2787-9186

Musicologica Olomucensia

Palacky University Olomouc

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Ordered by how many DOIs each fix touches — start here, not with every error at once.

1

Add abstracts to 279 articles

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High impact279 DOIs
2

Attach ORCID iDs across 273 articles

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High impact273 DOIs
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Deposit reference lists for 17 records

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Low impact17 DOIs

DOIs for this ISSN

Showing the top 5 of 279 DOIs, ordered by correction priority.

# Title Missing Priority Citations
1 Art Rock: Definition of the Term with Regard to the Developm… (10.5507/mo.2010.001)
Abstract ORCID
30.10 3
2 Vienna ca. 1900 and the Viennese Reception of Works by Zdeně… (10.5507/mo.2010.009)
Abstract ORCID
30.10 3
3 Reflection on Musical Contacts of Olomouc Bishops from the 1… (10.5507/mo.2015.015)
Abstract ORCID
30.10 3
4 The Issue of "Discotheques" in Czechoslovak Popular Music wi… (10.5507/mo.2016.012)
Abstract ORCID
30.10 3
5 Carl Ditters' Relationship to Olomouc (10.5507/mo.2019.013)
Abstract ORCID
30.10 3
6 Rhythm and Polystylistic Rock Music (10.5507/mo.2013.004)
Abstract ORCID
23.86 2
7 On the figure of Konrad Schmitz in the context of musical li… (10.5507/mo.2014.005)
Abstract ORCID
23.86 2
8 Perception of Ditters' Opera Works in the Castle Theatre of… (10.5507/mo.2019.014)
Abstract ORCID
23.86 2
9 European and Czech Salon Piano Music in the Second Half of t… (10.5507/mo.2010.013)
Abstract ORCID
15.05 1
10 Zdeněk Fibich, Jan Ludevít Procházka, and Early Performances… (10.5507/mo.2010.018)
Abstract ORCID
15.05 1
11 Changes in Theatrical Performance and Their Influence on the… (10.5507/mo.2010.021)
Abstract ORCID
15.05 1
12 Fibich and Dvořák: The Hidden Friendship between Two "Enemie… (10.5507/mo.2010.033)
Abstract ORCID
15.05 1
13 On the History of Modern Popular Music in Olomouc: Evolution… (10.5507/mo.2011.001)
Abstract ORCID
15.05 1
14 Music in Jean-Paul Sartre's Philosophy (10.5507/mo.2011.006)
Abstract ORCID
15.05 1
15 The Relationship of the Population of the Czech Republic to… (10.5507/mo.2012.001)
Abstract ORCID
15.05 1
16 On History of Rock Music Culture in Olomouc: Water-Supply Sp… (10.5507/mo.2013.003)
Abstract ORCID
15.05 1
17 Beethoven, Schumann and Wagner: stylistic influence of Germa… (10.5507/mo.2013.014)
Abstract ORCID
15.05 1
18 Václav Jan Tomášek (1774-1850): A Versatile Lieder Composer?… (10.5507/mo.2014.009)
Abstract ORCID
15.05 1
19 Impacts of Inclusion on Music Education for Children with Sp… (10.5507/mo.2014.013)
Abstract ORCID
15.05 1
20 Samson, wake up! Musical Prague and our recollections (10.5507/mo.2015.003)
Abstract ORCID
15.05 1
21 A Musical Analysis of Mythical Thought in the Work of Claude… (10.5507/mo.2015.013)
Abstract ORCID
15.05 1
22 "Providing for the Active Participation of the Entire Assemb… (10.5507/mo.2015.014)
Abstract ORCID
15.05 1
23 Hans Mersmann and the Analysis of the New Music (10.5507/mo.2015.016)
Abstract ORCID
15.05 1
24 Max Brod as a Music Critic (10.5507/mo.2016.004)
Abstract ORCID
15.05 1
25 The Financial Situation of Bedřich Smetana in the Light of H… (10.5507/mo.2018.002)
Abstract ORCID
15.05 1
26 Carl Ditters von Dittersdorf. Notes on the Thematic Catalogu… (10.5507/mo.2019.012)
Abstract ORCID
15.05 1
27 Recent State of Research on the Life and Work of Carl Ditter… (10.5507/mo.2019.017)
Abstract ORCID
15.05 1
28 Anton Neumann. New Findings on the Life and Work of a Forgot… (10.5507/mo.2019.018)
Abstract ORCID
15.05 1
29 Johann Georg Orsler - A Silesian Musician in the Service of… (10.5507/mo.2019.019)
Abstract ORCID
15.05 1
30 Popularization of Anglo-American Rock in Czechoslovakia at t… (10.5507/mo.2020.011)
Abstract ORCID
15.05 1
31 Mapping Ukrainian Works Performed in French Musical Institut… (10.5507/mo.2024.009)
Abstract ORCID
15.05 1
32 Sonata of Jaroslav Ježek in the Context of the Composer's Wo… (10.5507/mo.2010.002)
Abstract ORCID
0.00 0
33 Relations between Chords and Functional Sequences in Composi… (10.5507/mo.2010.003)
Abstract ORCID
0.00 0
34 Origin and Beginnings of the Protection of Authors of Works… (10.5507/mo.2010.004)
Abstract ORCID
0.00 0
35 The Metamorphoses of the Czech Reception of the Opera Juliet… (10.5507/mo.2010.005)
Abstract References ORCID
0.00 0
36 Irreality of a Work of Music in Phenomenological Aesthetics (10.5507/mo.2010.006)
Abstract ORCID
0.00 0
37 Film Music in Czech Music Periodicals in the 1960s (10.5507/mo.2010.007)
Abstract ORCID
0.00 0
38 The Paradox of the Culminating Period of Pavel Křížkovský Wo… (10.5507/mo.2010.008)
Abstract ORCID
0.00 0
39 From Melodrama to Opera via Music Drama and Historical Repri… (10.5507/mo.2010.010)
Abstract ORCID
0.00 0
40 Wagnerianism in the Czech Lands in the 1880s (10.5507/mo.2010.011)
Abstract ORCID
0.00 0
41 The Fin-de-Siècle Symphonies of Zdeněk Fibich: Parallels and… (10.5507/mo.2010.012)
Abstract ORCID
0.00 0
42 "I Fear not Wave nor Wind": Aspects of Fibich's Journey towa… (10.5507/mo.2010.014)
Abstract ORCID
0.00 0
43 Progressive Stylistic Features in Fibich's Late Opera Šárka… (10.5507/mo.2010.015)
Abstract ORCID
0.00 0
44 A Missing Fibich Autograph Found in Vienna (10.5507/mo.2010.016)
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0.00 0
45 Zdeněk Fibich's Variations in B Flat Major for Piano - the D… (10.5507/mo.2010.017)
Abstract ORCID
0.00 0
46 Towards a Characterization of the Symphonies of Zdeněk Fibic… (10.5507/mo.2010.019)
Abstract ORCID
0.00 0
47 Czech and German Music in Prague before the First World War.… (10.5507/mo.2010.020)
Abstract ORCID
0.00 0
48 Zdeněk Fibich's Musical Speech in His Concert Melodramas (10.5507/mo.2010.022)
Abstract ORCID
0.00 0
49 The Context of the Melodrama Cycle Hippodamia by Jaroslav Vr… (10.5507/mo.2010.023)
Abstract References ORCID
0.00 0
50 Medea, Melodrama and the Limitations of Perception (10.5507/mo.2010.024)
Abstract References ORCID
0.00 0