2637-1898

INSAM Journal of Contemporary Music Art and Technology

INSAM Institute for Contemporary Art, Music and Technology

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Attach ORCID iDs across 41 articles

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DOIs for this ISSN

Showing the top 5 of 85 DOIs, ordered by correction priority.

# Title Missing Priority Citations
1 How AI can Change/Improve/Influence Music Composition, Perfo… (10.51191/issn.2637-1898.2019.2.2.100)
ORCID
42.47 49
2 What Does Music Mean to Spotify? An Essay on Musical Signifi… (10.51191/issn.2637-1898.2019.2.2.36)
ORCID
30.10 15
3 How Black Creators Stopped The Clock on TikTok (10.51191/issn.2637-1898.2022.5.8.60)
ORCID
21.13 6
4 Empowering Musical Creation through Machines, Algorithms, an… (10.51191/issn.2637-1898.2019.2.2.81)
ORCID
17.47 4
5 Artificial Intelligence and the Emergence of Co-Creativism i… (10.51191/issn.2637-1898.2023.6.11.12)
ORCID
15.05 3
6 Metamodernism and the Coronavirus (COVID-19) Pandemic (10.51191/issn.2637-1898.2021.4.6.57)
ORCID
11.93 2
7 Towards Technological Ecologies as Compositional Environment… (10.51191/issn.2637-1898.2024.7.13.12)
ORCID
11.93 2
8 The Ideological Ambiguity of Internet Art: Vaporwave, Yugowa… (10.51191/issn.2637-1898.2019.2.3.55)
ORCID
7.53 1
9 Composing with Analog Tape in a Post-Digital Age (10.51191/issn.2637-1898.2019.2.3.82)
ORCID
7.53 1
10 Transmedial (R)Evolution: {SinOsc.ar(400, 800, 0, 0.1)multis… (10.51191/issn.2637-1898.2020.3.4.60)
ORCID
7.53 1
11 Composition and Notation of Parameters in Electronic Music:… (10.51191/issn.2637-1898.2020.3.4.89)
ORCID
7.53 1
12 Performing and Premiering in spite of a Global Crisis: Gerd… (10.51191/issn.2637-1898.2020.3.5.127)
ORCID
7.53 1
13 Composing Social Media. The Representation of the Physicalit… (10.51191/issn.2637-1898.2022.5.8.80)
ORCID
7.53 1
14 The Culture of Distraction: Fragmented Vision and the Misery… (10.51191/issn.2637-1898.2022.5.9.88)
ORCID
7.53 1
15 Question of Knowledge in Active Usage of AI Tool “ChatGPT” (10.51191/issn.2637-1898.2024.7.12.46)
ORCID
7.53 1
16 Rise of the microsong: the platformification of music on Tik… (10.51191/issn.2637-1898.2024.7.13.69)
ORCID
7.53 1
17 Process in the Aesthetical and Theoretical Thought of Karlhe… (10.51191/issn.2637-1898.2018.1.1.29)
0.00 0
18 Processualism in Works of Miroslav Miša Savić (10.51191/issn.2637-1898.2018.1.1.39)
0.00 1
19 Composition-Interpretation-Improvisation Processes in XO pt.… (10.51191/issn.2637-1898.2018.1.1.56)
0.00 0
20 Pets as Nonhuman Animals, Companion Species and Robots (10.51191/issn.2637-1898.2018.1.1.73)
ORCID
0.00 0
21 SONEMUS Fest (2015–2018): From ‘Sonic Boom’ to ‘Icarus’ (10.51191/issn.2637-1898.2018.1.1.83)
0.00 0
22 The Intelligent Work of Art: How the Narcissus Theme Echoes… (10.51191/issn.2637-1898.2019.2.2.115)
ORCID
0.00 0
23 Optical Illusion Images Dataset (10.51191/issn.2637-1898.2019.2.2.127)
0.00 4
24 Artificial Intelligence and Aesthetics of Music: Intelligent… (10.51191/issn.2637-1898.2019.2.2.24)
0.00 1
25 Hatsune Miku: Whose Voice, Whose Body? (10.51191/issn.2637-1898.2019.2.2.65)
0.00 1
26 Retro Tendencies, Decay, and Haunted Media in Hybrid Electro… (10.51191/issn.2637-1898.2019.2.3.24)
ORCID
0.00 0
27 Reverse Archaeology: Synthetic Surrogate as Ghosting Object (10.51191/issn.2637-1898.2019.2.3.43)
0.00 0
28 The Wrong Tool for the Right Job: Composition on 8-bit Machi… (10.51191/issn.2637-1898.2019.2.3.69)
ORCID
0.00 0
29 Are Intimate Small Concerts Worth it? (10.51191/issn.2637-1898.2020.3.4.113)
ORCID
0.00 0
30 Of Flesh and Steel: Computational Creativity in Music and th… (10.51191/issn.2637-1898.2020.3.4.24)
0.00 1
31 Application Possibilities of Computer Software in the Contex… (10.51191/issn.2637-1898.2020.3.4.43)
0.00 0
32 The Human Still Lives? Technology, borrowing and agency in t… (10.51191/issn.2637-1898.2020.3.4.77)
0.00 0
33 Oficina De Criatividade Sonora: Concepts About Music, Images… (10.51191/issn.2637-1898.2020.3.5.108)
0.00 1
34 Cartridge Music in the Quarantine: Presence, Absence, Contin… (10.51191/issn.2637-1898.2020.3.5.28)
0.00 1
35 Perspectives on Virtual Museum Tours (10.51191/issn.2637-1898.2020.3.5.46)
0.00 3
36 Rhizomatic Remediation: Adaptation in a Web-Based Art Praxis… (10.51191/issn.2637-1898.2020.3.5.58)
ORCID
0.00 0
37 Vanitas Reloaded: A Remote Tableau Composition from the Coro… (10.51191/issn.2637-1898.2020.3.5.74)
ORCID
0.00 0
38 On the concept of ‘music performance’ in the context of the… (10.51191/issn.2637-1898.2020.3.5.89)
0.00 1
39 Instagram and Artistic Platforms as Revenue Streams for Arti… (10.51191/issn.2637-1898.2021.4.6.103)
0.00 2
40 (Dis-)Embodied Voices and Digital Liveness: Music Theatre in… (10.51191/issn.2637-1898.2021.4.6.22)
0.00 0
41 Image–Music–Text: Operatic Experiments in the Age of the Aud… (10.51191/issn.2637-1898.2021.4.6.40)
0.00 0
42 Freedom as Virus: A Critique of the Neoliberal Notion of Fre… (10.51191/issn.2637-1898.2021.4.6.75)
ORCID
0.00 0
43 Give: Transatlantic Collaboration Through Conversation (10.51191/issn.2637-1898.2021.4.6.89)
ORCID
0.00 0
44 Ghosts in the Machine: A Virtual Choral Performance as Haunt… (10.51191/issn.2637-1898.2021.4.7.42)
0.00 0
45 Unstoppable Decay and Relentless Hope: Study of Alterity in… (10.51191/issn.2637-1898.2021.4.7.56)
ORCID
0.00 0
46 Fighting for Attention Through Rap Music: Shock-Value, Racia… (10.51191/issn.2637-1898.2022.5.8.104)
0.00 0
47 Visual Music: K-Pop’s ‘CAWMAN’ Effect on a Transnational Mus… (10.51191/issn.2637-1898.2022.5.8.124)
ORCID
0.00 0
48 Inside Out: The Meming of Art and the Art of Meming (10.51191/issn.2637-1898.2022.5.8.150)
ORCID
0.00 0
49 Hide to Show: ‘Memefying’ Live Music (10.51191/issn.2637-1898.2022.5.8.29)
0.00 1
50 Treating Audio Manipulation Effects like Photoshop: Explorin… (10.51191/issn.2637-1898.2022.5.8.47)
0.00 0