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| 6177 | Interactive documentary as a living and embodying experience… (10.5195/cinej.2024.617) | References | 0.00 | 0 | 2158-8724 |
| 6178 | Mary Shelley Biopic (2017): A filmic discourse analysis (10.5195/cinej.2024.618) | References | 0.00 | 0 | 2158-8724 |
| 6179 | Reading Stanley Kubrick’s The Shining Against the Backdrop o… (10.5195/cinej.2024.621) | References | 0.00 | 0 | 2158-8724 |
| 6180 | The Ultimately Determinant Role of Economy in Yilmaz Güney's… (10.5195/cinej.2024.622) | References | 0.00 | 0 | 2158-8724 |
| 6181 | A Sentimental Android? M3GAN (2022) and Monstrous Doubling a… (10.5195/cinej.2024.633) | References ORCID | 0.00 | 0 | 2158-8724 |
| 6182 | Ecranisation Analysis of Chimamanda Ngozi Adichie’s Half of… (10.5195/cinej.2024.639) | References | 0.00 | 0 | 2158-8724 |
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| 6185 | Review of Farmed Animals on Film: A Manifesto for a New Ethi… (10.5195/cinej.2024.652) | References ORCID | 0.00 | 0 | 2158-8724 |
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