| 6101 | Interpersonal Relations as a Tool to Film Directing (10.5195/cinej.2018.189) | References ORCID | 0.00 | 0 | 2158-8724 |
| 6102 | Order, Disobedience and Power in Kieslowski’s Dekalog (10.5195/cinej.2018.199) | References ORCID | 0.00 | 0 | 2158-8724 |
| 6103 | Comic Venus: Women and Comedy in American Silent Film (10.5195/cinej.2018.205) | References ORCID | 0.00 | 0 | 2158-8724 |
| 6104 | Going Beyond Boundaries: There is a Way and the Use of Engli… (10.5195/cinej.2018.206) | References ORCID | 0.00 | 0 | 2158-8724 |
| 6105 | The War that Won't Die: The Spanish Civil War in Cinema (10.5195/cinej.2018.208) | References ORCID | 0.00 | 0 | 2158-8724 |
| 6106 | Queer Theory and Brokeback Mountain (10.5195/cinej.2018.211) | References ORCID | 0.00 | 0 | 2158-8724 |
| 6107 | Political Claustrophobia in Lars von Trier’s Europa and Amer… (10.5195/cinej.2018.218) | References | 0.00 | 0 | 2158-8724 |
| 6108 | Let’s Make it American: American Remakes of the British Fil… (10.5195/cinej.2018.221) | References | 0.00 | 0 | 2158-8724 |
| 6109 | The Homosexual Male Gaze: Normalizing Homosexuality through… (10.5195/cinej.2019.177) | References ORCID | 0.00 | 0 | 2158-8724 |
| 6110 | Star Wars: The Force Awakens [the Western Pleasure Principle… (10.5195/cinej.2019.216) | References | 0.00 | 0 | 2158-8724 |
| 6111 | Inner and deeper: Motifs of fiction in Werner Herzog's films (10.5195/cinej.2019.224) | References | 0.00 | 0 | 2158-8724 |
| 6112 | Rethinking Pornography within the Context of the New French… (10.5195/cinej.2019.236) | References ORCID | 0.00 | 0 | 2158-8724 |
| 6113 | Miyazakiworld: A Life in Art (10.5195/cinej.2019.245) | References ORCID | 0.00 | 0 | 2158-8724 |
| 6114 | Comic Venus: Women and Comedy in American Silent Film (10.5195/cinej.2019.246) | References ORCID | 0.00 | 0 | 2158-8724 |
| 6115 | Editorial (10.5195/cinej.2019.250) | References | 0.00 | 0 | 2158-8724 |
| 6116 | From Box office to memory: Telling stories is not an innocen… (10.5195/cinej.2020.182) | References ORCID | 0.00 | 0 | 2158-8724 |
| 6117 | Crushing Life in the Anthropocene? Destroying Simulated "Nat… (10.5195/cinej.2020.225) | References | 0.00 | 0 | 2158-8724 |
| 6118 | Rethinking Pornography within the Context of the New French… (10.5195/cinej.2020.236) | References ORCID License | 0.00 | 0 | 2158-8724 |
| 6119 | Cinema And Society In The Light Of Emile Zola’s Naturalism (10.5195/cinej.2020.244) | References ORCID | 0.00 | 0 | 2158-8724 |
| 6120 | A Reading of Bhabendra Nath Saikia's Films from Feminist Len… (10.5195/cinej.2020.261) | References ORCID | 0.00 | 0 | 2158-8724 |
| 6121 | Transformation of Love in the Digital Age: The film Her and… (10.5195/cinej.2020.264) | References | 0.00 | 0 | 2158-8724 |
| 6122 | The Study of Rubaiyat attributed to Khayyam in Movies (10.5195/cinej.2020.271) | References | 0.00 | 0 | 2158-8724 |
| 6123 | Antiochia As A Cinematic Space and Semir Aslanyürek as a Fil… (10.5195/cinej.2020.279) | References | 0.00 | 0 | 2158-8724 |
| 6124 | Remembering Thomas Elsaesser and Peter Wollen (10.5195/cinej.2020.286) | References | 0.00 | 0 | 2158-8724 |
| 6125 | review of Allegory in Iranian Cinema: The Aesthetics of Poet… (10.5195/cinej.2020.292) | Abstract References ORCID | 0.00 | 0 | 2158-8724 |