| 1 | The Popes of Rome in Post-Byzantine Wall Paintings from Roma… (10.35218/armca.2019.2.03) | Abstract References ORCID License | 47.71 | 2 |
| 2 | The blood-rain in the Middle Ages. Cultural perspectives on… (10.35218/armca.2021.2.03) | Abstract References ORCID License | 47.71 | 2 |
| 3 | The Prophet Elijah in Moldavian Iconography, ca. 1480–1530:… (10.35218/armca.2022.1.02) | Abstract References ORCID License | 47.71 | 2 |
| 4 | John Scotus Eriugena: Is there something beyond apophatism ? (10.35218/armca.2019.1.05) | Abstract References ORCID License | 30.10 | 1 |
| 5 | Considerations on the Human Body in European Art from Ancien… (10.35218/armca.2019.1.11) | Abstract References ORCID License | 30.10 | 1 |
| 6 | Book Illustration or the Art of Illustrating (10.35218/armca.2020.1.09) | Abstract References ORCID License | 30.10 | 1 |
| 7 | About the world of magical symbols, using the language of co… (10.35218/armca.2020.1.11) | Abstract References ORCID License | 30.10 | 1 |
| 8 | The iconographical diversity of theSirens’ physical forms in… (10.35218/armca.2021.1.03) | Abstract References ORCID License | 30.10 | 1 |
| 9 | Directions of the Old Rus Church. Architecture Development o… (10.35218/armca.2021.1.04) | Abstract References ORCID License | 30.10 | 1 |
| 10 | Aby Warburg: The Collective Memory as a Medium for Art (10.35218/armca.2021.1.13) | Abstract References ORCID License | 30.10 | 1 |
| 11 | Women’s image and role in art: from Medieval virtuous mystic… (10.35218/armca.2021.2.07) | Abstract References ORCID License | 30.10 | 1 |
| 12 | Local Spiritual Belief: Creative Posture of Mask Dancer-Make… (10.35218/armca.2023.1.05) | Abstract References ORCID License | 30.10 | 1 |
| 13 | From East to West – the Image of Saint George in the Art of… (10.35218/armca.2024.1.07) | Abstract References ORCID License | 30.10 | 1 |
| 14 | The Roman Catholic Liturgy and Its Role in the Composer's Mi… (10.35218/armca.2021.1.02) | Abstract References License | 22.58 | 1 |
| 15 | Some notes on the iconography of the Vita cycle of Gerasimus… (10.35218/armca.2019.1.01) | Abstract References ORCID License | 0.00 | 0 |
| 16 | A Group of Reliefs from the Mramba Village (the Republic of… (10.35218/armca.2019.1.02) | Abstract References ORCID License | 0.00 | 0 |
| 17 | The Hagiographical Icon of Saint Nicholas in the Church of M… (10.35218/armca.2019.1.03) | Abstract References ORCID License | 0.00 | 0 |
| 18 | To Believe and to Govern or the Oikonomic Sense of the Image… (10.35218/armca.2019.1.04) | Abstract References ORCID License | 0.00 | 0 |
| 19 | The Sculpture of the Compositional Ensemble of the Monastic… (10.35218/armca.2019.1.06) | Abstract References ORCID License | 0.00 | 0 |
| 20 | Self-portrait in the Middle Ages (10.35218/armca.2019.1.07) | Abstract References ORCID License | 0.00 | 0 |
| 21 | Terms of Reference in the Berber History, Tradition and Art… (10.35218/armca.2019.1.08) | Abstract References ORCID License | 0.00 | 0 |
| 22 | Abraham – The Last Supper – Cathedral. Biblical Symbols of M… (10.35218/armca.2019.1.09) | Abstract References ORCID License | 0.00 | 0 |
| 23 | The Song of Roland under the Dictatorship: the Romanian epic… (10.35218/armca.2019.1.10) | Abstract References ORCID License | 0.00 | 0 |
| 24 | Matter and Spirit in the Work of the Sculptor Silvia Radu (10.35218/armca.2019.1.12) | Abstract References ORCID License | 0.00 | 0 |
| 25 | The Medieval Imaginary, a mirror of our thoughts (10.35218/armca.2019.1.13) | Abstract References ORCID License | 0.00 | 0 |
| 26 | Literary and Linguistic Dimensions of the Middle Ages (10.35218/armca.2019.1.14) | Abstract References ORCID License | 0.00 | 0 |
| 27 | L’Evangile de Matthieu entre le miroir de l’histoire et l’ é… (10.35218/armca.2019.1.15) | Abstract References ORCID License | 0.00 | 0 |
| 28 | Between Pierre Ist and Stephen the Great (10.35218/armca.2019.2.01) | Abstract References ORCID License | 0.00 | 0 |
| 29 | From a Franciscan Spirituality to an Iconography that Marque… (10.35218/armca.2019.2.02) | Abstract References ORCID License | 0.00 | 0 |
| 30 | The Worst Adventure of Yvain: Adventure, Conjointure , Manuf… (10.35218/armca.2019.2.04) | Abstract References ORCID License | 0.00 | 0 |
| 31 | Short Arm or Strong Arm? Exploits, Magic, Victories in The B… (10.35218/armca.2019.2.05) | Abstract References ORCID License | 0.00 | 0 |
| 32 | The Narrative Lighting of Tristan and Ysolt’s Love: Epic and… (10.35218/armca.2019.2.06) | Abstract References ORCID License | 0.00 | 0 |
| 33 | The Problem That Is not There: On the Old and New Interpreta… (10.35218/armca.2019.2.07) | Abstract References ORCID License | 0.00 | 0 |
| 34 | Manifestation of Islamic Decorative Arts in the Architecture… (10.35218/armca.2019.2.08) | Abstract References ORCID License | 0.00 | 0 |
| 35 | Testimonials about the Classicist Scholar, Patrologist, Writ… (10.35218/armca.2019.2.09) | Abstract References ORCID License | 0.00 | 0 |
| 36 | The Prado Museum: 200 Years of History and Art (The Prado Fa… (10.35218/armca.2019.2.10) | Abstract References ORCID License | 0.00 | 0 |
| 37 | The laura and coenobium of Saint Pedro of Rocas. A rupestria… (10.35218/armca.2020.1.01) | References ORCID License | 0.00 | 0 |
| 38 | Tristan en reverdie: l’arborescence mythique d’un corpus (10.35218/armca.2020.1.02) | References ORCID License | 0.00 | 0 |
| 39 | The Icon, a Hexadic Analysis (10.35218/armca.2020.1.03) | References ORCID License | 0.00 | 0 |
| 40 | Study and Classification of Tombstones of the Safavid Period… (10.35218/armca.2020.1.04) | References ORCID License | 0.00 | 0 |
| 41 | Analysis of Ardabil's Business and Communication Routes in S… (10.35218/armca.2020.1.05) | References ORCID License | 0.00 | 0 |
| 42 | Stylistic Study of Gowijeh Qaleh’s Rock-Cut Tomb from Maragh… (10.35218/armca.2020.1.06) | References ORCID License | 0.00 | 0 |
| 43 | The Hybrid Character - between the Representations of the Mi… (10.35218/armca.2020.1.07) | References ORCID License | 0.00 | 0 |
| 44 | A Contemporary Approach of Las Meninas (10.35218/armca.2020.1.08) | References ORCID License | 0.00 | 0 |
| 45 | God seen through the eyes of Savatie Baştovoi (10.35218/armca.2020.1.10) | Abstract References ORCID License | 0.00 | 0 |
| 46 | « Par le sornon connoist on l'ome » Perceval's novel or the… (10.35218/armca.2021.1.01) | Abstract References ORCID License | 0.00 | 0 |
| 47 | Differences in the Iconography of the Plot the Last Supper i… (10.35218/armca.2021.1.05) | Abstract References ORCID License | 0.00 | 0 |
| 48 | Medieval Art, National Architectural Heritage and Museums in… (10.35218/armca.2021.1.06) | Abstract References ORCID License | 0.00 | 0 |
| 49 | Explanation and Chronology of Megalithic Tombs in North-West… (10.35218/armca.2021.1.07) | Abstract References ORCID License | 0.00 | 0 |
| 50 | Art roman et art moderne : « affinités sentimentales » (10.35218/armca.2021.1.08) | Abstract References ORCID License | 0.00 | 0 |