2519-4801

Text and Image Essential Problems in Art History

Taras Shevchenko National University of Kyiv

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DOIs for this ISSN

Showing the top 5 of 166 DOIs, ordered by correction priority.

# Title Missing Priority Citations
1 "Drunk tree": illustrations published by medical periodicals… (10.17721/2519-4801.2017.2.01)
Abstract References ORCID License
47.71 2
2 FLUGSCHRIFTEN AS A KEY MEDIUM OF THE REFORMATION: TEXTS AND… (10.17721/2519-4801.2018.1.02)
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47.71 2
3 PHILIP MELANCHTON AS A HUMANIST: A SURVEY OF THE 16TH CENTUR… (10.17721/2519-4801.2016.2.07)
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30.10 1
4 Battle of Fornovo (1495) in the accounts of eyewitnesses and… (10.17721/2519-4801.2017.2.02)
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30.10 1
5 The story of Johann Georg Zoffanie as a demonstration of gen… (10.17721/2519-4801.2017.2.03)
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30.10 1
6 Ukrainian theater censorship in the Russian empire (the late… (10.17721/2519-4801.2017.2.04)
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30.10 1
7 Interaction of verbal and graphic image in decoration of the… (10.17721/2519-4801.2018.2.01)
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30.10 3
8 THE WAR TIME ART ARCHIVE (10.17721/2519-4801.2023.1.04)
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23.86 2
9 Visualization of authority: the Wilton Diptych symbolism and… (10.17721/2519-4801.2017.1.07)
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22.58 1
10 «Atypical Kyiv»: examples of «Northern Art Nouveau» in the u… (10.17721/2519-4801.2018.2.03)
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15.05 1
11 Protection of cultural heritage during wartime in Ukraine: l… (10.17721/2519-4801.2022.1.05)
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15.05 3
12 On Ancient Greek Thymiateria and Their Purpose (10.17721/2519-4801.2019.2.01)
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11.93 2
13 Creating The Image Of The King: The Early Modern Woodcut Of… (10.17721/2519-4801.2020.1.04)
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11.93 2
14 The Engraving Of John Droeshout ‘King James I Of England And… (10.17721/2519-4801.2020.2.03)
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11.93 2
15 The Blue Lily Studio: Foundation, Activities, Significance (10.17721/2519-4801.2024.1.04)
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11.93 2
16 Problems of the Artistic Education Availability for the Late… (10.17721/2519-4801.2016.1.05)
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7.53 1
17 Musical everyday life of Volhynia in the middle of 16th ‒ ea… (10.17721/2519-4801.2019.1.01)
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7.53 1
18 Hetman in a Wig. External Forms of Representation of the Het… (10.17721/2519-4801.2019.2.04)
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7.53 1
19 “Recognizable” Textiles In Daily Practices Of The 16th-Centu… (10.17721/2519-4801.2020.1.02)
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7.53 1
20 «Chapel» By Taras Shevchenko (1845): Attribution Of A Histor… (10.17721/2519-4801.2020.2.04)
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7.53 1
21 Border images of Rus in Fornaldarsagas: intertextuality as a… (10.17721/2519-4801.2021.1.02)
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7.53 1
22 Biblical and missionary plots in the decoration of Saints Pe… (10.17721/2519-4801.2021.2.02)
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7.53 1
23 DIGITAL CULTURAL HERITAGE UNDER ATTACK: SAVING UKRAINIAN CUL… (10.17721/2519-4801.2022.1.01)
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7.53 1
24 Protecting Portable Heritage during War: A Comparative Exami… (10.17721/2519-4801.2022.1.03)
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7.53 1
25 Cultural Heritage and the Problem of Prioritization (10.17721/2519-4801.2022.1.04)
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7.53 1
26 ‘Nothing New‘: once again about the impossibility of a globa… (10.17721/2519-4801.2022.1.13)
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7.53 1
27 Some speculations concerning Gombrich’s reflections, Or Hist… (10.17721/2519-4801.2022.2.02)
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7.53 1
28 On Connoisseurship, Art History, Infrastructure Conditionali… (10.17721/2519-4801.2022.2.03)
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7.53 1
29 Why we should teach the History of Ukrainian art to students… (10.17721/2519-4801.2022.2.04)
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7.53 1
30 Decolonize Knowledge and See the Postsocialist "Other" (10.17721/2519-4801.2022.2.08)
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7.53 1
31 On image agency (10.17721/2519-4801.2023.1.10)
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7.53 1
32 The Voids of Mariupol's Memory (10.17721/2519-4801.2023.2.07)
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7.53 1
33 Text and Picture in Habsburg Diplomacy at the Sublime Porte… (10.17721/2519-4801.2016.1.01)
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0.00 0
34 Three Cultural "Images" of One Theme: Petrarch and German In… (10.17721/2519-4801.2016.1.02)
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35 Image of the Barbarian Nomads in the Early Byzantine Texts (10.17721/2519-4801.2016.1.03)
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36 Text and Performance: Director's Concepts Anatomy of the Fai… (10.17721/2519-4801.2016.1.04)
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37 “Their Swords are as Long as the Javelins of Other Peoples,… (10.17721/2519-4801.2016.1.06)
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38 Collecting Ancient Proverbs in Renaissance Netherlands and S… (10.17721/2519-4801.2016.1.07)
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39 Images of Roof Tiles of Old Thailand (10.17721/2519-4801.2016.1.08)
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40 The Hunt Scenes Of The Irish High Crosses And The Iconograph… (10.17721/2519-4801.2016.2.01)
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41 Isaak Brodsky And Ivan Driapachenko: The Story Of One Portra… (10.17721/2519-4801.2016.2.02)
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42 Ukrainian Scenic Painting Of The 20th Century On The Basis O… (10.17721/2519-4801.2016.2.03)
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43 Siegfried In The Interpretations Of The German Film Director… (10.17721/2519-4801.2016.2.04)
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44 Classics On The Modern Scene: From A Play To "The United Tex… (10.17721/2519-4801.2016.2.05)
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45 The “Ship Of Fools” And The “Blue Barge”: Popular Constructs… (10.17721/2519-4801.2016.2.06)
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46 STONEWARE DECORATIVE JUGS: L. FOLTZ MODEL AND ITS "INTERPRET… (10.17721/2519-4801.2016.2.08)
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47 Fashion illustration of the 16th - 20th cc.: origin, develop… (10.17721/2519-4801.2017.1.01)
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48 Evolution of the musical portraits by Francis Pulenc: narrat… (10.17721/2519-4801.2017.1.02)
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49 Drawings of the Kiev-Pechersk Lavra icon workshop in the 18… (10.17721/2519-4801.2017.1.03)
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50 The world of the masculine entertainments in Petrarch's text… (10.17721/2519-4801.2017.1.04)
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