| 1 | From Neumes to Notes: The Evolution of Music Notation (10.15385/jmo.2013.4.1.1) | Abstract References ORCID License | 130.10 | 19 |
| 2 | Oral Transmission: A Marriage of Music, Language, Tradition,… (10.15385/jmo.2015.6.1.2) | Abstract References ORCID License | 111.39 | 12 |
| 3 | Music: Its Expressive Power and Moral Significance (10.15385/jmo.2010.1.1.2) | Abstract References ORCID License | 84.51 | 6 |
| 4 | Guido of Arezzo and His Influence on Music Learning (10.15385/jmo.2012.3.1.4) | Abstract References ORCID License | 69.90 | 4 |
| 5 | The Effects of Music Therapy on Individuals Suffering from P… (10.15385/jmo.2019.10.2.2) | Abstract References ORCID License | 69.90 | 4 |
| 6 | Béla Bartók: The Father of Ethnomusicology (10.15385/jmo.2012.3.2.2) | Abstract References ORCID License | 60.21 | 3 |
| 7 | A New Approach: The Feminist Musicology Studies of Susan McC… (10.15385/jmo.2014.5.1.3) | Abstract References ORCID License | 60.21 | 3 |
| 8 | Music and the Mind: Music's Healing Powers (10.15385/jmo.2017.8.1.1) | Abstract References ORCID License | 60.21 | 3 |
| 9 | The Unifying Strands: Formalism and Gestalt Theory in the Mu… (10.15385/jmo.2018.9.1.3) | Abstract References ORCID License | 60.21 | 3 |
| 10 | Music in the Third Reich (10.15385/jmo.2012.3.2.3) | Abstract References ORCID License | 47.71 | 2 |
| 11 | Instruction, Devotion, and Affection: Three Roles of Bach’s… (10.15385/jmo.2013.4.1.2) | Abstract References ORCID License | 47.71 | 2 |
| 12 | Blah, Blah, Blah: Making Sense of Nonsense in Irish Vocal Mu… (10.15385/jmo.2014.5.2.2) | Abstract References ORCID License | 47.71 | 2 |
| 13 | The Effect of Richard Wagner's Music and Beliefs on Hitler's… (10.15385/jmo.2016.7.2.1) | Abstract References ORCID License | 47.71 | 2 |
| 14 | Total Artwork: Wagner's Philosophies on Art and Music in the… (10.15385/jmo.2022.13.1.2) | References ORCID License | 35.78 | 2 |
| 15 | Sing on, Ntsikana: The Story of Christian Music Among the Xh… (10.15385/jmo.2010.1.1.3) | Abstract References ORCID License | 30.10 | 1 |
| 16 | The Theory of Silence (10.15385/jmo.2011.2.1.1) | Abstract References ORCID License | 30.10 | 1 |
| 17 | William Byrd: Political and Recusant Composer (10.15385/jmo.2012.3.1.2) | Abstract References ORCID License | 30.10 | 1 |
| 18 | A Walk Through an American Classic (10.15385/jmo.2012.3.2.1) | Abstract References ORCID License | 30.10 | 1 |
| 19 | Ancient Worship Wars: An Investigation of Conflict in Church… (10.15385/jmo.2014.5.2.3) | Abstract References ORCID License | 30.10 | 1 |
| 20 | The Doctrine of Affections: Where Art Meets Reason (10.15385/jmo.2017.8.2.2) | Abstract References ORCID License | 30.10 | 1 |
| 21 | The Basel Museum of Music: Instrumental History (10.15385/jmo.2019.10.2.4) | Abstract References ORCID License | 30.10 | 1 |
| 22 | Gustav Mahler the Protomodernist (10.15385/jmo.2020.11.1.2) | Abstract References ORCID License | 30.10 | 1 |
| 23 | The Rise of Opera in Monteverdi’s Orfeo (10.15385/jmo.2021.12.2.1) | Abstract References ORCID License | 30.10 | 1 |
| 24 | The Opera Party: An Inquiry into the Politics of Opera in En… (10.15385/jmo.2025.16.1.1) | Abstract References ORCID License | 30.10 | 1 |
| 25 | Joyful, Joyful! The Musical Significance of Beethoven's Nint… (10.15385/jmo.2022.13.2.2) | References ORCID License | 22.58 | 1 |
| 26 | Tomorrow Our Seeds Will Grow: The Miseducation of Lauryn Hil… (10.15385/jmo.2022.13.2.3) | References License | 15.05 | 1 |
| 27 | The Rhetoric of the Troubadours (10.15385/jmo.2010.1.1.1) | Abstract References ORCID License | 0.00 | 0 |
| 28 | Conservative Radical: Martin Luther’s Influence on Congregat… (10.15385/jmo.2010.1.2.1) | Abstract References ORCID License | 0.00 | 0 |
| 29 | Dance and Its Importance in Bach’s Suites for Solo Cello (10.15385/jmo.2010.1.2.2) | Abstract References ORCID License | 0.00 | 0 |
| 30 | The Journey of the Song Cycle: From “The Iliad” to “American… (10.15385/jmo.2010.1.2.3) | Abstract References ORCID License | 0.00 | 0 |
| 31 | The Development of the Flute as a Solo Instrument from the M… (10.15385/jmo.2011.2.1.2) | Abstract References ORCID License | 0.00 | 0 |
| 32 | Così fan tutte: Brilliance or Buffoonery? (10.15385/jmo.2011.2.2.1) | Abstract References ORCID License | 0.00 | 0 |
| 33 | From Mozart to Lookout: the Flute’s Evolution from 1800 (10.15385/jmo.2011.2.2.2) | Abstract References ORCID License | 0.00 | 0 |
| 34 | Sacred German Music in the Thirty Years’ War (10.15385/jmo.2012.3.1.1) | Abstract References ORCID License | 0.00 | 0 |
| 35 | Improvisation: Performer as Co-composer (10.15385/jmo.2012.3.1.3) | Abstract References ORCID License | 0.00 | 0 |
| 36 | On the Power of Music: Using 'Cosmos' and 'Anthropos' to Art… (10.15385/jmo.2013.4.1.3) | Abstract References ORCID License | 0.00 | 0 |
| 37 | A Bridge over Troubled Water: Le tombeau de Couperin (10.15385/jmo.2013.4.2.1) | Abstract References ORCID License | 0.00 | 0 |
| 38 | Altered but Not Silenced: How Shostakovich Retained His Voic… (10.15385/jmo.2013.4.2.2) | Abstract References ORCID License | 0.00 | 0 |
| 39 | Three Kings and the Bright Star of Fame (10.15385/jmo.2013.4.2.3) | Abstract References ORCID License | 0.00 | 0 |
| 40 | Born to Conquer: The Fortepiano’s Revolution of Keyboard Tec… (10.15385/jmo.2014.5.1.1) | Abstract References ORCID License | 0.00 | 0 |
| 41 | Learning to Play: Cognitive and Physical Development of Chil… (10.15385/jmo.2014.5.1.2) | Abstract References ORCID License | 0.00 | 0 |
| 42 | Sing to the Lord a New Song: John Calvin and the Spiritual D… (10.15385/jmo.2014.5.2.1) | Abstract References ORCID License | 0.00 | 0 |
| 43 | He Started the Whole World Singing a Song (10.15385/jmo.2015.6.1.1) | Abstract References ORCID License | 0.00 | 0 |
| 44 | Ruling the Market: How Venice Dominated the Early Music Prin… (10.15385/jmo.2015.6.1.3) | Abstract References ORCID License | 0.00 | 0 |
| 45 | Development and Dissemination: Deliberations on Spanish Rena… (10.15385/jmo.2015.6.2.1) | Abstract References ORCID License | 0.00 | 0 |
| 46 | Give My Regards to the Book (10.15385/jmo.2015.6.2.2) | Abstract References ORCID License | 0.00 | 0 |
| 47 | Expression Surpassing Words: Gorecki’s Symphony No. 3, Op. 3… (10.15385/jmo.2015.6.2.3) | Abstract References ORCID License | 0.00 | 0 |
| 48 | From Silence to Golden: The Slow Integration of Instruments… (10.15385/jmo.2015.8.1.2) | Abstract References ORCID License | 0.00 | 0 |
| 49 | Coursing with Coils: The Only Orchestral Instrument Harder T… (10.15385/jmo.2016.7.1.1) | Abstract References ORCID License | 0.00 | 0 |
| 50 | Birth of the Pipes: The Organ from its Beginnings Through th… (10.15385/jmo.2016.7.1.2) | Abstract References ORCID License | 0.00 | 0 |