| 1 | Hashtagging, Duetting, Sound-linking: TikTok Gestures and Me… (10.59547/26911566.4.1.07) | Abstract References ORCID License | 100.00 | 9 |
| 2 | Automating Visuality: An Introduction (10.59547/26911566.3.1.01) | Abstract References ORCID License | 47.71 | 2 |
| 3 | The Undisciplined “Discipline” of the In-between (10.59547/26911566.1.1.12) | Abstract References ORCID License | 30.10 | 1 |
| 4 | Hyporeality, the Society of the Selfie and Identification Po… (10.59547/26911566.2.1.02) | Abstract References ORCID License | 30.10 | 1 |
| 5 | Transparency and Sovereignty in Contact-tracing Networks (10.59547/26911566.2.1.04) | Abstract References ORCID License | 30.10 | 1 |
| 6 | “That’s Not You”: Reclaiming the “Real” in Rosie the Riveter… (10.59547/26911566.2.1.10) | Abstract References ORCID License | 30.10 | 1 |
| 7 | Mapping Media Studies: An Introduction (10.59547/26911566.1.1.01) | Abstract References ORCID License | 0.00 | 0 |
| 8 | Media Philosophy (10.59547/26911566.1.1.02) | Abstract References ORCID License | 0.00 | 0 |
| 9 | Three Moments on Mediation (10.59547/26911566.1.1.03) | Abstract References ORCID License | 0.00 | 0 |
| 10 | Machines/Environments (10.59547/26911566.1.1.04) | Abstract References ORCID License | 0.00 | 0 |
| 11 | Building a more Infrastructural Media Studies (10.59547/26911566.1.1.05) | Abstract References ORCID License | 0.00 | 0 |
| 12 | Practicing Theory (10.59547/26911566.1.1.06) | Abstract References ORCID License | 0.00 | 0 |
| 13 | Pas de chemin, pas de ligne (10.59547/26911566.1.1.07) | Abstract References ORCID License | 0.00 | 0 |
| 14 | An Alternative to Facts (10.59547/26911566.1.1.08) | Abstract References ORCID License | 0.00 | 0 |
| 15 | Towards a Goal of Inclusive Academic Publishing (10.59547/26911566.1.1.09) | Abstract References ORCID License | 0.00 | 0 |
| 16 | From Media Literacy to Media Archaeology (10.59547/26911566.1.1.10) | Abstract References ORCID License | 0.00 | 0 |
| 17 | When Art History Meets Information Theory, or on Media Theor… (10.59547/26911566.1.1.11) | Abstract References ORCID License | 0.00 | 0 |
| 18 | To Media Study: Media Studies and Beyond (10.59547/26911566.1.1.13) | Abstract References ORCID License | 0.00 | 0 |
| 19 | Making Media (Study) Haptic (10.59547/26911566.1.1.14) | Abstract References ORCID License | 0.00 | 0 |
| 20 | Investigating the Digital Nonhumanities (10.59547/26911566.1.1.15) | Abstract References ORCID License | 0.00 | 0 |
| 21 | Media Study Futures (10.59547/26911566.1.1.16) | Abstract References ORCID License | 0.00 | 0 |
| 22 | Unphotographable (10.59547/26911566.1.1.17) | Abstract References ORCID License | 0.00 | 0 |
| 23 | Media in the Age of Apophenia: Why the Study of Media Art an… (10.59547/26911566.1.1.18) | Abstract References ORCID License | 0.00 | 0 |
| 24 | Art vs Tech: Subversive Relations (10.59547/26911566.1.1.19) | Abstract References ORCID License | 0.00 | 0 |
| 25 | From Viral Implosions to Deserts of the Real (10.59547/26911566.2.1.01) | Abstract References ORCID License | 0.00 | 0 |
| 26 | Exploring Hyperreal Transcendence through Research-creation:… (10.59547/26911566.2.1.03) | Abstract References ORCID License | 0.00 | 0 |
| 27 | Mediating Quarantine: Considering Netflix’s Homemade through… (10.59547/26911566.2.1.05) | Abstract References ORCID License | 0.00 | 0 |
| 28 | Baudrillard and the Prophetic: Reimagining the Twin Towers i… (10.59547/26911566.2.1.06) | Abstract References ORCID License | 0.00 | 0 |
| 29 | Jean Baudrillard and the Challenge of Photography (10.59547/26911566.2.1.07) | Abstract References ORCID License | 0.00 | 0 |
| 30 | Canned Reactions and FIFA Noise: The Specter of the Audience… (10.59547/26911566.2.1.08) | Abstract References ORCID License | 0.00 | 0 |
| 31 | Seduction Against Production: A Playful Way of Creating Know… (10.59547/26911566.2.1.09) | Abstract References ORCID License | 0.00 | 0 |
| 32 | Jean Baudrillard and Feminism: Sara Ahmed and the Necessity… (10.59547/26911566.2.1.11) | Abstract References ORCID License | 0.00 | 0 |
| 33 | “You Are Here”: On Driving with Baudrillard through the Dese… (10.59547/26911566.2.1.12) | Abstract References ORCID License | 0.00 | 0 |
| 34 | “Civilizing” Noise: An Introduction to the Special Issue on… (10.59547/26911566.2.2.01) | Abstract References ORCID License | 0.00 | 0 |
| 35 | Expedition Content and the Harvard Peabody Expedition to Net… (10.59547/26911566.2.2.02) | Abstract References ORCID License | 0.00 | 0 |
| 36 | Sonic Refusal: Indigenous Belongings without Soundtrack (10.59547/26911566.2.2.03) | Abstract References ORCID License | 0.00 | 0 |
| 37 | Charting a Different World: Sound Mapping Together on Coast… (10.59547/26911566.2.2.04) | Abstract References ORCID License | 0.00 | 0 |
| 38 | Nothing to Hear, So to Speak: Spaces of Sounding and Listeni… (10.59547/26911566.2.2.05) | Abstract References ORCID License | 0.00 | 0 |
| 39 | Imagine you’re in a museum. What do you hear? (10.59547/26911566.2.2.06) | Abstract References ORCID License | 0.00 | 0 |
| 40 | Bamboula!: Dada Performance as Sonic Blackface (10.59547/26911566.2.2.07) | Abstract References ORCID License | 0.00 | 0 |
| 41 | Uncolonizing Early Sound Recordings (10.59547/26911566.2.2.08) | Abstract References ORCID License | 0.00 | 0 |
| 42 | “…the table was set, and we were never dead”: On the Persist… (10.59547/26911566.2.2.09) | Abstract References ORCID License | 0.00 | 0 |
| 43 | A Map of a Sound as a Space: Christine Sun Kim’s (LISTEN) (2… (10.59547/26911566.2.2.10) | Abstract References ORCID License | 0.00 | 0 |
| 44 | The Haunting of the Automated Gaze (10.59547/26911566.3.1.02) | Abstract References ORCID License | 0.00 | 0 |
| 45 | Calm Surveillance in the Leaky Home: Living with a Robot Vac… (10.59547/26911566.3.1.03) | Abstract References ORCID License | 0.00 | 0 |
| 46 | On the Truth Claims of Deepfakes: Indexing Images and Semant… (10.59547/26911566.3.1.04) | Abstract References ORCID License | 0.00 | 0 |
| 47 | Experimental Indices: Situational Assemblages of Facial Reco… (10.59547/26911566.3.1.05) | Abstract References ORCID License | 0.00 | 0 |
| 48 | Automated Visions, Algorithmic Imageflows: The Technopolitic… (10.59547/26911566.3.1.06) | Abstract References ORCID License | 0.00 | 0 |
| 49 | Bringing Colonialism into the Frame: A Conversation with Heb… (10.59547/26911566.3.1.07) | Abstract References ORCID License | 0.00 | 0 |
| 50 | The Perilous Potential of the Blur: Digital Cultures Within… (10.59547/26911566.4.1.01) | Abstract References ORCID License | 0.00 | 0 |