| 2926 | HIV Risks, Testing, and Treatment in the Former Soviet Union… (10.5195/cajgh.2015.225) | References ORCID | 15.05 | 1 | 2166-7403 |
| 2927 | Correlation between Reproductive Hormonal Level and Osteopor… (10.5195/cajgh.2015.239) | References ORCID | 15.05 | 1 | 2166-7403 |
| 2928 | Screening Procedure for Hemihypertrophy: Preliminary Results… (10.5195/cajgh.2019.336) | References ORCID | 15.05 | 1 | 2166-7403 |
| 2929 | TRACK Implementation: a Bangladesh Scenario (10.5195/cajgh.2020.416) | References | 15.05 | 3 | 2166-7403 |
| 2930 | The Influence of Václav Klaus on Czech Public Opinion Regard… (10.5195/cbp.2017.219) | References ORCID | 15.05 | 1 | 2163-839X |
| 2931 | Subtitling in the Nigerian Film Industry, Informative or Mis… (10.5195/cinej.2014.100) | References ORCID | 15.05 | 1 | 2158-8724 |
| 2932 | Reading of the Architectural Identity via Cinema (10.5195/cinej.2014.118) | References ORCID | 15.05 | 1 | 2158-8724 |
| 2933 | Of Genes and Germs: The Agenda of Health in Contemporary Hol… (10.5195/cinej.2015.129) | References ORCID | 15.05 | 1 | 2158-8724 |
| 2934 | Post-TV: Piracy, Cord-Cutting, and the Future of Television (10.5195/cinej.2015.136) | References ORCID | 15.05 | 1 | 2158-8724 |
| 2935 | Screening the Urban: An Analysis of the Urban Life and Subje… (10.5195/cinej.2016.140) | References ORCID | 15.05 | 1 | 2158-8724 |
| 2936 | House of Affection: On the Way to the School (10.5195/cinej.2016.143) | References ORCID | 15.05 | 1 | 2158-8724 |
| 2937 | Transnational Life: Where’d I Be Happy? A Research on the F… (10.5195/cinej.2017.159) | References ORCID | 15.05 | 1 | 2158-8724 |
| 2938 | Women Trauma and Stereotype Tradition in Tunde Kelani’s Film… (10.5195/cinej.2017.176) | References ORCID | 15.05 | 1 | 2158-8724 |
| 2939 | Violence in the Postcolonial Ghetto: Ngozi Onwurah's Welcome… (10.5195/cinej.2018.201) | References ORCID | 15.05 | 1 | 2158-8724 |
| 2940 | Why to sell car to junkyard? (10.5195/cinej.2018.213) | References ORCID | 15.05 | 1 | 2158-8724 |
| 2941 | “Youtuber Movies” From New Media to the Cinema (10.5195/cinej.2019.230) | References | 15.05 | 3 | 2158-8724 |
| 2942 | Samsara documentary: narrative and discourse analysis and a… (10.5195/cinej.2019.234) | References ORCID | 15.05 | 1 | 2158-8724 |
| 2943 | Deglamming as Estrangement: Ugly in Monster, The Hours, and… (10.5195/cinej.2020.268) | References ORCID | 15.05 | 1 | 2158-8724 |
| 2944 | The Liminal and the Surreal: The Space of Limbo and Dreams i… (10.5195/cinej.2021.342) | References ORCID | 15.05 | 1 | 2158-8724 |
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| 2946 | Changes in Women’s Representations in Turkish Cinema from th… (10.5195/cinej.2021.450) | References ORCID | 15.05 | 1 | 2158-8724 |
| 2947 | The Role of the Chorus in Akira Kurosawa's 1990 Yume (Dreams… (10.5195/cinej.2024.585) | References ORCID | 15.05 | 1 | 2158-8724 |
| 2948 | Imagining Friends and Foes: The (Re)Education of Jojo Rabbit (10.5195/cinej.2024.601) | References ORCID | 15.05 | 1 | 2158-8724 |
| 2949 | Mirror of Time: Temporality and Contemporaneity in the work… (10.5195/contemp.2012.38) | References ORCID | 15.05 | 1 | 2153-5914 |
| 2950 | Marking Time: Women and Nazi Propaganda Art during World War… (10.5195/contemp.2012.43) | References ORCID | 15.05 | 1 | 2153-5914 |