| 1 | Eliciting Euphoria Online: The Aesthetics of “ASMR” Video Cu… (10.3998/fc.13761232.0040.202) | Abstract References ORCID License | 177.09 | 58 |
| 2 | The Heterotopias of Todd Haynes: Creating Space for Same Sex… (10.3998/fc.13761232.0042.102) | Abstract References ORCID License | 132.22 | 20 |
| 3 | The Cinematic Return (10.3998/fc.13761232.0040.134) | Abstract References ORCID License | 111.39 | 12 |
| 4 | Beyond Fashion Tips and Hijab Tutorials: The Aesthetic Styl… (10.3998/fc.13761232.0040.203) | Abstract References ORCID License | 104.14 | 10 |
| 5 | Introduction: Camera Movement and the Necessity of Criticism (10.3998/fc.4730) | Abstract References ORCID License | 100.00 | 9 |
| 6 | GIFs: The Attainable Text (10.3998/fc.13761232.0040.123) | Abstract References ORCID License | 95.42 | 8 |
| 7 | Mediated Merchandise, Merchandisable Media: An Introduction (10.3998/fc.13761232.0042.201) | Abstract References ORCID License | 90.31 | 7 |
| 8 | Beyond Tautology? Audio-Visual Film Criticism (10.3998/fc.13761232.0040.113) | Abstract References ORCID License | 84.51 | 6 |
| 9 | Amateurism and the Aesthetics of Lego Stop-Motion on YouTube (10.3998/fc.13761232.0040.204) | Abstract References ORCID License | 84.51 | 6 |
| 10 | Beyoncé’s Overwhelming Opus; or, the Past and Future of Musi… (10.3998/fc.13761232.0041.105) | Abstract References ORCID License | 84.51 | 6 |
| 11 | Beyoncé’s Lemonade, Avant-Garde Aesthetics, and Music Video:… (10.3998/fc.13761232.0040.315) | Abstract References ORCID License | 77.82 | 5 |
| 12 | “Does it Come with a Spear?” Commodity Activism, Plastic Rep… (10.3998/fc.13761232.0042.205) | Abstract References ORCID License | 77.82 | 5 |
| 13 | Feminist Film Criticism in the 21st Century (10.3998/fc.13761232.0040.107) | Abstract References ORCID License | 69.90 | 4 |
| 14 | Crazy Ex-Girlfriend (10.3998/fc.13761232.0040.311) | Abstract References ORCID License | 69.90 | 4 |
| 15 | Hogwarts House Merchandise, Liminal Play, and Fan Identities (10.3998/fc.13761232.0042.206) | Abstract References ORCID License | 69.90 | 4 |
| 16 | Between Textuality and Materiality: Fandom and the Mediation… (10.3998/fc.13761232.0042.207) | Abstract References ORCID License | 69.90 | 4 |
| 17 | Aesthetics, Politics, and the Police Hermeneutic: Online Vid… (10.3998/fc.13761232.0040.210) | Abstract References ORCID License | 60.21 | 3 |
| 18 | A Hallmark of the Classical Holiday Cinema, or Meeting Two C… (10.3998/fc.13761232.0042.410) | Abstract References ORCID License | 60.21 | 3 |
| 19 | Liberation On and Off Screen: Black Panther and Black Libera… (10.3998/fc.13761232.0043.202) | Abstract References ORCID License | 60.21 | 3 |
| 20 | Pandemic Television (10.3998/fc.13761232.0044.407) | Abstract References ORCID License | 60.21 | 3 |
| 21 | Data Visualizations, Vlogs, Drone Imagery: Expanded Document… (10.3998/fc.1060) | Abstract References ORCID | 52.42 | 4 |
| 22 | Binge-Reviews? The Shifting Temporalities of Contemporary TV… (10.3998/fc.13761232.0040.120) | Abstract References ORCID License | 47.71 | 2 |
| 23 | Introduction: The Aesthetics of Online Videos (10.3998/fc.13761232.0040.201) | Abstract References ORCID License | 47.71 | 2 |
| 24 | “How Do You ‘Do’ Bokeh?” The Aesthetics of How-to Videos abo… (10.3998/fc.13761232.0040.206) | Abstract References ORCID License | 47.71 | 2 |
| 25 | Dogme Productions, with an Emphasis on the Dog: Revealing An… (10.3998/fc.13761232.0040.209) | Abstract References ORCID License | 47.71 | 2 |
| 26 | Beyoncé’s “Formation” (10.3998/fc.13761232.0040.309) | Abstract References ORCID License | 47.71 | 2 |
| 27 | Son of Saul and the Crisis of Holocaust Film (10.3998/fc.13761232.0040.310) | Abstract References ORCID License | 47.71 | 2 |
| 28 | “I don’t know who I am most of the time”: Constructed Identi… (10.3998/fc.13761232.0041.103) | Abstract References ORCID License | 47.71 | 2 |
| 29 | Koyaanisqatsi and the Posthuman Aesthetics of a Mechanical S… (10.3998/fc.13761232.0041.104) | Abstract References ORCID License | 47.71 | 2 |
| 30 | In the Name of "The Ambiguity of the Real": Romanian Cinemat… (10.3998/fc.13761232.0041.206) | Abstract References ORCID License | 47.71 | 2 |
| 31 | From Old Boys to Quiet Dreams: Mapping Korean Art Cinema Tod… (10.3998/fc.13761232.0042.104) | Abstract References ORCID License | 47.71 | 2 |
| 32 | From AIDS-era Queer Icon to Sanitized Nostalgic Property: Th… (10.3998/fc.13761232.0042.203) | Abstract References ORCID License | 47.71 | 2 |
| 33 | The More Things Change: Andy Cohen's Then and Now (10.3998/fc.13761232.0042.301) | Abstract References ORCID License | 47.71 | 2 |
| 34 | Shoplifters: The Tale of an Anarchic Family (10.3998/fc.13761232.0042.316) | Abstract References ORCID License | 47.71 | 2 |
| 35 | Woke Hollywood, All Hype the Black Panther (10.3998/fc.13761232.0042.403) | Abstract References ORCID License | 47.71 | 2 |
| 36 | Complicity in Darren Aronofsky's mother! (2017) (10.3998/fc.13761232.0043.302) | Abstract References ORCID License | 47.71 | 2 |
| 37 | Fox News, Media Aesthetics, and the Coronavirus Pandemic (10.3998/fc.13761232.0044.402) | Abstract References ORCID License | 47.71 | 2 |
| 38 | Forget the Red Pill: Queer Politics but also Transhumanist I… (10.3998/fc.3608) | References ORCID License | 35.78 | 2 |
| 39 | Camera Movement in VR: Spatial Mediation, User Positioning,… (10.3998/fc.4739) | References ORCID License | 35.78 | 2 |
| 40 | Ethics and Digital Film (10.3998/fc.13761232.0040.101) | Abstract References ORCID License | 30.10 | 1 |
| 41 | A Case for Close Analysis (10.3998/fc.13761232.0040.104) | Abstract References ORCID License | 30.10 | 1 |
| 42 | Film Criticism: the Challenge of the Specific (10.3998/fc.13761232.0040.115) | Abstract References ORCID License | 30.10 | 1 |
| 43 | What is Evaluative Criticism? (10.3998/fc.13761232.0040.118) | Abstract References ORCID License | 30.10 | 1 |
| 44 | The Power of Black Film Criticism (10.3998/fc.13761232.0040.126) | Abstract References ORCID License | 30.10 | 1 |
| 45 | Race at the Interface: Rendering Blackness on WorldStarHipHo… (10.3998/fc.13761232.0040.205) | Abstract References ORCID License | 30.10 | 1 |
| 46 | Banality and Online Videos (10.3998/fc.13761232.0040.207) | Abstract References ORCID License | 30.10 | 1 |
| 47 | Cat Videos and the Superflat Cinema of Attractions (10.3998/fc.13761232.0040.208) | Abstract References ORCID License | 30.10 | 1 |
| 48 | Scream Queens: Season 1 (10.3998/fc.13761232.0040.304) | Abstract References ORCID License | 30.10 | 1 |
| 49 | “New Englanders, Out of Their Minds” (10.3998/fc.13761232.0040.306) | Abstract References ORCID License | 30.10 | 1 |
| 50 | Ellen C. Scott, Cinema Civil Rights: Regulation, Repression,… (10.3998/fc.13761232.0040.316) | Abstract References ORCID License | 30.10 | 1 |