2587-9731

Contemporary Musicology

The Gnesins Russian Academy of Music

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DOIs for this ISSN

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# Title Missing Priority Citations
1 Music theory à la Leningrad: an interview with Tatiana Bersh… (10.56620/2587-9731-2019-4-121-164)
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23.86 2
2 Modern/ Postmodern. Translation from French, foreword and no… (10.56620/2587-9731-2023-2-116-129)
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23.86 2
3 Beethoven’s variations on paisiello’s duet. Paisiello indeed… (10.56620/2587-9731-2020-1-023-044)
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22.58 1
4 A Scholar Knows No Boundary in Time: An Interview with Avgus… (10.56620/2587-9731-2022-3-005-042)
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22.58 1
5 Topoi and musical narrative: D. Shostakovich. Prelude op.34… (10.56620/2587-9731-2019-2-013-028)
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15.05 1
6 The genre of concert symphony in the works of Haydn and Moza… (10.56620/2587-9731-2019-3-002-023)
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15.05 1
7 “The shadow of night” by Harrison Birtwistle: poetics of the… (10.56620/2587-9731-2020-2-094-132)
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15.05 1
8 Counterpoint Battles in the 18th Century Naples: an Attempt… (10.56620/2587-9731-2021-2-003-038)
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15.05 1
9 Wilhelm Friedemann Bach’s Clavier Fantasies: a Creative Dial… (10.56620/2587-9731-2021-2-039-059)
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15.05 1
10 The Final of the Singspiel Doktor and Apotheker by Dittersdo… (10.56620/2587-9731-2021-2-060-090)
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15.05 1
11 Sometimes You Have “To Skip” a Stubborn “Measure”. On Some A… (10.56620/2587-9731-2022-2-142-158)
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15.05 1
12 Sequenza IV in Luciano Berio’s Piano Works (10.56620/2587-9731-2022-3-119-135)
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15.05 1
13 Thomas Tallis’ Magnificats: Features of the Genre (10.56620/2587-9731-2022-4-017-041)
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15.05 1
14 The “Scholarly Map of Russia” as a Research Project: An Atte… (10.56620/2587-9731-2023-1-056-071)
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15.05 3
15 Sergei Raсhmaninoff and American Press at the Turn of the 19… (10.56620/2587-9731-2024-2-048-067)
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15.05 3
16 From the History of the Publication of the Opera The Woman w… (10.56620/2587-9731-2024-3-050-067)
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15.05 3
17 Folk Songs in the Organ Music of Basque Composers (10.56620/2587-9731-2025-4-103-131)
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15.05 1
18 Shostakovich and death: A lifelong musical thanatology (10.56620/2587-9731-2025-4-132-169)
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15.05 1
19 Resonances of absence: Voice, nostalgia, and memory in Dmitr… (10.56620/2587-9731-2025-4-170-225)
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20 Music is an Architecture Revived: a Gothic Cathedral as a Mo… (10.56620/2587-9731-2021-3-043-072)
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11.93 2
21 About the Interpretation of a Work of Art (10.56620/2587-9731-2023-1-005-019)
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11.93 2
22 “The Riddle” about the Centre in the Fifth Movement of Anton… (10.56620/2587-9731-2023-2-095-115)
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11.93 2
23 The Creation of the Myth about the Failure of Georges Bizet’… (10.56620/2587-9731-2023-3-040-062)
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11.93 2
24 Anton Rubinstein and Grand Duke Konstantin Nikolayevich. Con… (10.56620/2587-9731-2023-4-009-028)
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11.93 2
25 City Noir by John Adams: a Way to Interpretation (10.56620/2587-9731-2023-4-068-103)
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26 Small-Scale Opera Genres in Vienna before and after Christop… (10.56620/2587-9731-2024-1-050-071)
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11.93 2
27 Dmitri Shostakovich’s Early Works: An Insight into the Creat… (10.56620/2587-9731-2024-2-086-103)
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11.93 2
28 Contemporary Music as Reflected in Scholarly Texts: An Analy… (10.56620/2587-9731-2025-1-180-208)
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11.93 2
29 Fugues for chorus and soloist ensemble in Joseph Haydn's lat… (10.56620/2587-9731-2021-1-057-077)
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7.53 1
30 Haydn, Mozart and Pleyel: Rivalry And Interinfluences (10.56620/2587-9731-2021-2-091-144)
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31 War and Peace: Biographical Milestones (10.56620/2587-9731-2021-2-145-219)
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32 Maxim Berezovsky’s Concerto Do Not Reject Me in My Old Age:… (10.56620/2587-9731-2022-1-105-135)
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33 Rimsky-Korsakov: Principles of Orchestration and Three Opera… (10.56620/2587-9731-2022-2-120-141)
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34 French Musicians of the 18th Century on the Interpretation o… (10.56620/2587-9731-2023-1-072-086)
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35 Greece and France: Concerning the Question of Georges Apergh… (10.56620/2587-9731-2023-1-087-102)
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36 Opera which Involves Dance, or Ballet which Involves Singing… (10.56620/2587-9731-2023-2-006-027)
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37 E.K. Malinovskaya and Ballet (10.56620/2587-9731-2023-2-068-094)
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38 The Sources for Reconstruction of Piotr Lambin’s Artistic Bi… (10.56620/2587-9731-2023-3-082-106)
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39 The Enigma of the Golden Cockerel: Catch It if You Can (10.56620/2587-9731-2023-3-107-125)
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40 Arnold Schönberg’s and Alban Berg’s Personal Libraries as a… (10.56620/2587-9731-2023-4-029-049)
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41 The Peculiarities of Orchestration in Compositions for Parad… (10.56620/2587-9731-2023-4-104-121)
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42 The Structural Poetics of Nikolai Korndorf’s Piano Trio (10.56620/2587-9731-2024-1-129-145)
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43 Orchestral Texture in Wang Xilin’s Symphonic Works (10.56620/2587-9731-2024-2-104-128)
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44 Between a Fairy Play and an Opera: Razryv-trava (Rip-grass)… (10.56620/2587-9731-2024-3-068-085)
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45 Vasily Titov’s Two-choir Concertos in Light of Nikolai Dilet… (10.56620/2587-9731-2024-4-010-039)
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46 Georges Bizet in the Service of the Opera: More than “Just”… (10.56620/2587-9731-2024-4-064-090)
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47 Panorama of 20th Century Opera: from the History of One Cycl… (10.56620/2587-9731-2024-4-135-153)
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48 Pyotr Tchaikovsky’s The Queen of Spades as a “Faustian” Plot… (10.56620/2587-9731-2025-1-054-078)
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49 La molinara in the Theatre of Stepan S. Apraksin (Based on t… (10.56620/2587-9731-2025-1-079-104)
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50 Opera and Revolution: The Bolshoi Theatre at the End of 191… (10.56620/2587-9731-2025-1-130-153)
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