 | Post-TV: Piracy, Cord-Cutting, and the Future of Television (10.5195/cinej.2015.136) | References ORCID | 15.05 | 1 |
| 26 | Screening the Urban: An Analysis of the Urban Life and Subje… (10.5195/cinej.2016.140) | References ORCID | 15.05 | 1 |
| 27 | House of Affection: On the Way to the School (10.5195/cinej.2016.143) | References ORCID | 15.05 | 1 |
| 28 | Transnational Life: Where’d I Be Happy? A Research on the F… (10.5195/cinej.2017.159) | References ORCID | 15.05 | 1 |
| 29 | Women Trauma and Stereotype Tradition in Tunde Kelani’s Film… (10.5195/cinej.2017.176) | References ORCID | 15.05 | 1 |
| 30 | Violence in the Postcolonial Ghetto: Ngozi Onwurah's Welcome… (10.5195/cinej.2018.201) | References ORCID | 15.05 | 1 |
| 31 | Why to sell car to junkyard? (10.5195/cinej.2018.213) | References ORCID | 15.05 | 1 |
| 32 | “Youtuber Movies” From New Media to the Cinema (10.5195/cinej.2019.230) | References | 15.05 | 3 |
| 33 | Samsara documentary: narrative and discourse analysis and a… (10.5195/cinej.2019.234) | References ORCID | 15.05 | 1 |
| 34 | Deglamming as Estrangement: Ugly in Monster, The Hours, and… (10.5195/cinej.2020.268) | References ORCID | 15.05 | 1 |
| 35 | The Liminal and the Surreal: The Space of Limbo and Dreams i… (10.5195/cinej.2021.342) | References ORCID | 15.05 | 1 |
| 36 | The world of Assamese celluloid: ‘yesterday and today’ (10.5195/cinej.2021.358) | References ORCID | 15.05 | 1 |
| 37 | Changes in Women’s Representations in Turkish Cinema from th… (10.5195/cinej.2021.450) | References ORCID | 15.05 | 1 |
| 38 | The Role of the Chorus in Akira Kurosawa's 1990 Yume (Dreams… (10.5195/cinej.2024.585) | References ORCID | 15.05 | 1 |
| 39 | Imagining Friends and Foes: The (Re)Education of Jojo Rabbit (10.5195/cinej.2024.601) | References ORCID | 15.05 | 1 |
| 40 | Nollywood in Cameroon: Transnationalisation and Reception o… (10.5195/cinej.2017.175) | References | 11.93 | 2 |
| 41 | Wild Pear Trees, Patrimonial Legacies: Father-Son Relationsh… (10.5195/cinej.2019.233) | References | 11.93 | 2 |
| 42 | Performing Heteronormativity: The Discourse of the College H… (10.5195/cinej.2020.240) | References | 11.93 | 2 |
| 43 | Transformation of Comedy with Streaming Services: The Case o… (10.5195/cinej.2020.300) | References | 11.93 | 2 |
| 44 | Diversity and Inclusion in Film, Television and Media Sector… (10.5195/cinej.2021.414) | References | 11.93 | 2 |
| 45 | Ancient Telling, Contemporary Showing: A Reading of The Kill… (10.5195/cinej.2023.465) | References | 11.93 | 2 |
| 46 | Joker: Film, Working Class and Post-Truth (10.5195/cinej.2023.587) | References | 11.93 | 2 |
| 47 | Social Construct of Nollywood Films and Ethnocentrism in Sou… (10.5195/cinej.2024.632) | References | 11.93 | 2 |
| 48 | Presentation of Nuri Bilge Ceylan and his Cinema in the Tur… (10.5195/cinej.2018.185) | References | 7.53 | 1 |
| 49 | Halit Refig's I Lost My Heart to a Turk: Woman, Islam and Mo… (10.5195/cinej.2018.223) | References | 7.53 | 1 |
| 50 | The Urbanization of Labor and Its Struggle for Unionism in T… (10.5195/cinej.2019.239) | References | 7.53 | 1 |
| 51 | Shattered Identity of Immigrant Artist and Creation of Art i… (10.5195/cinej.2020.220) | References | 7.53 | 1 |
| 52 | Emerging Discourses, Changing Perspectives: Iraq in Oscar D… (10.5195/cinej.2020.247) | References | 7.53 | 1 |
| 53 | Evaluation of Neurocinema as An Introduction to an Interdisc… (10.5195/cinej.2020.267) | References | 7.53 | 1 |
| 54 | Becoming-Animal in the Narrative and the Form of Reha Erdem’… (10.5195/cinej.2020.275) | References | 7.53 | 1 |
| 55 | Review of Audio-Vision: Sound on Screen (10.5195/cinej.2020.289) | References | 7.53 | 1 |
| 56 | Coming of Age in the Diaspora: Bollywood and the Representat… (10.5195/cinej.2021.366) | References | 7.53 | 1 |
| 57 | The Black magic: An aesthetic analysis of its illustration i… (10.5195/cinej.2022.464) | References | 7.53 | 1 |
| 58 | Pioneering "Experimental Heroes" of Turkish Cinema (10.5195/cinej.2023.548) | References | 7.53 | 1 |
| 59 | A Corpus-Based Socio-Onomastic Analysis On Turkish And Ameri… (10.5195/cinej.2023.589) | References | 7.53 | 1 |
| 60 | Beyond The “Joker” Movie: Cinema As A Politainment Agent (10.5195/cinej.2023.606) | References | 7.53 | 1 |
| 61 | Remembering The Civil War in Today’s Lebanese Cinema (10.5195/cinej.2025.714) | References | 7.53 | 1 |
| 62 | Strangers No More: the Initial Hitchcock murder (10.5195/cinej.2011.1) | References ORCID License | 0.00 | 0 |
| 63 | Cinema on Cinema: The Kinship between Cinema Paradiso and Zı… (10.5195/cinej.2011.10) | References ORCID License | 0.00 | 0 |
| 64 | Sedimentations: Some Thoughts on Schoenberg’s Musical Accom… (10.5195/cinej.2011.11) | References ORCID License | 0.00 | 0 |
| 65 | Reflections of Traditional-Modern Dilemma and Use of Space… (10.5195/cinej.2011.17) | References ORCID License | 0.00 | 0 |
| 66 | The ‘Return to Home’: The Musical Construction of a Common T… (10.5195/cinej.2011.22) | References ORCID License | 0.00 | 0 |
| 67 | New Turkish Cinema – Some Remarks On The Homesickness Of Th… (10.5195/cinej.2011.23) | References ORCID License | 0.00 | 0 |
| 68 | UFA Orientalism. The “Orient” in Early German Film: Lubitsch… (10.5195/cinej.2011.24) | References ORCID License | 0.00 | 0 |
| 69 | Reinvigorating Film Studies: An Immodest Proposal (10.5195/cinej.2011.26) | References ORCID License | 0.00 | 0 |
| 70 | Editors Introduction (10.5195/cinej.2011.28) | References ORCID License | 0.00 | 0 |
| 71 | Editors' Note (10.5195/cinej.2011.32) | Abstract References ORCID License | 0.00 | 0 |
| 72 | The IMAGES Project (www.images-1.over-blog.org) and the IMAG… (10.5195/cinej.2011.33) | Abstract References ORCID License | 0.00 | 0 |
| 73 | The Special Issue Editors (10.5195/cinej.2011.34) | Abstract References ORCID License | 0.00 | 0 |
| 74 | The Wing Beat of the Butterfly. The Causality of Asymmetric… (10.5195/cinej.2011.37) | References ORCID License | 0.00 | 0 |
| 75 | Identity, Cultural Representation and Feminism in the Movie… (10.5195/cinej.2011.9) | References ORCID License | 0.00 | 0 |
| 76 | The Avenging Females: A Comparative Analysis of Kill Bill Vo… (10.5195/cinej.2012.40) | References ORCID License | 0.00 | 0 |
| 77 | Historical “Truth,” Constructed Memory: Restaging Germany’s… (10.5195/cinej.2012.41) | References ORCID License | 0.00 | 0 |
| 78 | Necessary Fictions: From Cinéma vérité to Ciné, ma vérité(s) (10.5195/cinej.2012.42) | References ORCID License | 0.00 | 0 |
| 79 | Secrets, Trauma, and the Memory Market (or the return of the… (10.5195/cinej.2012.43) | References ORCID License | 0.00 | 0 |
| 80 | Seeking God in Early Bergman: The Cases of The Seventh Seal… (10.5195/cinej.2012.45) | References ORCID License | 0.00 | 0 |
| 81 | Garden of Ambivalence The Topology of the Mother-child Dyad… (10.5195/cinej.2012.48) | References ORCID License | 0.00 | 0 |
| 82 | Editorial (10.5195/cinej.2012.59) | References ORCID License | 0.00 | 0 |
| 83 | Same Story But Different Cover: The Substitution Principle i… (10.5195/cinej.2013.55) | References ORCID License | 0.00 | 0 |
| 84 | Chop Shop and Foreign Parts settle on the fuzzy boundary bet… (10.5195/cinej.2013.68) | References ORCID License | 0.00 | 0 |
| 85 | Editorial (10.5195/cinej.2013.75) | References ORCID License | 0.00 | 0 |
| 86 | Fiction Criticizing Reality: Abbas Kiarostami and the Cracke… (10.5195/cinej.2013.77) | References ORCID License | 0.00 | 0 |
| 87 | The Otolith Group’s “Monuments to Dead Television.” Independ… (10.5195/cinej.2013.78) | References ORCID License | 0.00 | 0 |
| 88 | The Body As Cogito: A Certain Contemporary Film In The Light… (10.5195/cinej.2013.79) | References ORCID License | 0.00 | 0 |
| 89 | Book Review: Screen Distribution and the New King Kongs of t… (10.5195/cinej.2013.82) | References ORCID License | 0.00 | 0 |
| 90 | The Role Of The Refugee And The Impact Of Fragmented Identit… (10.5195/cinej.2013.84) | References ORCID License | 0.00 | 0 |
| 91 | Festival Review: TIFF 2013, The Neoliberal Labyrinth of Cine… (10.5195/cinej.2013.85) | References ORCID License | 0.00 | 0 |
| 92 | Pattern of the Body Image in La Maison en Petits Cubes on t… (10.5195/cinej.2013.86) | References ORCID License | 0.00 | 0 |
| 93 | Editorial: Thank You to CINEJ Reviewers (10.5195/cinej.2013.90) | References ORCID License | 0.00 | 0 |
| 94 | Review of Masculinity and Gender in Greek Cinema (10.5195/cinej.2014.102) | References ORCID License | 0.00 | 0 |
| 95 | Review of Dark Energy: Hitchcock’s Absolute Camera and the P… (10.5195/cinej.2014.105) | References ORCID License | 0.00 | 0 |
| 96 | Review of The Drift: Affect, Adaptation and New Perspectives… (10.5195/cinej.2014.107) | References ORCID License | 0.00 | 0 |
| 97 | Review of Postfeminism and Paternity in Contemporary U.S. Fi… (10.5195/cinej.2014.108) | References ORCID License | 0.00 | 0 |
| 98 | Review of Vertov, Snow, Farocki: Machine Vision and the Post… (10.5195/cinej.2014.109) | References ORCID License | 0.00 | 0 |
| 99 | Review of Terrence Malick: Film and Philosophy (10.5195/cinej.2014.112) | References ORCID License | 0.00 | 0 |
| 100 | Mulholland Drive: An Intertextual Reading (10.5195/cinej.2014.114) | References ORCID | 0.00 | 0 |
| 101 | Editorial (10.5195/cinej.2014.116) | References ORCID License | 0.00 | 0 |
| 102 | Books Received (10.5195/cinej.2014.117) | References ORCID License | 0.00 | 0 |
| 103 | From Past To Present A Cognitive Work On “New Turkish Cinema… (10.5195/cinej.2014.121) | References ORCID | 0.00 | 0 |
| 104 | Editorial (10.5195/cinej.2014.134) | References ORCID | 0.00 | 0 |
| 105 | Recurrence: A Filmosophic Re-thinking of A Long Story/ Uzun… (10.5195/cinej.2014.95) | References ORCID License | 0.00 | 0 |
| 106 | Control and Resistance in the Heterotopic Spatiality of Plea… (10.5195/cinej.2015.125) | References ORCID | 0.00 | 0 |
| 107 | Monstrosity and War Memories in Latin American Post-conflict… (10.5195/cinej.2015.126) | References ORCID | 0.00 | 0 |
| 108 | Reinventing Consumption Traditions through the Process of Un… (10.5195/cinej.2015.128) | References ORCID | 0.00 | 0 |
| 109 | Editorial (10.5195/cinej.2015.139) | References ORCID | 0.00 | 0 |
| 110 | Pueblos Silenciosos/Silent Comunities: Within the Grain, Aga… (10.5195/cinej.2016.142) | References ORCID | 0.00 | 0 |
| 111 | Review of Christophe Honore (10.5195/cinej.2016.146) | Abstract References ORCID | 0.00 | 0 |
| 112 | Labyrinths and Illusions in David Lynch’s Mulholland Drive a… (10.5195/cinej.2016.150) | References ORCID | 0.00 | 0 |
| 113 | Review of The Bloomsbury Companions to Contemporary Film-mak… (10.5195/cinej.2016.152) | Abstract References ORCID | 0.00 | 0 |
| 114 | Review of Postcolonial Theory and Avatar (10.5195/cinej.2016.153) | Abstract References ORCID | 0.00 | 0 |
| 115 | Editorial (10.5195/cinej.2016.164) | Abstract References ORCID | 0.00 | 0 |
| 116 | HBO Effect (10.5195/cinej.2017.148) | References ORCID | 0.00 | 0 |
| 117 | Zippo Marx (10.5195/cinej.2017.151) | References ORCID | 0.00 | 0 |
| 118 | The last laugh: Strange humors of cinema (10.5195/cinej.2017.154) | References ORCID | 0.00 | 0 |
| 119 | Beyond the screen: Emerging cinema and engaging audiences (10.5195/cinej.2017.156) | References ORCID | 0.00 | 0 |
| 120 | Kingdom of Heaven and its ideological message (10.5195/cinej.2017.158) | References ORCID | 0.00 | 0 |
| 121 | Books received (10.5195/cinej.2017.162) | References | 0.00 | 0 |
| 122 | Editorial (10.5195/cinej.2017.173) | References ORCID | 0.00 | 0 |
| 123 | Cinematic Orientalism: Bab el Oued City & The Time that… (10.5195/cinej.2017.179) | References ORCID | 0.00 | 0 |
| 124 | The Orientation of Future Cinema: Technology, Aesthetics, Sp… (10.5195/cinej.2017.194) | References | 0.00 | 0 |
| 125 | Interpersonal Relations as a Tool to Film Directing (10.5195/cinej.2018.189) | References ORCID | 0.00 | 0 |
| 126 | Order, Disobedience and Power in Kieslowski’s Dekalog (10.5195/cinej.2018.199) | References ORCID | 0.00 | 0 |
| 127 | Comic Venus: Women and Comedy in American Silent Film (10.5195/cinej.2018.205) | References ORCID | 0.00 | 0 |
| 128 | Going Beyond Boundaries: There is a Way and the Use of Engli… (10.5195/cinej.2018.206) | References ORCID | 0.00 | 0 |
| 129 | The War that Won't Die: The Spanish Civil War in Cinema (10.5195/cinej.2018.208) | References ORCID | 0.00 | 0 |
| 130 | Queer Theory and Brokeback Mountain (10.5195/cinej.2018.211) | References ORCID | 0.00 | 0 |
| 131 | Political Claustrophobia in Lars von Trier’s Europa and Amer… (10.5195/cinej.2018.218) | References | 0.00 | 0 |
| 132 | Let’s Make it American: American Remakes of the British Fil… (10.5195/cinej.2018.221) | References | 0.00 | 0 |
| 133 | The Homosexual Male Gaze: Normalizing Homosexuality through… (10.5195/cinej.2019.177) | References ORCID | 0.00 | 0 |
| 134 | Star Wars: The Force Awakens [the Western Pleasure Principle… (10.5195/cinej.2019.216) | References | 0.00 | 0 |
| 135 | Inner and deeper: Motifs of fiction in Werner Herzog's films (10.5195/cinej.2019.224) | References | 0.00 | 0 |
| 136 | Rethinking Pornography within the Context of the New French… (10.5195/cinej.2019.236) | References ORCID | 0.00 | 0 |
| 137 | Miyazakiworld: A Life in Art (10.5195/cinej.2019.245) | References ORCID | 0.00 | 0 |
| 138 | Comic Venus: Women and Comedy in American Silent Film (10.5195/cinej.2019.246) | References ORCID | 0.00 | 0 |
| 139 | Editorial (10.5195/cinej.2019.250) | References | 0.00 | 0 |
| 140 | From Box office to memory: Telling stories is not an innocen… (10.5195/cinej.2020.182) | References ORCID | 0.00 | 0 |
| 141 | Crushing Life in the Anthropocene? Destroying Simulated "Nat… (10.5195/cinej.2020.225) | References | 0.00 | 0 |
| 142 | Rethinking Pornography within the Context of the New French… (10.5195/cinej.2020.236) | References ORCID License | 0.00 | 0 |
| 143 | Cinema And Society In The Light Of Emile Zola’s Naturalism (10.5195/cinej.2020.244) | References ORCID | 0.00 | 0 |
| 144 | A Reading of Bhabendra Nath Saikia's Films from Feminist Len… (10.5195/cinej.2020.261) | References ORCID | 0.00 | 0 |
| 145 | Transformation of Love in the Digital Age: The film Her and… (10.5195/cinej.2020.264) | References | 0.00 | 0 |
| 146 | The Study of Rubaiyat attributed to Khayyam in Movies (10.5195/cinej.2020.271) | References | 0.00 | 0 |
| 147 | Antiochia As A Cinematic Space and Semir Aslanyürek as a Fil… (10.5195/cinej.2020.279) | References | 0.00 | 0 |
| 148 | Remembering Thomas Elsaesser and Peter Wollen (10.5195/cinej.2020.286) | References | 0.00 | 0 |
| 149 | review of Allegory in Iranian Cinema: The Aesthetics of Poet… (10.5195/cinej.2020.292) | Abstract References ORCID | 0.00 | 0 |
| 150 | Review of The Supernatural Sublime: The Wondrous Ineffabilit… (10.5195/cinej.2020.297) | References ORCID | 0.00 | 0 |
| 151 | Review of The Mummy on Screen: Orientalism and Monstrosity i… (10.5195/cinej.2020.308) | References ORCID | 0.00 | 0 |
| 152 | Books Received 2020 (10.5195/cinej.2020.350) | References | 0.00 | 0 |
| 153 | Female Representation in Select Films of Frank Rajah Arase:… (10.5195/cinej.2021.287) | References | 0.00 | 0 |
| 154 | The Millennial Antinostalgic: Yoav in Nadav Lapid’s Synonyme… (10.5195/cinej.2021.288) | References ORCID | 0.00 | 0 |
| 155 | Reading the Simultaneous Motion and Reality Bending Concepts… (10.5195/cinej.2021.301) | References | 0.00 | 0 |
| 156 | Cinema: Not Frames But Veils (10.5195/cinej.2021.312) | References | 0.00 | 0 |
| 157 | Some Problems with Gendered Subjectivity and Representation:… (10.5195/cinej.2021.321) | References | 0.00 | 0 |
| 158 | Formation Of The Ambiguous Heroic Archetype: Three Jewish-Am… (10.5195/cinej.2021.322) | References | 0.00 | 0 |
| 159 | Waking (Dreaming): A Vedantic Reflection on Richard Linklate… (10.5195/cinej.2021.330) | References ORCID | 0.00 | 0 |
| 160 | Baudrillard, Hyperreality, and the Evil in Othello and The H… (10.5195/cinej.2021.354) | References | 0.00 | 0 |
| 161 | Disgraced of the West, Deserted of the East: Men in the Film… (10.5195/cinej.2021.359) | References ORCID | 0.00 | 0 |
| 162 | Review of Towards A Political Aesthetics of Cinema: The Outs… (10.5195/cinej.2021.371) | References ORCID | 0.00 | 0 |
| 163 | Review of Shoe Reels: The History and Philosophy of Footwea… (10.5195/cinej.2021.388) | References | 0.00 | 0 |
| 164 | Review of Theorizing Film Through Contemporary Art: Expandin… (10.5195/cinej.2021.404) | References ORCID | 0.00 | 0 |
| 165 | Yilmaz Güney’s The Fields of Yuréghir and Arkadaş: From Desp… (10.5195/cinej.2021.407) | References | 0.00 | 0 |
| 166 | Books Received 2021 (10.5195/cinej.2021.415) | References | 0.00 | 0 |
| 167 | Locating the Storyteller in Silent Waters: Sabiha Sumar’s Ci… (10.5195/cinej.2021.426) | References ORCID | 0.00 | 0 |
| 168 | Deterritorializing The Self: Becoming-Child in the Character… (10.5195/cinej.2022.364) | References ORCID | 0.00 | 0 |
| 169 | The Relation of Female Characters to Nature in the Turkish S… (10.5195/cinej.2022.410) | References | 0.00 | 0 |
| 170 | Exploring Modes of Surveillance in Films (10.5195/cinej.2022.444) | References | 0.00 | 0 |
| 171 | Politicizing the superhero genre: The case of Watchmen (HBO,… (10.5195/cinej.2022.509) | References | 0.00 | 0 |
| 172 | Minik Serçe as a Contrary Example Among the Singer Films in… (10.5195/cinej.2022.522) | References | 0.00 | 0 |
| 173 | Güneş Ne Zaman Doğacak?: A different approach from the persp… (10.5195/cinej.2022.525) | References | 0.00 | 0 |
| 174 | Thirteen Days: A Political Reading (10.5195/cinej.2022.537) | References | 0.00 | 0 |
| 175 | An Examination of Red Dragon (2002) in Light of the Deleuzia… (10.5195/cinej.2023.363) | References | 0.00 | 0 |
| 176 | Socio-Cultural Archetypes: Interrogating African Virginity… (10.5195/cinej.2023.405) | References | 0.00 | 0 |
| 177 | Understanding masculinity in Turkey through the films of ma… (10.5195/cinej.2023.413) | References | 0.00 | 0 |
| 178 | The Acoustic Mirror and Subversive Visual Strategies in Park… (10.5195/cinej.2023.446) | References | 0.00 | 0 |
| 179 | The Mortality Narratives in Cultural Representations: Themes… (10.5195/cinej.2023.462) | References | 0.00 | 0 |
| 180 | When Silence Becomes Overstretched: Exploring the Loud Silen… (10.5195/cinej.2023.470) | References ORCID | 0.00 | 0 |
| 181 | Deceptive Retrospective Narrative Strategy and Synchronistic… (10.5195/cinej.2023.475) | References | 0.00 | 0 |
| 182 | Excursion among the Countries, Documentary, and Essay: Layer… (10.5195/cinej.2023.478) | References | 0.00 | 0 |
| 183 | Othering New Women: A Multimodal Approach to The Hymn of Dea… (10.5195/cinej.2023.481) | References ORCID | 0.00 | 0 |
| 184 | Slow Steps: The Institutional Development of Slovak Film Fro… (10.5195/cinej.2023.491) | References | 0.00 | 0 |
| 185 | Autobiographical Traces in Chantal Akerman’s Jeanne Dielman… (10.5195/cinej.2023.493) | References | 0.00 | 0 |
| 186 | A Narrative of An Ideological Destruction: Where Do We Go No… (10.5195/cinej.2023.506) | References | 0.00 | 0 |
| 187 | Framing the Subaltern: Humanitarian Violence in Liz Mermin’s… (10.5195/cinej.2023.549) | References ORCID | 0.00 | 0 |
| 188 | Representation of Teachers in Turkish Cinema Between 1940 an… (10.5195/cinej.2023.566) | References | 0.00 | 0 |
| 189 | Cinematic Views on Critical Representations of the Economic… (10.5195/cinej.2023.569) | References | 0.00 | 0 |
| 190 | Seeking the Political Function of Time-Image in New Turkish… (10.5195/cinej.2023.571) | References | 0.00 | 0 |
| 191 | Short History of Industrialization: A Cinematographic Approa… (10.5195/cinej.2023.574) | References | 0.00 | 0 |
| 192 | Getting Your Money Back: Swedish Funding Institutions and Q… (10.5195/cinej.2023.595) | References | 0.00 | 0 |
| 193 | Honor in the Mediterranean: A Comparative Narrative Analysis… (10.5195/cinej.2024.584) | References ORCID | 0.00 | 0 |
| 194 | Mapping the Trajectory of Adolescent Sexuality: The Portrait… (10.5195/cinej.2024.588) | References ORCID | 0.00 | 0 |
| 195 | From Home to Destitution: Deprived and Ignored Children in Y… (10.5195/cinej.2024.592) | References ORCID | 0.00 | 0 |
| 196 | Sound Design in the Turkish TV Series and Cinema Sector: Pos… (10.5195/cinej.2024.596) | References ORCID | 0.00 | 0 |
| 197 | An Exploration of the Changing Reputation of Spring In A Sma… (10.5195/cinej.2024.597) | References ORCID | 0.00 | 0 |
| 198 | The Possibility of Impossibility: Reading The Watermelon Wom… (10.5195/cinej.2024.599) | References | 0.00 | 0 |
| 199 | Woman’s Cinema on the Sri Lankan Silver Screen and the "Othe… (10.5195/cinej.2024.600) | References ORCID | 0.00 | 0 |
| 200 | Masochist and Sadist Individuals at the Socio-Cultural Crisi… (10.5195/cinej.2024.604) | References ORCID | 0.00 | 0 |
| 201 | Interactive documentary as a living and embodying experience… (10.5195/cinej.2024.617) | References | 0.00 | 0 |
| 202 | Mary Shelley Biopic (2017): A filmic discourse analysis (10.5195/cinej.2024.618) | References | 0.00 | 0 |
| 203 | Reading Stanley Kubrick’s The Shining Against the Backdrop o… (10.5195/cinej.2024.621) | References | 0.00 | 0 |
| 204 | The Ultimately Determinant Role of Economy in Yilmaz Güney's… (10.5195/cinej.2024.622) | References | 0.00 | 0 |
| 205 | A Sentimental Android? M3GAN (2022) and Monstrous Doubling a… (10.5195/cinej.2024.633) | References ORCID | 0.00 | 0 |
| 206 | Ecranisation Analysis of Chimamanda Ngozi Adichie’s Half of… (10.5195/cinej.2024.639) | References | 0.00 | 0 |
| 207 | Ink And Influence: The Role of Media on Climate Policy Under… (10.5195/cinej.2024.645) | References | 0.00 | 0 |
| 208 | Masochistic Performance of Scheherazade: A Multimodal Analys… (10.5195/cinej.2024.646) | References | 0.00 | 0 |
| 209 | Review of Farmed Animals on Film: A Manifesto for a New Ethi… (10.5195/cinej.2024.652) | References ORCID | 0.00 | 0 |
| 210 | Calcutta Through Different Lenses: Revisiting India in Jean… (10.5195/cinej.2024.656) | References | 0.00 | 0 |
| 211 | Green Border: Cinematic Storytelling as History of the Prese… (10.5195/cinej.2024.680) | References | 0.00 | 0 |
| 212 | The Relationship Between the Behavior Change Created in the… (10.5195/cinej.2025.637) | References | 0.00 | 0 |
| 213 | Ecofeminist Sensorium Mise-en-scène in The Scent of Green Pa… (10.5195/cinej.2025.640) | References | 0.00 | 0 |
| 214 | ‘Everything Must Go’: Joker as a Banner for Postmodernism (10.5195/cinej.2025.654) | References | 0.00 | 0 |
| 215 | The Lexicons of Cult Film: Rhetoric, Media, and The Big Lebo… (10.5195/cinej.2025.659) | References | 0.00 | 0 |
| 216 | From Cinema to Youtube: Globalization and Active Audience of… (10.5195/cinej.2025.660) | References | 0.00 | 0 |
| 217 | Sleeping through The Big Lebowski: Sleep, Dreams, and Rest i… (10.5195/cinej.2025.670) | References | 0.00 | 0 |
| 218 | The Deconstruction of Patriarchal Honor in Turkish Cinema:… (10.5195/cinej.2025.672) | References | 0.00 | 0 |
| 219 | Triangle of Sadness: Of Vulnerability and Michel Foucault's… (10.5195/cinej.2025.677) | References | 0.00 | 0 |
| 220 | Death, Aging, and Ecology in The Ballad of Narayama (1983) (10.5195/cinej.2025.678) | References | 0.00 | 0 |
| 221 | Deconstructing Japanese Romance Films through the Lens of Wa… (10.5195/cinej.2025.679) | References ORCID | 0.00 | 0 |
| 222 | Binge-Watching and the Theory of Desire: A Lacanian Perspect… (10.5195/cinej.2025.682) | References | 0.00 | 0 |
| 223 | The Relation of Film, Literature, and Music: The Big Lebowsk… (10.5195/cinej.2025.695) | References | 0.00 | 0 |
| 224 | Frank Sinatra: Jazz Actor (10.5195/cinej.2025.708) | References | 0.00 | 0 |
| 225 | Joyland: A Cinematic Representation of Pakistani Patriarchal… (10.5195/cinej.2025.709) | References | 0.00 | 0 |
| 226 | The Filmic Representation of Women: Paradigm Versus Perspect… (10.5195/cinej.2025.711) | References | 0.00 | 0 |
| 227 | Spatial Thresholds and Existential Dilemmas in New Turkish C… (10.5195/cinej.2025.712) | References | 0.00 | 0 |
| 228 | Infrahumanization and Dehumanization of Women in Turkish Com… (10.5195/cinej.2025.716) | References | 0.00 | 0 |
| 229 | Revisiting History in Yeşilçam Cinema: An Analysis on Yeşilç… (10.5195/cinej.2025.718) | References | 0.00 | 0 |
| 230 | Coding And Signification In Cinema: Semiological Perusal Of… (10.5195/cinej.2025.725) | References | 0.00 | 0 |
| 231 | Is She Still There?: Child Sex Trafficking, Traumatic Memory… (10.5195/cinej.2025.730) | References | 0.00 | 0 |
| 232 | An Investigation of the Relationship Between Violence and Em… (10.5195/cinej.2025.736) | References | 0.00 | 0 |
| 233 | Queer Cinema and Melodrama: A Perspective from Queer Directo… (10.5195/cinej.2025.744) | References | 0.00 | 0 |
| 234 | Dementia, Cognitive Narratology, and Unreliable Narration in… (10.5195/cinej.2025.751) | References | 0.00 | 0 |
| 235 | Oral History Study on Erotic Cinema: Turkish Cinema from 197… (10.5195/cinej.2025.752) | References | 0.00 | 0 |
| 236 | Silent Frames of Social Realism: Exploring Economic Disparit… (10.5195/cinej.2025.756) | References | 0.00 | 0 |
| 237 | Use of ASMR Technique in Movies (10.5195/cinej.2025.758) | References | 0.00 | 0 |
| 238 | Evaluating Turkish Comedy Cinema From the Perspective of a F… (10.5195/cinej.2025.759) | References | 0.00 | 0 |
| 239 | Deconstruction of Chinese Masculinity, Adaptation of Hong Ko… (10.5195/cinej.2025.763) | References | 0.00 | 0 |
| 240 | The Interrelation of TV-series and Interior Design in the Co… (10.5195/cinej.2025.767) | References | 0.00 | 0 |
| 241 | Review of Rated A: Soft Porn Cinema and Mediations of Desire… (10.5195/cinej.2025.780) | References | 0.00 | 0 |
| 242 | Review of Architecture in Cinema (10.5195/cinej.2025.783) | References | 0.00 | 0 |
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| 245 | Review of Exposing Vulnerability: Self-Mediation in Scandina… (10.5195/cinej.2025.848) | References | 0.00 | 0 |
| 246 | Review of Contemporary Art Cinema Culture in China (10.5195/cinej.2025.849) | References | 0.00 | 0 |