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DOIs for this ISSN

Showing the top 5 of 53 DOIs, ordered by correction priority.

#	Title	Missing	Priority	Citations
1	The Curatorial Turn and Opera: On the Singing Deaths of Mari… (10.54103/sss16640)	Abstract References ORCID	35.78	2
2	Shocking Intimacy: Techniques, Technologies, and Aesthetics… (10.54103/sss15487)	References ORCID	15.05	1
3	Attention, Music, Dance: Embodying the “Cinema of Attraction… (10.54103/sss15963)	References ORCID	15.05	1
4	Opera, Audio Technologies, and Audience Practices in the Lat… (10.54103/sss18617)	References ORCID	15.05	1
5	Callas and the Hologram: A Live Concert with a Dead Diva (10.54103/sss18310)	ORCID	7.53	1
6	Sound Theory at Grand Theory’s End (10.54103/sss18311)	ORCID	7.53	1
7	Performance as Transformation: The Laughing Songs of “Death… (10.54103/sss14054)	References ORCID	0.00	0
8	More 1980s than the 1980s (10.54103/sss14136)	References ORCID	0.00	0
9	Rapt/Wrapped Listening: The Aesthetics of “Surround Sound” (10.54103/sss14474)	References ORCID	0.00	0
10	Sound Theaters of the 21st Century: Material Functions and V… (10.54103/sss16639)	Abstract References ORCID	0.00	0
11	Review of Tereza Havelková, “Opera as Hypermedium: Meaning-M… (10.54103/sss16655)	Abstract References ORCID	0.00	0
12	Review of Jennifer Walshe, “Ireland: A Dataset” (online, 26… (10.54103/sss16656)	Abstract References ORCID	0.00	0
13	Review of Marina Abramović, “7 Death of Maria Callas” (2020) (10.54103/sss16657)	Abstract References	0.00	0
14	Folkloric Voices in Neorealist Cinema: The Case of Giuseppe… (10.54103/sss16776)	ORCID	0.00	0
15	“That’s How You Know He’s Your Love” (10.54103/sss17410)	References ORCID	0.00	0
16	The Afterlife of a Lost Art. On the Work and Legacy of Silen… (10.54103/sss17494)	ORCID	0.00	0
17	Music Criticism in the Age of Digital Media (With Two Contri… (10.54103/sss18439)	ORCID	0.00	0
18	“There’s Something Missing Here…”: Milo Rau, Opera, and the… (10.54103/sss18446)	ORCID	0.00	0
19	Music Syncing as Intermedial Translation (10.54103/sss18678)	References ORCID	0.00	0
20	Rehearsing Upload (10.54103/sss18841)	References ORCID	0.00	0
21	Web Opera and Opera on the Web (10.54103/sss19972)	References ORCID	0.00	0
22	Identity, Loss, and Singing Transcendence after the End of t… (10.54103/sss19973)	References ORCID	0.00	0
23	Review of Francesca Vella, "Networking Operatic Italy" (2022… (10.54103/sss19974)	References ORCID	0.00	0
24	Review of "Children" by Irena Popović (Belgrade, National Th… (10.54103/sss19975)	References ORCID	0.00	0
25	Yuval Sharon’s Twilight: Gods (2020-21) (10.54103/sss20750)	References	0.00	0
26	From LP to Screen: Tito Schipa Jr.’s "Orfeo 9" (1973–1975) (10.54103/sss20776)		0.00	0
27	Alexina B., Contemporary Opera as Consolation (10.54103/sss22193)	References ORCID	0.00	0
28	Review of Michal Grover-Friedlander's "Staging Voice" (2022) (10.54103/sss22215)	References ORCID	0.00	0
29	Review of Kinoshita Kabuki's "Sakurahime Azuma no Bunsho" (2… (10.54103/sss22216)	References ORCID	0.00	0
30	Review of “Alfred Hitchcock’s Psycho Live Orchestra” (2023) (10.54103/sss22217)	References ORCID	0.00	0
31	The Creative Turn in Arts Scholarship (10.54103/sss22218)	References ORCID	0.00	0
32	From Thin to Deep: Mapping Urban Music through Multimedia We… (10.54103/sss22317)		0.00	1
33	Symposium Musicum: The politics of place in music theatre (10.54103/sss22899)	References	0.00	0
34	The Acoustemology of the Witch: Hearsay, Sound Recording, an… (10.54103/sss22961)		0.00	0
35	Opera and the Art of Anaesthetics (10.54103/sss23063)	ORCID	0.00	0
36	Emergence: Examining Gender in Music through Contemporary Op… (10.54103/sss23971)	References	0.00	0
37	Sonic Signals and Symbolic “Musical Space” (10.54103/sss24027)	ORCID	0.00	0
38	EDM Theory and Fiction: The Conceptual Dimension of Musical… (10.54103/sss24028)	Abstract ORCID	0.00	0
39	Wind Phone, Operomanija: Notes on Vulnerability, Longing and… (10.54103/sss24029)	References ORCID	0.00	0
40	From Vox Ferus to Canine Posthuman: Becoming a Singing Dog (10.54103/sss27255)	References ORCID	0.00	0
41	Crafting Sensation: The Alchemy of Sound in Gaspar Noé's fil… (10.54103/sss28375)	Abstract References ORCID	0.00	0
42	Review of "Opera for Everyone: The Industry’s Experiments wi… (10.54103/sss28376)	References ORCID	0.00	0
43	Performing "Eno": Generative Music as a Biopic (10.54103/sss28377)	References ORCID	0.00	0
44	Resonance (10.54103/sss28731)	References ORCID	0.00	0
45	Introduction (10.54103/sss30281)	Abstract References ORCID	0.00	0
46	"What We Dream of is Already in the World" (10.54103/sss30333)	References ORCID	0.00	0
47	A Sediment Diversion for the Audible World (10.54103/sss30334)	Abstract References ORCID	0.00	0
48	The Tuba Thieves (10.54103/sss30335)	Abstract References ORCID	0.00	0
49	The Soundscape of Nothing: Raven Chacon’s Silence Against Se… (10.54103/sss30336)	References ORCID	0.00	0
50	After Alerts (10.54103/sss30337)	References ORCID	0.00	0