| 1 | Remembering the past, predicting the future: John Steinbeck’… (10.25167/exp13.17.5.4) | Abstract References ORCID License | 47.71 | 2 |
| 2 | Translation Strategies, Techniques, and Equivalences in Crit… (10.25167/exp13.19.7.2) | Abstract References ORCID License | 47.71 | 2 |
| 3 | Cultural Barriers in Equivalence - The English Localization… (10.25167/exp13.19.7.6) | Abstract References License | 35.78 | 2 |
| 4 | Mirosława Podhajecka, 2016. A history of Polish-English / En… (10.25167/exp13.17.5.11) | Abstract References ORCID License | 30.10 | 1 |
| 5 | To See It All / To Hear It All: Michael Gira’s Songs of Expe… (10.25167/exp13.18.6.6) | Abstract References ORCID License | 30.10 | 1 |
| 6 | Phraseology in Dokładny słownik polsko-angielski i angielsko… (10.25167/exp13.19.7.10) | Abstract References License | 22.58 | 1 |
| 7 | Equivalence in Students’ Translation Class (10.25167/exp13.19.7.11) | Abstract References License | 22.58 | 1 |
| 8 | Review: Lena Baunaz, Karen de Clerq, Liliane Haegeman, Eric… (10.25167/exp13.19.7.14) | Abstract References License | 22.58 | 1 |
| 9 | Florentine Nights, or domesticating Romola: The forgotten Po… (10.25167/exp13.19.7.3) | Abstract References License | 22.58 | 1 |
| 10 | The Broker in Pornography and Violence: Lou Reed in Lulu’s W… (10.25167/exp13.20.8.4) | References License | 15.05 | 1 |
| 11 | “Everybody’ private carriage.” Omnibus Travel in Victorian L… (10.25167/exp13.20.8.5) | References License | 15.05 | 1 |
| 12 | A note from the editors (10.25167/exp13.17.5.0) | Abstract References ORCID License | 0.00 | 0 |
| 13 | Elegy became our song (10.25167/exp13.17.5.1) | Abstract References ORCID License | 0.00 | 0 |
| 14 | Sarah Bakewell, 2017. At the Existentialist Cafe: Freedom, B… (10.25167/exp13.17.5.10) | Abstract References ORCID License | 0.00 | 0 |
| 15 | The Suburban Unhomely: alienation and anxiety in Shirley Jac… (10.25167/exp13.17.5.2) | Abstract References ORCID License | 0.00 | 0 |
| 16 | Neobaroque performance in Miranda Glover’s Masterpiece (10.25167/exp13.17.5.3) | Abstract References ORCID License | 0.00 | 0 |
| 17 | „For not only do we lose everything if we lose our land. We… (10.25167/exp13.17.5.5) | Abstract References ORCID License | 0.00 | 0 |
| 18 | The double bind of patriarchy: (Im)possibility of escape, mo… (10.25167/exp13.17.5.6) | Abstract References ORCID License | 0.00 | 0 |
| 19 | Passionate space: the philosophy of affect in Gabriel Josipo… (10.25167/exp13.17.5.7) | Abstract References ORCID License | 0.00 | 0 |
| 20 | Mark Ford, 2016. Thomas Hardy: Half a Londoner (10.25167/exp13.17.5.8) | Abstract References ORCID License | 0.00 | 0 |
| 21 | Aleksandra Budrewicz, 2015. Dickens w Polsce: Pierwsze Stule… (10.25167/exp13.17.5.9) | Abstract References ORCID License | 0.00 | 0 |
| 22 | A Note from the Editors (10.25167/exp13.18.6.0) | Abstract References ORCID License | 0.00 | 0 |
| 23 | Inciting Discoveries (10.25167/exp13.18.6.1) | Abstract References ORCID License | 0.00 | 0 |
| 24 | Wit Pietrzak. 2012. Levity of Design. Man and Modernity in t… (10.25167/exp13.18.6.10) | Abstract References ORCID License | 0.00 | 0 |
| 25 | The Multiple Dimensions of the Journey Motif in SKY Lee's Di… (10.25167/exp13.18.6.2) | Abstract References ORCID License | 0.00 | 0 |
| 26 | The Machine Minds in Iain M. Banks's Culture Series (10.25167/exp13.18.6.3) | Abstract References ORCID License | 0.00 | 0 |
| 27 | "2 hours priceless talk" - on the Friendship between Katheri… (10.25167/exp13.18.6.4) | Abstract References ORCID License | 0.00 | 0 |
| 28 | The American Road Story Redefined? Paul Auster’s Dialogue w… (10.25167/exp13.18.6.5) | Abstract References ORCID License | 0.00 | 0 |
| 29 | In Defiance of "Cant": J.H. Prynne's Sub Songs (10.25167/exp13.18.6.7) | Abstract References ORCID License | 0.00 | 0 |
| 30 | Beyond Difference: interlingualism and the use of Spanglish… (10.25167/exp13.18.6.8) | Abstract References ORCID License | 0.00 | 0 |
| 31 | Bonnie Costello. 2017. The Plural of Us: Poetry and Communit… (10.25167/exp13.18.6.9) | Abstract References ORCID License | 0.00 | 0 |
| 32 | A note from the editors (10.25167/exp13.19.7.0) | Abstract References License | 0.00 | 0 |
| 33 | Equivalence Revisited: Polish Perspectives on the Topic (10.25167/exp13.19.7.1) | Abstract References License | 0.00 | 0 |
| 34 | Agnieszka Łowczanin. 2018. A Dark Transfusion: The Polish Li… (10.25167/exp13.19.7.12) | Abstract References License | 0.00 | 0 |
| 35 | Sławomir Kuźnicki. 2017. Margaret Atwood’s Dystopian Fiction… (10.25167/exp13.19.7.13) | Abstract References License | 0.00 | 0 |
| 36 | Looking for Perfect Equivalence: Chosen Key-Words in the Ser… (10.25167/exp13.19.7.4) | Abstract References License | 0.00 | 0 |
| 37 | The Pragmatic Economy of Translation: Rendering Technical Vo… (10.25167/exp13.19.7.5) | Abstract References License | 0.00 | 0 |
| 38 | Ekwiwalencja w przekładzie Miszny na język polski [Equivalen… (10.25167/exp13.19.7.7) | Abstract References License | 0.00 | 0 |
| 39 | Ekwiwalencja w tradycji tłumaczeń Biblii na język polski a p… (10.25167/exp13.19.7.8) | Abstract References License | 0.00 | 0 |
| 40 | Ekwiwalencja przysłów hausa w polskich przekładach literacki… (10.25167/exp13.19.7.9) | Abstract References License | 0.00 | 0 |
| 41 | A note from the editors (10.25167/exp13.20.8.0) | Abstract References ORCID License | 0.00 | 0 |
| 42 | Fussing and fiddling: An interview with Christopher Reid (10.25167/exp13.20.8.1) | Abstract References License | 0.00 | 0 |
| 43 | A review of Somaly Mam. 2008. The Road of Lost Innocence: Th… (10.25167/exp13.20.8.10) | Abstract References License | 0.00 | 0 |
| 44 | Poems by Christopher Reid (10.25167/exp13.20.8.2) | Abstract References ORCID License | 0.00 | 0 |
| 45 | The Absent Parent Figure as a Representation of Post-trauma… (10.25167/exp13.20.8.3) | References License | 0.00 | 0 |
| 46 | An Asymmetrical Dialectic of Oppression and Act of Political… (10.25167/exp13.20.8.6) | References License | 0.00 | 0 |
| 47 | Childhood, Loss and Art in Masefield’s Harker Novels (10.25167/exp13.20.8.7) | References ORCID License | 0.00 | 0 |
| 48 | Blending Christianity and Ecology in Margaret Atwood’s The Y… (10.25167/exp13.20.8.8) | References License | 0.00 | 0 |
| 49 | A review of Adrian Wanner. 2020. The Bilingual Muse: Self-Tr… (10.25167/exp13.20.8.9) | Abstract References ORCID License | 0.00 | 0 |