2311-2433

LITERARY PROCESS methodology names trends

Borys Grinchenko Kyiv Metropolitan University

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1 МУЗИЧНИЙ ДИСКУРС ТВОРЧОСТИ ДАРІЇ ВІКОНСЬКОЇМУЗЫКАЛЬНЫЙ ДИСКУ… (10.28925/2412-2475.2018.1210)
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30.10 1
2 THE COLLECTION OF POETRY “TOTURE CHAMBER. VINEYARD. HOME” BY… (10.28925/2412-2475.2018.11.7683)
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23.86 2
3 THE ISSUE OF FANFICTION LITERATURE GENRE CLASSIFICATION (10.28925/2412-2475.2019.143)
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22.58 1
4 THE CAUSES OF AUTHOR-NARRATOR’S SOLITUDE IN N. D. THOREAU’S… (10.28925/2412-2475.2018.11.97102)
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15.05 1
5 VARIATIVITY OF THE TOPOS «THE STATE» IN THE POETICAL MODEL O… (10.28925/2412-2475.2019.1414)
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15.05 1
6 THE INFLUENCE OF WESTERN CULTURE ON THE FORMATION OF CARPATH… (10.28925/2412-2475.2021.17.7)
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15.05 1
7 GENRE FEATURES OF HORROR LITERATURE (10.28925/2412-2475.2021.17.9)
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15.05 1
8 Models of narative representation of trauma (10.28925/2412-2475.2021.18.7)
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15.05 3
9 NEW FORMS OF ARTIST BIOGRAPHIES PRESENTATION AS INTELLECTUAL… (10.28925/2412-2475.2020.16.1)
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11.93 2
10 Intermedial strategies in biographical novels about artists… (10.28925/2412-2475.2021.18.6)
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11.93 2
11 GENRE CONVERSION IN CONTEMPORARY EUROPEAN DRAMA (10.28925/2412-2475.2019.132)
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7.53 1
12 The problem of woman’s emansipation in the feuilleton “Amazo… (10.28925/2412-2475.2020.15.11)
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7.53 1
13 The Far East, the ukrainians and the pathos of grandiose tra… (10.28925/2412-2475.2020.15.2)
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7.53 1
14 Genre searches in ukrainian playwrights’ plays about hybrid… (10.28925/2412-2475.2020.15.3)
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7.53 1
15 Ukraine by Ulas Samchuk: the synthesis of political and arti… (10.28925/2412-2475.2020.15.8)
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7.53 1
16 Specifics modeling pictures of childhood I. Zhylenko, P. Tyc… (10.28925/2412-2475.2020.16.14)
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7.53 1
17 Very ardent in words and frank in thoughts (touches to the b… (10.28925/2412-2475.2020.16.7)
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7.53 1
18 Author’s Being and Death: from Ancient Times to Postmodernis… (10.28925/2412-2475.2023.21.12)
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7.53 1
19 «Close the Sky» of Neda Nezdana: War, Memory, Women’s Trauma… (10.28925/2412-2475.2023.21.2)
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7.53 1
20 EPISTOLARY DIALOGUES OF WINSTON CHURCHILL WITH HIS WIFE CLEM… (10.28925/2412-2475.2018.11.102107)
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21 DIALOGIC-EXISTENTIAL IMAGE OF JOSEF CONRAD IN THE NOVEL BY M… (10.28925/2412-2475.2018.11.108112)
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22 PERCEPTION OF WAR AND POSTTRAUMATIC STRESS IN MODERN PROSE (10.28925/2412-2475.2018.11.1419)
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23 POLIVARIABILITY OF THE BASTARD MOTIF IN THE SHORT STORIES BY… (10.28925/2412-2475.2018.11.2027)
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24 CULTURAL- AND SELF-IDENTIFICATION IN AFRICAN AMERICAN WOMEN’… (10.28925/2412-2475.2018.11.2837)
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25 THE MOTIF OF MEMORY IN H. PAHUTIAK’S NOVELETTE “THE MUSTARD… (10.28925/2412-2475.2018.11.37)
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26 “A WRITER — A NERVE CELL OF THE NATION”: SPECIFICITY OF THE… (10.28925/2412-2475.2018.11.3741)
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27 LINGUISTIC REPRESENTATION OF CULTURAL IDENTITY AND OTHERNESS… (10.28925/2412-2475.2018.11.4246)
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28 INTERMEDIAL COORDINATES OF ARTISTIC MODELING OF TRAUMATIC PA… (10.28925/2412-2475.2018.11.4651)
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29 UKRAINIAN-POLISH IDENTITY IN THE NOVEL “DEAR UKRAINE. LONG H… (10.28925/2412-2475.2018.11.5257)
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30 PROBLEM OF HISTORICAL MEMORY IN M. KOSTOMAROV’S PROSE (10.28925/2412-2475.2018.11.5861)
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31 SYMBOLIC CONTEXTS OF NATIONAL IDENTITY IN THE WORKS OF OLEKS… (10.28925/2412-2475.2018.11.6166)
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32 ARTISTIC DYNAMICS OF CHOICE IN TRAGEDY BY ELYSEY KARPENKO “I… (10.28925/2412-2475.2018.11.6771)
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33 TOPOGRAPHPICAL AND PSYCHOLOGICAL DIMENSION OF THE NOVEL “THE… (10.28925/2412-2475.2018.11.7175)
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34 VIACHESLAV MEDVID’S WORKS AS A FAMILY-AFFINED HISTORY OF UKR… (10.28925/2412-2475.2018.11.814)
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35 ASSOCIATED RATIO IN ARCHITECTONY OF THE NOVEL BY H. TIUTIUNN… (10.28925/2412-2475.2018.11.8487)
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36 DECONSTRUCTION OF THE SACRAL CHRONOTOPE IN POSTMODERN POETRY… (10.28925/2412-2475.2018.11.889)
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37 ORGANIZATION OF ARTISTIC SPACE IN THE NOVEL "VITA NOSTRA" BY… (10.28925/2412-2475.2018.11.9196)
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38 БУЛЬВАРНИЙ РОМАН: ПОВСЯКДЕННІ Й ПРОФЕСІЙНІ ПСИХОТЕРАПЕВТИЧНІ… (10.28925/2412-2475.2018.121)
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39 ХОРВАТИЯ ДМИТРИЯ ПАВЛЫЧКО (10.28925/2412-2475.2018.1211)
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40 ЖАНРОВЫЕ ОСОБЕННОСТИ И ПРОТОТИПЫ РОМАНА «СОЛНЦЕ С ЗАПАДА» УЛ… (10.28925/2412-2475.2018.1212)
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41 INDO-EUROPEAN AND PROTO-SLAVIC COSMOLOGIC MOTIVES IN THE FOL… (10.28925/2412-2475.2018.1213)
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42 ХУДОЖЕСТВЕННОЕ ОТРАЖЕНИЕ ПРОБЛЕМЫ ГРЕХОВНОГО И ПРАВЕДНОГО В… (10.28925/2412-2475.2018.1214)
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43 ПРОБЛЕМЫ АТРИБУЦИИ ПОЭТИКИ КИЕВО-МОГИЛЯНСКОЙ АКАДЕМИИ “PRAEC… (10.28925/2412-2475.2018.1215)
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44 ЛИТЕРАТУРНОЕ НАСЛЕДИЕ БОРИСА ГРИНЧЕНКО ДЛЯ ДЕТЕЙ И О ДЕТЯХ (10.28925/2412-2475.2018.1216)
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45 САМОБЫТНОСТЬ ЛИТЕРАТУРНОГО ФОЛЬКЛОРИЗМА ПОЭЗИИ БОРИСА ГРИНЧЕ… (10.28925/2412-2475.2018.1217)
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46 ОСМЫСЛЕНИЕ ИДЕЙ ЖЕНСКОГО ДВИЖЕНИЯ В ПЕРЕВОДАХ «НОВОЙ ДРАМЫ»… (10.28925/2412-2475.2018.1218)
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47 ANCIENT EGYPTIAN “THE SONG OF ARFISTA”: ARTISTIC TRANSLATION… (10.28925/2412-2475.2018.1219)
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48 «БЕЗУМНЫЙ ПАКТ» КАК ИСТОРИЯ ОДНОЙ ИНИЦИАЦИИ: НОВЕЛЛА ВИТАЛИЯ… (10.28925/2412-2475.2018.122)
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49 КОМПАРАТИВНІ ВИМІРИ ХУДОЖНЬОГО ПІДТЕКСТУ (10.28925/2412-2475.2018.1220)
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50 СОВРЕМЕННАЯ УКРАИНСКАЯ ДРАМАТУРГИЯ ДЛЯ ДЕТЕЙ: АКСИОЛОГИЧЕСКО… (10.28925/2412-2475.2018.123)
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