2949-1606

Experience industries Socio-Cultural Research Technologies

Yaroslav-the-Wise Novgorod State University

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Deposit reference lists for 97 records

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DOIs for this ISSN

Showing the top 5 of 97 DOIs, ordered by correction priority.

# Title Missing Priority Citations
1 IS IT ALREADY POSSIBLE TO LAUGH? (THE CRISIS OF MODERN AESTH… (10.34680/eiscrt-2024-4(9)-132-197)
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2 GHOST, MONSTER, SKULL: POP CULTURE VALUES INTHE AMERICAN TEL… (10.34680/eiscrt-2023-3(4)-116-148)
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3 SCENARIOS OF MILITARIZATION OF EVERYDAY LIFE IN AMERICAN HOR… (10.34680/eiscrt-2023-3(4)-149-170)
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4 «TIMES ARE NOT CHOSEN. IN THEM LIVE AND DIE». REVIEW OF THE… (10.34680/eiscrt-2023-3(4)-172-192)
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5 SCYSCRAPER: A CASE FOR CONSPICUOUS AND DIGITAL CONSUMPTION (10.34680/eiscrt-2023-3(4)-21-43)
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6 Inferno of Yalta (demonization of the topos of the Crimean (… (10.34680/eiscrt-2023-3(4)-44-64)
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7 "The dead rule the living": Lenin as an agent, object and te… (10.34680/eiscrt-2023-3(4)-66-93)
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8 Power Enchanting: Experience as a Political (10.34680/eiscrt-2023-3(4)-9-19)
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9 THE VAMPIRE AS AN AGENT OF THE CHRONOPOLITICS OF SOVIET NOST… (10.34680/eiscrt-2023-3(4)-95-115)
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10 THE CATCHER IN THE RYE STYLE DUEL: METAMODERNIST STRATEGIES… (10.34680/eiscrt-2023-4(5)-114-134)
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11 VISUAL EXTREME, PERMEATED WITH THE SMELL OF FEAR AND “GUNPOW… (10.34680/eiscrt-2023-4(5)-135-168)
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12 GAME INDUSTRY METAVERSE: EXTENDED SELF ON THE BLURED BORDERS… (10.34680/eiscrt-2023-4(5)-170-191)
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13 FOREIGN “CARNIVAL” CULTURE: BETWEEN IDIOM AND VIRAL CONCEPT (10.34680/eiscrt-2023-4(5)-19-47)
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14 ENTANGLED IN THE WEB: THE HARMFUL INFLUENCE OF SOCIAL NETWOR… (10.34680/eiscrt-2023-4(5)-192-232)
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15 CRIMEAN SEARCHES FOR THE ORIGINS AND PATHS OF RUSSIAN CIVILI… (10.34680/eiscrt-2023-4(5)-234-247)
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16 PHILOSOPHY AND ART: TARKOVSKY AS THE FOUNDER OF A NEW DISCUR… (10.34680/eiscrt-2023-4(5)-49-86)
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17 THE PHILOSOPHICAL POETRY OF AN EXISTENTIAL NIGHTMARE,OR THE… (10.34680/eiscrt-2023-4(5)-87-112)
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18 ARTISTIC EXPERIENCE OF ACQUISITION OF MEANING: IMPRESSION, L… (10.34680/eiscrt-2023-4(5)-9-17)
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19 THE MYTHOPOETICS OF WINE AS AN IMAGINATIVE THE ABSOLUTE OF H… (10.34680/eiscrt-2024-1(6)-136-165)
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20 THE RELATIONSHIP OF CINEMA JOURNALISM AND PR IN THE FORMATIO… (10.34680/eiscrt-2024-1(6)-167-196)
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21 FITNESS VS BODY -ARMY PRACTICESOF FEMALE BODY FORMATION (10.34680/eiscrt-2024-1(6)-19-65)
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22 PROSTITUTION AND SEX TOURISM IN THE MODERN WORLD AS EXAMPLES… (10.34680/eiscrt-2024-1(6)-197-219)
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23 FROM "DEATH GROUPS" TO SMART MOBS: THE SOCIAL MEANING OF… (10.34680/eiscrt-2024-1(6)-220-250)
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24 ANACHRONISTIC SOUNDTRACK: RECYCLING SOVIET SONGS IN THE VIDE… (10.34680/eiscrt-2024-1(6)-66-84)
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25 VISUAL MILITARIZATION OF BEING:HOLLYWOOD STRATEGIES FOR AEST… (10.34680/eiscrt-2024-1(6)-85-133)
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26 LEISURE IN THE SPACE OF THE EXPERIENCE INDUSTRY:FROM ELITICI… (10.34680/eiscrt-2024-1(6)-9-17)
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27 THE MYTHOLOGICAL CAT-MATRIX OF CONSUMERIST SOCIETY: FROM FEE… (10.34680/eiscrt-2024-2(7)-127-155)
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28 EVOLUTION OF RUSSIAN BIKE CULTUREFROM MAD MAX TO NIGHT WOLF (10.34680/eiscrt-2024-2(7)-156-186)
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29 THE MYTHOPOETICS OF THE ARCHADERESSE (A STORY IN A GLASS OF… (10.34680/eiscrt-2024-2(7)-188-224)
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30 VARIABILITY OF WORLDVIEW EXPERIENCE:BRICOLAGE VS “BLUE PILL” (10.34680/eiscrt-2024-2(7)-21-54)
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31 REPRESENTATIONS OF EVERYDAY LIFE AND IMAGES OF THE TECHNOLOG… (10.34680/eiscrt-2024-2(7)-226-260)
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32 REVIEW OF THE BOOK BY E. G. HAMDAN “LEARNING TO UNDERSTAND R… (10.34680/eiscrt-2024-2(7)-262-269)
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33 A PLOT TWIST WITH THE PLAY OF CONSCIOUSNESS IN THE CINEMA: T… (10.34680/eiscrt-2024-2(7)-56-85)
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34 SERVING THE NOSTALGIA INDUSTRIES: THE MYTHOLOGY OF THE SOVIE… (10.34680/eiscrt-2024-2(7)-86-126)
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35 IMAGES OF CONSUMER WORLDVIEW: HISTORY, THE EVERYDAY, HORIZON… (10.34680/eiscrt-2024-2(7)-9-19)
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36 IS A GENIUS WHO TURNS OUT TO BE A TRANSGRESSIVE PERSONSHOCKI… (10.34680/eiscrt-2024-3(8)-117-152)
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37 WOMEN'S NOVEL –LITERATURE, WASTEPAPER AND... PSYCHOLOGY (10.34680/eiscrt-2024-3(8)-154-197)
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38 THE SUNSET OF THE AESTHETICS OF THE BOUDOIR. THE SOVIET SUBJ… (10.34680/eiscrt-2024-3(8)-198-237)
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39 SCREEN CULTURE: THE ESSENCE AND PROSPECTS OF TRANSFORMATION (10.34680/eiscrt-2024-3(8)-22-53)
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40 "COCKTAIL" CHEBURASHKA: MEDIA TECHNOLOGIES FOR CREATING AND… (10.34680/eiscrt-2024-3(8)-238-275)
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41 THE GREAT BUILDINGS OF COMMUNISM IN THE MIRROR OF SOVIET NOS… (10.34680/eiscrt-2024-3(8)-276-301)
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42 REGION IN THE WORKS OF MATUSOVSKY AND SOVIET CINEMA (10.34680/eiscrt-2024-3(8)-302-340)
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43 ALMA VALLEY MYTHOPOETICS (CRIMEAN MODERN WINE) (10.34680/eiscrt-2024-3(8)-342-376)
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44 ВСПОМНЯТ ЛИ «УМНЫЕ ТОЛПЫ» АНДРОИДОВ ОБ ЭЛЕКТРООВЦАХ, ИЛИ КАК… (10.34680/eiscrt-2024-3(8)-378-405)
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45 ON THE PROBLEM OF SEGMENTATION OF MODERN TELEVISION AUDIENCE… (10.34680/eiscrt-2024-3(8)-54-81)
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46 MASS CULTURE: THE PURSUIT OF THE CONSUMER OR ITS PRODUCTION (10.34680/eiscrt-2024-3(8)-82-116)
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47 SCREEN CULTURE IN THE MIRRORS OF VISUAL NOSTALGIA (10.34680/eiscrt-2024-3(8)-9-20)
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48 OVER THE CATCH OF LIES: NATIONALIST WANDERING OF POST-SOVIET… (10.34680/eiscrt-2024-4(9)-19-52)
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49 THE MYTHOPOETICS OF KOKTEBEL (WINE. MYSTICISM. FRONTIER) (10.34680/eiscrt-2024-4(9)-199-246)
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50 THE PHENOMENON OF FANTASY: HOW THE GENRE BECAME ONE OF THE P… (10.34680/eiscrt-2024-4(9)-248-283)
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