2308-1031

Journal of Musical Science

M.I. Glinka Novosibirsk State Conservatory

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DOIs for this ISSN

Showing the top 5 of 86 DOIs, ordered by correction priority.

# Title Missing Priority Citations
1 ABOUT SOME STYLISTIC AND ARTISTIC PRINCIPLES OF THE CYCLE “M… (10.63219/2308-1031-2025-3-42-50)
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22.58 1
2 THE HISTORY OF THE DEVELOPMENT OF BOOK STILL LIFE (10.63219/2308-1031-2025-4-202-215)
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22.58 1
3 GENRE AND STYLISTIC FEATURES OF WEDDING SONGS OF THE TURKIC… (10.63219/2308-1031-2025-2-105-115)
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4 IRKUTSK MUSIC AND THEATER CRITICISM ON THE PAGES OF THE NEWS… (10.63219/2308-1031-2025-2-116-126)
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5 THE PROCEDURE FOR THE MEANINGFUL ANALYSIS OF A MUSICAL COMPO… (10.63219/2308-1031-2025-2-127-136)
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6 PROBLEMS OF THE EDUCATIONAL PROCESS IN THE CONTEXT OF DIGITA… (10.63219/2308-1031-2025-2-137-145)
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7 CREATIVE WORK WITH INFORMATION AND COMMUNICATION TECHNOLOGIE… (10.63219/2308-1031-2025-2-146-153)
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8 “THE BOOK OF CHORALES FOR THE LAND OF SCHLESWIG-HOLLSTEIN” B… (10.63219/2308-1031-2025-2-154-161)
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9 OVERCOMING THE DEFICIENCIES IN VIOLIN PLACEMENT USING THE AL… (10.63219/2308-1031-2025-2-162-175)
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10 PERFORMING CREATIVITY OF OUTSTANDING CHINESE TENORS SHI HONG… (10.63219/2308-1031-2025-2-176-185)
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11 FEATURES OF AUTHOR'S STYLE IN CHAMBER-INSTRUMENTAL CREATIVIT… (10.63219/2308-1031-2025-2-19-28)
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12 SONATA no. 12, op. 69 “ANTIQUE” BY DMITRY TOLSTOY: THE SPECI… (10.63219/2308-1031-2025-2-29-37)
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13 ROCK OPERA BY A. KRUGLOV AND E. KHANPIRA “THE LAST TEST”: MU… (10.63219/2308-1031-2025-2-38-51)
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14 CONVERSATION OF THE TRENDS OF MODERN MUSICAL THOUGHT (LI XIA… (10.63219/2308-1031-2025-2-52-63)
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15 THE “RUSSIAN TRACE” IN THE CHAMBER AND INSTRUMENTAL WORKS OF… (10.63219/2308-1031-2025-2-64-70)
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16 MYTHOPOETICS AND THE STRUCTURE OF THE ARTISTIC WORLD IN THE… (10.63219/2308-1031-2025-2-71-82)
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17 THE SYMPHONIC POEM “SU WU” BY ZHANG XIAOHU IN THE CONTEXT OF… (10.63219/2308-1031-2025-2-83-93)
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18 ON THE SEMANTICS OF MYTHOPOEIC IMAGE-SYMBOLS IN E-MOLL PIANO… (10.63219/2308-1031-2025-2-9-18)
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19 REINTERPRETATION OF THE CLASSICAL TRADITION IN THE SONG OF H… (10.63219/2308-1031-2025-2-94-104)
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20 MUSICAL FIGURES OF JOHANN CHRISTOPH STIERLEIN AS AN ATTRIBUT… (10.63219/2308-1031-2025-3-102-113)
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21 DIVERTIMENTO AS AN INTRA-CYCLIC COMPOSITION IN HARPSICHORD S… (10.63219/2308-1031-2025-3-114-125)
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22 COMPOSITIONAL AND STYLISTIC MODEL OF THE FRENCH SECULAR CANT… (10.63219/2308-1031-2025-3-126-135)
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23 ON ALBERT SCHWEITZER’S WAGNERIANISM (10.63219/2308-1031-2025-3-136-149)
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24 SYNESTHETIC-SOMAESTHETIC MECHANISMS OF INTERTEXTUALITY IN MU… (10.63219/2308-1031-2025-3-150-159)
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25 STICHERA OF THE TROITSKIY CHANT (ON THE FEAST OF PENTECOST) (10.63219/2308-1031-2025-3-160-179)
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26 METHODS OF TEACHING CHURCH SINGING IN RUSSIA IN THE XVIII CE… (10.63219/2308-1031-2025-3-180-192.)
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27 NAI MUSIC IN THE AUDIO COLLECTION OF THE GOLDEN FUND OF THE… (10.63219/2308-1031-2025-3-193-199)
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28 THE BARCAROLLE IN THE PIANO OEUVRE OF GABRIEL FAURÉ (10.63219/2308-1031-2025-3-20-30)
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29 REINTERPRETATION OF THE CLASSICAL TRADITION IN THE SONG OF H… (10.63219/2308-1031-2025-3-200-214)
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30 A. ALYABYEV “NIGHTINGALE” IN TRANSCRIPTIONS OF EUROPEAN COMP… (10.63219/2308-1031-2025-3-31-41)
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31 SCHÜTZ’ SCHWANENGESANG (10.63219/2308-1031-2025-3-51-66)
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32 ORGAN BUILDING IN DANZIG-GDANSK IN THE 16th – 18th CENTURIES (10.63219/2308-1031-2025-3-67-76)
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33 ON THE RECONSTRUCTION OF THE MISSING LINK IN THE ANONYMOUS O… (10.63219/2308-1031-2025-3-77-90)
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34 THE WORKS OF D. SHOSTAKOVICH AND I. STRAVINSKY – TWO IMPLEME… (10.63219/2308-1031-2025-3-9-19)
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35 ON THE PROBLEM OF INTERPRETATION OF THE CONCEPT OF “SQUARE”… (10.63219/2308-1031-2025-3-91-101)
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36 SONG INCLUSIONS IN KORYAK-NYMYLAN MYTHOLOGICAL TALES PERFORM… (10.63219/2308-1031-2025-4-115-124)
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37 THE IMAGE OF ANEKÈ IN THE FIRST YUKAGIR OPERA N. MIKHEEVA “Y… (10.63219/2308-1031-2025-4-125-138)
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38 A MUSICIAN INTOXICATED BY THE STEPPE. TOUCHES TO THE CREATIV… (10.63219/2308-1031-2025-4-139-147)
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39 THE ROLE OF THE “EXEMPLARY REVOLUTIONARY THEATER” IN THE FOR… (10.63219/2308-1031-2025-4-148-160)
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40 MUSICAL AND STRUCTURAL ASPECTS OF SHORT PRAYER FORMULAS IN T… (10.63219/2308-1031-2025-4-161-174)
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41 MODERN STRING MATERIALS AS A WAY TO EXPAND THE TONAL ABILITI… (10.63219/2308-1031-2025-4-175-186)
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42 FORMATION OF A STUDENT’S CULTURAL AND EDUCATIONAL POSITION I… (10.63219/2308-1031-2025-4-187-195)
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43 DANCING IN THE FUNERAL RITES OF THE MIAO PEOPLE (10.63219/2308-1031-2025-4-196-201)
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44 I.S. BACH'S WELL-TEMPERED CLAVIER II VOLUME: HISTORY OF PERF… (10.63219/2308-1031-2025-4-22-31)
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45 THE STRUCTURAL MODEL OF A FAIRY TALE IN THE COMPOSER'S WORK (10.63219/2308-1031-2025-4-32-39)
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46 ENSEMBLE CONCERTATION IN THE WORKS OF THE COLLECTION “HARMON… (10.63219/2308-1031-2025-4-40-51)
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47 OPERA BY CHARLES-SIMON CATEL AND ÉTIENNE DE JOUY “LES BAYADÈ… (10.63219/2308-1031-2025-4-52-64)
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48 IMAGES OF DIFFERENT COUNTRIES IN V. REBIKOV’S PIANO CYCLE “A… (10.63219/2308-1031-2025-4-65-73)
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49 M. TARIVERDIEV'S INSTRUMENTAL CONCERTS: PROBLEMS OF ATTRIBUT… (10.63219/2308-1031-2025-4-74-83)
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50 VERBAL-MUSICAL TEXTS’ POETICS OF 2nd MODE GREEK CHANT OTHER… (10.63219/2308-1031-2025-4-84-97)
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