2399-7656

Journal of Creative Music Systems

University of Huddersfield Press

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Deposit reference lists for 51 records

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DOIs for this ISSN

Showing the top 5 of 51 DOIs, ordered by correction priority.

# Title Missing Priority Citations
1 Taking the Models back to Music Practice: Evaluating Generat… (10.5920/jcms.2017.09)
Abstract References ORCID
106.12 25
2 Computer-Generated Stylistic Compositions with Long-Term Rep… (10.5920/jcms.2017.02)
Abstract References ORCID
88.21 14
3 Knots, Music and DNA (10.5920/jcms.2018.02)
Abstract References ORCID
88.21 14
4 Learning and Creating Novel Harmonies in Diverse Musical Idi… (10.5920/jcms.2016.01)
Abstract References ORCID
67.73 7
5 Imposing Higher-Level Structure in Polyphonic Music Generati… (10.5920/jcms.2018.01)
Abstract References ORCID
67.73 7
6 Utility Versus Creativity in Biomedical Musification (10.5920/jcms.2016.02)
Abstract References ORCID
58.36 5
7 “… there is no reason why it should ever stop”: Large-scale… (10.5920/jcms.525)
Abstract References ORCID
52.42 4
8 MidiBERT-Piano: Large-scale Pre-training for Symbolic Music… (10.5920/jcms.1064)
References ORCID
50.00 9
9 The Ai Music Generation Challenge 2020: Double Jigs in the S… (10.5920/jcms.950)
References ORCID
38.91 5
10 Aiding Soundtrack Composer Creativity through Automated Film… (10.5920/jcms.2017.01)
Abstract References ORCID
35.78 2
11 Generative Live Music-making Using Autoregressive Time Serie… (10.5920/jcms.2017.05)
Abstract References ORCID
35.78 2
12 Characterisation of the Degree of Musical Non-Markovianity (10.5920/jcms.975)
References ORCID
34.95 4
13 Oktoechos Classification and Generation of Liturgical Music… (10.5920/jcms.1014)
References ORCID
23.86 2
14 Computer Musicking as Onto-Epistemic Playground On the Joy o… (10.5920/jcms.1038)
References ORCID
23.86 2
15 Rolf Gehlhaar: a pioneer in creative music technology (10.5920/jcms.735)
Abstract ORCID
23.86 2
16 On the Ontological Category of Computer-Generated Music Scor… (10.5920/jcms.2017.06)
Abstract References ORCID
22.58 1
17 The Design of UrMus as a Meta-Environment for Mobile Music (10.5920/jcms.2017.08)
Abstract References ORCID
22.58 1
18 Evaluating an improvising computer-implementation as a parti… (10.5920/jcms.2017.10)
Abstract References ORCID
22.58 1
19 Limitations from Assumptions in Generative Music Evaluation (10.5920/jcms.2017.12)
Abstract References ORCID
22.58 1
20 Satisficing Goals and Methods in Human-Machine Music Improvi… (10.5920/jcms.2018.03)
Abstract References ORCID
22.58 1
21 Contemporary music genre rhythm generation with machine lear… (10.5920/jcms.902)
References
21.13 6
22 Fuzzy Relational Music Perception: Resemblance and Implicat… (10.5920/jcms.1353)
References ORCID
15.05 1
23 Extending Deep Rhythm for Tempo and Genre Estimation Using C… (10.5920/jcms.887)
References ORCID
15.05 1
24 Three applications of analysis-by-synthesis in music science (10.5920/jcms.1044)
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0.00 0
25 Editorial: JCMS Special Issue of the first Conference on AI… (10.5920/jcms.1246)
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0.00 0
26 The music box operad: Random generation of musical phrases f… (10.5920/jcms.1255)
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27 Diving Deep with Nautilus: An Analysis of Musicking with a D… (10.5920/jcms.1261)
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0.00 0
28 Abstract animation, emergent audiovisual motion and micro-ex… (10.5920/jcms.1311)
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0.00 0
29 Athanasius Kircher's Arca musarithmica (1650) as a Computati… (10.5920/jcms.1325)
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0.00 0
30 Designing a Malay Gamelan Digital Musical Instrument: The &l… (10.5920/jcms.1511)
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0.00 0
31 Quantifying Musical Micro-Motion: Applying Optical Flow Anal… (10.5920/jcms.1519)
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0.00 0
32 Automatic Music Transcription for Ethiopian <em>Begena… (10.5920/jcms.1553)
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0.00 0
33 Generalising Personalised Exploration and Organisation of So… (10.5920/jcms.1593)
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0.00 0
34 Review of Kanach, S., & Nelson, P. (Eds.). (2024). M… (10.5920/jcms.1677)
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0.00 0
35 A Multi-Genre Study of Identification and Style Bias of AI-G… (10.5920/jcms.1704)
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0.00 0
36 <em>Duel (Revisited)</em>: A Networked Implement… (10.5920/jcms.1718)
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0.00 0
37 Title Pending (10.5920/jcms.1771)
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38 Review of Tracy Redhead: <em>Interactive Technologie… (10.5920/jcms.1812)
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0.00 0
39 Developing the Vocal Tract Organ (10.5920/jcms.2016.03)
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0.00 0
40 Playing in Time: Integrating Temporal Information in the Com… (10.5920/jcms.2016.04)
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0.00 0
41 Transformations in Shifting Models: Reorienting with DeepDre… (10.5920/jcms.2016.05)
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0.00 0
42 Formalizing Fado: A Contribution to Automatic Song-Making (10.5920/jcms.2017.03)
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0.00 0
43 Generating Time: Rhythmic Perception, Prediction and Product… (10.5920/jcms.2017.04)
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0.00 0
44 Review of CSMC16: What is Computational “Creativity” and How… (10.5920/jcms.2017.07)
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0.00 0
45 Evolving Instrument Based on Symbiont-Host Metaphor: a Comme… (10.5920/jcms.2017.11)
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0.00 0
46 Locating Emergent Creativity with Similarity Metrics (10.5920/jcms.2017.13)
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47 Editorial (10.5920/jcms.531)
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0.00 0
48 A Non-notewise Melody Editing Method for Supporting Musicall… (10.5920/jcms.624)
Abstract References ORCID
0.00 0
49 Rolf Gehlhaar A Pioneer in Creative Music Technology (10.5920/jcms.706)
Abstract References ORCID
0.00 0
50 Neural Models for Target-Based Computer-Assisted Musical Orc… (10.5920/jcms.890)
References ORCID
0.00 0