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Problemy Muzykal noi Nauki / Music Scholarship

The Gnesins Russian Academy of Music

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DOIs for this ISSN

Showing the top 5 of 166 DOIs, ordered by correction priority.

# Title Missing Priority Citations
1 Strophic and Sonata Form in the Italian Opera Aria of the 17… (10.33779/2782-3598.2021.4.063-075)
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52.42 4
2 Opera as Reflected in Russian Academic Periodicals of the La… (10.56620/2782-3598.2023.4.142-164)
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34.95 4
3 About Applying Probabilistic-Static Methods in Studying Regu… (10.33779/2782-3598.2022.1.035-049)
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30.10 3
4 New Romanticism in Danish Music: about the Artistic Method o… (10.33779/2782-3598.2022.1.093-108)
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30.10 3
5 Musical Communication in the Aspect of Rhetorical Canon (10.33779/2782-3598.2022.2.146-158)
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30.10 3
6 Michael Nyman’s Operas: The Artistic Ideas and Principles of… (10.56620/2782-3598.2023.4.092-107)
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30.10 3
7 The Academic Activities of the Gnesins’ State Musical-Pedago… (10.56620/2782-3598.2024.1.024-036)
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30.10 3
8 “Musical Rossica” as a Musicological Term (10.33779/2782-3598.2022.1.022-034)
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23.86 2
9 Utrenya by Krzysztof Penderecki: Concerning the Question of… (10.33779/2782-3598.2022.1.071-082)
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23.86 2
10 Synthesis of Cultural Forms as the Key Paradigm of the Postm… (10.33779/2782-3598.2022.1.167-178)
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23.86 2
11 “Buddha Passion” by Tan Dun (10.33779/2782-3598.2022.2.052-063)
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23.86 2
12 Bertoldo, Bertoldino e Cacasenno: the Original Score Examine… (10.33779/2782-3598.2022.2.104-122)
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23.86 2
13 British Choral Music at the Turn of the 19th and 20th Centur… (10.56620/2782-3598.2023.2.053-067)
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23.86 2
14 The Zonal Theory of Musical Time and the TransDisciplinary A… (10.56620/2782-3598.2023.3.008-022)
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23.86 2
15 The “Song Opera” of the 1930s: In Search for New Poetics of… (10.56620/2782-3598.2023.3.058-067)
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23.86 2
16 The Processes of Digitalization in Art and Creativity: Diale… (10.56620/2782-3598.2024.1.157-168)
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23.86 2
17 Creativity as a Universal Phenomenon of Existence (About Olg… (10.56620/2782-3598.2024.1.182-190)
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23.86 2
18 The Image of the Mother of God “Life-Giving Source” in the I… (10.33779/2782-3598.2021.4.016-024)
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22.58 1
19 Tan Dun’s Conception of Organic Music (10.33779/2782-3598.2021.4.116-125)
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22.58 1
20 Specific Features of Work with the Poetic Text in the Post-O… (10.33779/2782-3598.2021.4.170-180)
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22.58 1
21 Soviet Musicology: Pro et Contra. Work on Archival Materials… (10.56620/2782-3598.2022.4.022-037)
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21.13 6
22 Major Trends in the Development of Choral Music by the Weste… (10.56620/2782-3598.2022.4.038-052)
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17.47 4
23 Javanese Pop and Javanese Keroncong: The Paradigm of Dominat… (10.33779/2782-3598.2022.1.050-061)
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15.05 1
24 German Music Manuals in 18th Century Russian Translations: a… (10.33779/2782-3598.2022.1.123-133)
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15.05 1
25 About the Influence of the Performative Features of the Avan… (10.33779/2782-3598.2022.1.186-194)
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15.05 1
26 Ethnojazz in the Context of the Folklore Culture: Problemati… (10.33779/2782-3598.2022.2.023-033)
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15.05 1
27 “Variations on Variations”: History of the Jazz Transformati… (10.33779/2782-3598.2022.2.034-042)
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15.05 1
28 Topoi and Narratives in Classical Instrumental Music: Ideen… (10.33779/2782-3598.2022.2.123-133)
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15.05 1
29 The Imperishable Johann Sebastian: Universum (10.56620/2782-3598.2023.1.008-022)
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15.05 1
30 The Imperishable Johann Sebastian: Postict (10.56620/2782-3598.2023.2.008-023)
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15.05 1
31 Music Theory and Musical Psychology: Quests and Discoveries (10.56620/2782-3598.2023.2.068-078)
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15.05 1
32 The Instrumental Concerto in Bent Sørensen’s Musical Output (10.56620/2782-3598.2023.2.162-176)
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15.05 1
33 The Musical Culture of the Russian Province in the Mirror of… (10.56620/2782-3598.2023.3.047-057)
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15.05 1
34 “The Feeling of the Right Path or the Method of Artistic Cre… (10.56620/2782-3598.2023.3.079-090)
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15.05 1
35 Creative Thinking and Creative Technologies as a Modern Comp… (10.56620/2782-3598.2023.3.140-149)
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15.05 1
36 “The Specter of Drama in the Specter of Another Drama”: The… (10.56620/2782-3598.2023.4.108-127)
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15.05 1
37 Interpretation of the Genre in Kaija Saariaho’s Opera Innoce… (10.56620/2782-3598.2023.4.128-141)
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15.05 1
38 In Search for a Genuine Reality: The Specificity of Genre an… (10.56620/2782-3598.2024.1.052-067)
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15.05 1
39 The Music of Fausto Romitelli: Concerning the Question of “M… (10.56620/2782-3598.2024.1.081-090)
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15.05 1
40 The Imperishable Johann Sebastian: Sapiens (10.56620/2782-3598.2022.3.017-028)
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11.93 2
41 Timbral Innovations in Heinz Holliger’s Choral Music: from D… (10.56620/2782-3598.2022.3.045-058)
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11.93 2
42 The Listener and the Work as the Dualistic Basis for the Mor… (10.56620/2782-3598.2022.4.110-126)
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11.93 2
43 Boleslav L. Yavorsky’s Activities in Saratov: Following the… (10.56620/2782-3598.2024.2.100-110)
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11.93 2
44 Semantic and Structural Potential of Autoreferentiality in t… (10.56620/2782-3598.2024.2.122-137)
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11.93 2
45 The Golden Sequence: The History and Pre-History of the Term… (10.56620/2782-3598.2022.3.007-016)
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7.53 1
46 Music in Cinema (Concerning the Question of the Inner Form o… (10.56620/2782-3598.2022.3.171-183)
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7.53 1
47 Sound Design as an Educational Trend of Higher Education: Is… (10.56620/2782-3598.2022.3.184-195)
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7.53 1
48 About Pedagogical Innovations in the Context of the Metamorp… (10.56620/2782-3598.2022.3.196-208)
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7.53 1
49 The Imperishable Johann Sebastian: Dramatik (10.56620/2782-3598.2022.4.007-021)
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7.53 1
50 Author Function in the Poetics of Contemporary Music (10.56620/2782-3598.2022.4.053-065)
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7.53 1